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• Details the healing techniques and folk wisdom the author learned from her Italian grandparents and from healers in Southern Italy, including plant preparation methods, medicines, rituals, recipes, kitchen magic, and protective magic • Provides a materia medica of plants important in this tradition, sharing each plant’s history, mythology, and both practical and magical uses • Reveals how working with traditional plant medicines can help us connect to and revitalize our own ancestral traditions for deep inner healing Building upon the in-depth folk wisdom she learned from her immigrant grandparents as well as from local healers in Southern Italy, second-generation Italian-American and experienced herbalist Lisa Fazio shares herbal traditions and practices from the Italian diaspora and reveals how working with traditional plant medicines can help us connect to ancestral traditions for deep inner healing. She explains how the herbal healing practices of her Italian ancestors were simply a part of everyday life, what they called Benedicaria, which literally means “the Blessing Way” but is more often translated as “the things we do.” Examining how plants are not only food and medicine but a vital yet invisible part of traditional communities, she details the techniques of Benedicaria, folk Catholicism, and the animistic traditions of her ancestors, including plant dialects, preparation methods, rituals, and recipes, as well as provides a materia medica. Discussing the relationship between Italian folk medicine and Italian witchcraft, she explores kitchen magic and protective magic, including practices for warding off the adverse effects of the evil eye. Sharing valuable and nearly forgotten teachings from the Southern Italian herbal tradition, the author also shows how her journey to reconnect with her family’s healing practices offers guidance for anyone seeking to reconnect with their ancestors.
"Il castello dei destini incrociati" di Italo Calvino è una raccolta di racconti che prende spunto dalle carte dei Tarocchi. Degli strani personaggi che stanno in un castello - e in una taverna, nella seconda parte del libro - prendono a turno le carte dal tavolo e in base alla sequenza costruiscono le loro storie. Nell'ultima pagina, in una nota di Calvino si legge: "..Voglio ancora informare che per un certo tempo nelle mie intenzioni questo volume avrebbe dovuto contenere non due ma tre testi...". Questo libro trae ispirazione dal progetto incompiuto di costruire la terza parte del volume, ambientandolo ai giorni nostri in una baita di montagna. Gli arcani sono 22, come i racconti che compongono questa silloge. Quattro voci narranti, due uomini e due donne, si alterneranno nei racconti
Ranging from such classics as bridge, poker, whist, and rummy to the more familiar Cucumber, Pishti, Go Fish, and Spinado, this book provides clear and expert advice on the rules and playing strategies of virtually any card game popular in the Western world. Discover such historical favourites as hombre, piquet, and trappola, great national games, including belote (France), scopa (Italy), and skat (Germany), and all manner of patience and tarot games. Whether planning party games (Newmarket, Old Maid, and Oh Hell!), or a civilized card evening with friends, this will be an invaluable source of information and entertainment.
Excerpt from Sword Blades and Poppy Seed N 0 one expects a man to make a chair Without first learning how, but there is a popular impres sion that the poet is born, not made, and that his verses burst from his overflowing heart of them selves. As a matter of fact, the poet must learn his trade in the same manner, and With the same painstaking care, as the cabinet-maker. His heart may overflow with high thoughts and sparkling fancies, but if he cannot convey them to his reader by means of the written word he has no claim to be considered a poet. A workman may be par doned, therefore, for spending a few moments to explain and describe the techhique of his trade. A work of beauty Which cannot stand an inti mate examination is a poor and jerry-built thing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
Analyzes the pornographic poetry, letters, plays, and verse dialogues written in poet Domenico Venier's social circle, showing how male writers created female characters who were defiled and available to all. Also shows how two women writers with ties to the salon appropriated and transformed these tropes of female sexuality.
Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance marketplace. Thereafter, Welch looks at the impact these attitudes had on the developing urban spaces of Renaissance cities, before turning to more transient forms of sales such as fairs, auctions and lotteries. In the third section, she examines the consumers themselves, asking how the mental, verbal and visual images of the market shaped the business of buying and selling. Finally, the book explores two seemingly very different types of commodities - antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.