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In a comic masterpiece following the misadventures of a simple but hugely ambitious waiter in pre-World War II Prague, who rises to wealth only to lose everything with the onset of Communism, Bohumil Hrabal takes us on a tremendously funny and satirical trip through 20th-century Czechoslovakia. First published in 1971 in a typewritten edition, then finally printed in book form in 1989, I Served the King of England is "an extraordinary and subtly tragicomic novel" (The New York Times), telling the tale of Ditie, a hugely ambitious but simple waiter in a deluxe Prague hotel in the years before World War II. Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.
Chronicles the experiences of Ditie, who rises from busboy to hotel owner in World War II Prague, and whose life is shaped by the fate of his country before, during, and after the conflict.
A literary master’s story about the aggravations and great joys of cats, from “a most sophisticated novelist, with a gusting humor and a hushed tenderness of detail” (Julian Barnes) In the autumn of 1965, flush with the unexpected success of his first published books, the Czech author Bohumil Hrabal bought a cottage in Kersko. From then until his death in 1997, he divided his time between Prague and his country retreat, where he wrote and tended to a community of feral cats. Over the years, his relationship to cats grew deeper and more complex, becoming a measure of the pressures, both private and public, that impinged on his life as a writer. All My Cats, written in 1983 after a serious car accident, is a confessional memoir, the chronicle of an author who becomes overwhelmed. As he is driven to the brink of madness by the dilemmas created by his indulgent love for the animals, there are episodes of intense brutality as he controls the feline population. Yet in the end, All My Cats is a book about Hrabal’s relationship to nature, about the unlikely sources of redemption that come to him unbidden, like a gift from the cosmos—and about love.
Described as “one of the great prose stylists of the twentieth century,” Bohumil Hrabal ranks among the most important and widely translated Czech authors. Jiří Pelán, a respected scholar of Czech, French and Italian literature, approaches Hrabal as a comparatist, expertly situating him within the context of European and world literature, as he explores the entirety of Hrabal’s oeuvre and its development over sixty years. Praised for its concise, clear and readable style, Bohumil Hrabal: A Full-length Portrait offers international readers an important Czech perspective on the world-class author. Contains 32 photographs of Bohumil Hrabal, a list of his works’ English translations to date, and a bibliography of international scholarship.
A fable about the power of books and knowledge, “finely balanced between pathos and comedy,” from one of Czechoslovakia’s most popular authors (Los Angeles Times). A New York Times Notable Book Haňtá has been compacting trash for thirty-five years. Every evening, he rescues books from the jaws of his hydraulic press, carries them home, and fills his house with them. Haňtá may be an idiot, as his boss calls him, but he is an idiot with a difference—the ability to quote the Talmud, Hegel, and Lao-Tzu. In this “irresistibly eccentric romp,” the author Milan Kundera has called “our very best writer today” celebrates the power and the indestructibility of the written word (The New York Times Book Review).
Wonderful stories of Communist Prague by “the masterly Bohumil Hrabal” (The New Yorker) Never before published in English, the stories in Mr. Kafka and Other Tales from the Time of the Cult were written mostly in the 1950s and present the Czech master Bohumil Hrabal at the height of his powers. The stories capture a time when Czech Stalinists were turning society upside down, inflicting their social and political experiments on mostly unwilling subjects. These stories are set variously in the gas-lit streets of post-war Prague; on the raucous and dangerous factory floor of the famous Poldi steelworks where Hrabal himself once worked; in a cacophonous open-air dance hall where classical and popular music come to blows; at the basement studio where a crazed artist attempts to fashion a national icon; on the scaffolding around a decommissioned church. Hrabal captures men and women trapped in an eerily beautiful nightmare, longing for a world where “humor and metaphysical escape can reign supreme.”
Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.
An unforgettable portrait of a major pioneering artist, by “Czechoslovakia’s greatest writer” (Milan Kundera) The Gentle Barbarian is Bohumil Hrabal’s moving homage to Vladimír Boudník, a brilliant but troubled Czech graphic artist who died tragically at the age of forty-four a few months after the Soviet occupation of Czechoslovakia in 1968. The Gentle Barbarian takes us to the heart of Boudník’s creative drive: his gift for infusing the objects and events of everyday life with transcendent magic, and his passion for sharing his ideas and his art with anyone willing to listen. Hrabal’s anecdotal portrait includes another controversial figure in that early postwar Czech avant-garde: the poet Egon Bondy, the pen name and alter ego of a self-styled “left-wing Marxist” philosopher called Zbynek Fišer. Hrabal’s amazing memoir celebrates the creative spirits who strove to reject, ignore, or burrow beneath an artificial “revolutionary” fervor. Fueled by vast quantities of beer, emboldened by friendship, driven by a sense of their own destiny, they filled the intellectual and spiritual vacuum around them with manic humor, inspiration, and purpose, and in doing so, pointed the way to a kind of salvation.
This is a collection of Jan Neruda's intimate, wry, bittersweet stories of life among the inhabitants of the Little Quarter of nineteenth-century Prague. These finely tuned and varied vignettes established Neruda as the quintessential Czech nineteenth-century realist, the Charles Dickens of a Prague becoming ever more aware of itself as a Czech rather than an Austrian city. Prague Tales is a classic by a writer whose influence has been acknowledged by generations of Czech writers, including Ivan Klíma, who contributes an introduction to this new translation.
Hrabal's postwar classic about a young man's coming of age in German-occupied Czechoslovakia is among his most beloved and accessible works. Closely Watched Trains is the subtle and poetic portrait of Milos Hrma, a timid young railroad apprentice who insulates himself with fantasy against a reality filled with cruelty and grief. Day after day as he watches trains fly by, he torments himself with the suspicion that he himself is being watched and with fears of impotency. Hrma finally affirms his manhood and, with a sense of peace and purpose he has never known before, heroically confronts a trainload of Nazis.