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Porsha Olayiwola’s debut poetry collection soars with the power and presence of live performance. These poems dip their hands into the fabric of black womanhood and revel in it. Shimmer establishes Olayiwola firmly in the lineage of black queer poetics, celebrating the work done by generations of poets from Audre Lorde to Danez Smith. Each poem is a gentle breaking and an inventive reconstruction. This is a book of self and community-care―in pursuit of building a world that will not only keep you alive but will keep you joyful. Advance praise for i shimmer sometime, too In Porsha Olayiwola’s capable hands, language becomes elastic, becomes kaleidoscopic. i shimmer sometimes, too is cinematic, is magic, and graceful education in the possibilities of form -Safia Elillo, Author Of The January Children In language that is both pungent and poignant, Porsha Olayiwola plumbs a dispora of resilience, rich in ringshouts and inner-city blues chanted to the sky. i shimmer sometimes, too is luminous indeed. -Jabari Asim, Author of We Can’t Breathe Each poem is a lesson, a story, a mirror that Olayiwola holds up to ensure we pay attention to that which we may have overlooked. -Clint Smith, Author of Counting Descent
Written after the death of his mother, Donte Collins’s Autopsy establishes the poet as one of the most important voices in the next generation of American poetry. As the book unfolds, the reader journeys alongside the author through grief and healing. Named the Most Promising Young Poet in the country by the Academy of American Poets, Collins's work has consistently wowed audiences. Autopsy propels that work onto the national stage. In the words of the author, the book is a spring thaw -- the new life alongside the old, the good cry and the release after.
Desireé Dallagiacomo's debut book grapples with the intersections of family and mental health. Sink asks and answers hard questions about grief, lineage, death and all manner of inheritance. What is one left with when they come from a family that has nothing to its name but loss? Throughout, Dallagiacomo weighs the cost of what it is to be alive and a woman in a landscape that makes being alive and a woman uninviting. Sink approaches grief and depression not as a tourist, but instead with the power and nuance of someone who has survived and made the most of their survival.
This is the first English translation of selected poems by one of the most important and unusual modern poets of South Korea. In contrast to the strident political protests found in the poetry of many of his contemporaries, Pak Chaesam's work is characterized by intimate portraits of place, nature, childhood, and human relationships, and by indirection, nostalgia, and reflectiveness. Often focused upon the border of this world and some other, Pak writes with a spareness of presentation but a cornucopia of imagery, meticulously exploring objective and subjective realms of existence and memory. Encouraging the reader to see and listen, and to allow the sensory to reshape the analytical, Pak's poetry opens up new realms of experience. A fellow Korean poet described Pak's poetry as being "the most exquisite expression of the Korean sense of han," or melancholy.
"Forgive my bluntness, but...Goddamn, Sam Sax can write some poems. Devastating, comic, inventive, weird, dangerous, smart as hell. I could talk about the diction sometimes glass and sometimes bouquet. Or the syntax jagged here, balletic there. Or the metaphors, good lord. But the bottom line is that when reading the poems in A GUIDE TO UNDRESSING YOUR MONSTERS, one after the next, I kept saying to myself, probably twisting my face a little bit or squirming in my seat, "Goddamn, Sam Sax can write some poems." Ross Gay
To save her sister’s life, Faris must smuggle magic into a plague-ridden neighboring kingdom in this exciting and dangerous start to a brand-new fantasy duology. Faris grew up fighting to survive in the slums of Brindaigel while caring for her sister, Cadence. But when Cadence is caught trying to flee the kingdom and is sold into slavery, Faris reluctantly agrees to a lucrative scheme to buy her back, inadvertently binding herself to the power-hungry Princess Bryn, who wants to steal her father’s throne. Now Faris must smuggle stolen magic into neighboring Avinea to incite its prince to alliance—magic that addicts in the war-torn country can sense in her blood and can steal with a touch. She and Bryn turn to a handsome traveling magician, North, who offers protection from Avinea’s many dangers, but he cannot save Faris from Bryn’s cruelty as she leverages Cadence’s freedom to force Faris to do anything—or kill anyone—she asks. Yet Faris is as fierce as Bryn, and even as she finds herself falling for North, she develops schemes of her own. With the fate of kingdoms at stake, Faris, Bryn, and North maneuver through a dangerous game of magical and political machinations, where lives can be destroyed—or saved—with only a touch.
A revelatory portrait of McCarthy-era Manhattan—back in print! It is 1948 in Manhattan. Aspiring reporter Sylvia Golubowsky pays her dues in the steno pool at the tabloid New York Star, along with sixteen other girls whose eyes are on the back of the chair in front of them, the next step up the ladder. At the rival paper across town, gossip columnist Austin Van Cleeve rules New York and Washington with his venomous pen. In the Village, Columbia University graduate Cal Byfield is stuck flipping burgers to support his dream of a Negro theater on Broadway. Against the backdrop of post–World War II New York City and under the growing shadow of the Red Scare, these three indelible characters collide with one another amidst the larger drama of the historical moment. In a fresh re-interpretation of the McCarthy era, Sarah Schulman reframes our understanding of the “blacklist” to show how racial and sexual discrimination create their own ongoing exclusions and how the politics of treachery affect the most intimate relationships. First published in 1998, Shimmer draws parallels between the McCarthy era and contemporary American life and upends the tropes of film noir, pulp fiction, and set pieces of midcentury America by positioning a Black man and a queer Jewish woman as emblematic Americans. In a story set before the advent of the collective revolutionary movements of the 1960s, Cal and Sylvia learn the hard way that the American Dream was not available to them. This new edition of Shimmer includes a postscript by the author.
In just three years, CEO Robbie Case has grown Core Communications, a data technology company, from 30 people to over 5,000. Now a $20 billion company made legendary by its sudden success, Core is based on a technology no other company can come close to copying, a revolutionary breakthrough known as “drawing blood from a mainframe.” And Robbie, its 35-year-old CEO, is acclaimed worldwide for his vision, leadership and wealth. Except that all of it is based on a lie. The technology doesn’t work, the finances are built on a Ponzi scheme of stock sales and shell corporations, and Robbie is struggling to keep the company alive, to protect the friends who work for him and all that they’ve built. Each day, Robbie tries to push the catastrophe back a little further, while his employees believe that they are all moving closer to “grace,” the day their stock options vest, when they will be made rich for their faith and loyalty and hard work. The details of the lie are all keyed into a shadowy interface that Robbie calls Shimmer, an omniscient mainframe that hides itself, calculates its own collapse, threatens to outsmart its creator and to reveal the corporation’s illegal, fragile underpinnings. Shimmer is the story of a high-tech crusade nearing its end. The shell game Robbie has created is finally running out of room. And Robbie is the only one who knows or who has a chance to make things right. Or is he? A breathless debut novel that charges the atmosphere with suspense and surprise and delivers complex characters you can root for in spite of their flaws, Shimmer is Robbie’s race against the truth.
The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.
2023 The Black Caucus of the American Library Association - Poetry Winner 2022 Heartland Bookseller Awards Finalist A Peculiar People creates an entire microcosm within these poems. Steven Willis crafts a cast of characters, showcasing their struggles, identities, & underlying emotions. Willis champions the art of storytelling: weaving pop-culture and screenwriting elements to allow the reader to view this social commentary with a fresh lens. This collection examines the author's life experience; the pain of being Black and facing systemic racism.