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"This endlessly fun and hugely entertaining romp through Europe had me laughing out loud and reaching for my passport.” —Jennifer E. Smith, author of Windfall A POPSUGAR Best Young Adult Novel of 2017! Nineteen-year-old Sydney has the perfect summer mapped out. She’s spending the next four and a half weeks travelling through Europe with her childhood best friend Leela. Their plans include Eiffel Tower selfies, eating cocco gelato, and making out with très hot strangers. Her plans do not include Leela’s cheating ex-boyfriend showing up on the flight to London, falling for the cheating ex-boyfriend’s très hot friend, monitoring her mother’s spiraling mental health via texts, or feeling like the rope in a friendship tug of war. In this hilarious and unforgettable adventure, New York Times bestselling author Sarah Mlynowski tells the story of a girl learning to navigate secret romances, thorny relationships, and the London Tube. As Sydney zigzags through Amsterdam, Switzerland, Italy, and France, she must learn when to hold on, when to keep moving, and when to jump into the Riviera...wearing only her polka dot underpants.
A humorous look at the science, fashion, and social ramifications of underwear throughout history.
From the New York Times bestselling author of the Whatever After series, the sequel to Bras & Broomsticks and the second book in the hilariously bewitching Magic in Manhattan series! Rachel has finally come to terms with the outrageously unfair fact that her younger sister, Miri, has inherited magical powers from their mom. But now the whole witchcraft thing is spiraling out of control. Mom is a magicaholic, Miri’s on a Save the World kick, and the one teeny tiny love spell that Rachel begged for has gone embarrassingly, horribly wrong. Suddenly, the fate of everything is in Rachel’s hands. Her family. The world. Senior prom. "I loved this book—it's even funnier than Bras & Broomsticks. More hormones, more action, more magic—more Mlynowski. What else could you want?" —E. Lockhart, author of We Were Liars and Genuine Fraud "A creative, frolicsome tale . . . Readers will find themselves quickly swept away on the broomstick of Mlynowski's second installment." —New York Post "Just as sweet and funny as its predecessor . . . wonderfully fast-paced and clever." —Booklist "Simply charming." —Publishers Weekly
When divorced mom Sadie Ford realizes her 17-year-old daughter Scarlett has run away to Paris all she can imagine are terrorist bombings and sex slaves. After learning her daughter chased a French exchange student home, Sadie hops on the next plane in pursuit. She joins forces with the boy's father, Auguste, and the two attempt to find the missing teens. The chase takes Sadie and Auguste to the seedier side of Marseille, where their own connection is ignited. Since the divorce, Sadie has devoted herself to raising kids and putting her dreams on hold, but when her daughter needs her most, Sadie finds that concrete barrier to life beginning to crack. In her journey, she learns the difference between watching the hours pass and living.
There were eccentric characters in the hotel. The Paris slums are a gathering-place for eccentric people—people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behaviour, just as money frees people from work. Some of the lodgers in our hotel lived lives that were curious beyond words. There were the Rougiers, for instance, an old, ragged, dwarfish couple who plied an extraordinary trade. They used to sell postcards on the Boulevard St Michel. The curious thing was that the postcards were sold in sealed packets as pornographic ones, but were actually photographs of chateaux on the Loire; the buyers did not discover this till too late, and of course never complained. The Rougiers earned about a hundred francs a week, and by strict economy managed to be always half starved and half drunk. The filth of their room was such that one could smell it on the floor below. According to Madame F., neither of the Rougiers had taken off their clothes for four years.
Following in the tradition of J. K. Rowling and Roald Dahl, Kimmy Schmidt is an exciting new voice in middle-grade fantasy adventure. This debut will change the way boys and girls everywhere see the world -- and each other! Penn dreads the day that he will start to become a monster, but it's inevitable. The youngest of his tribe in Greemulax, he knows that as boys become men, they turn into powerful, hairy blue creatures called Grabagorns, and that their solemn vow is to never again be weak. Legend has it that dragons all but destroyed Greemulax years ago during a terrible time known as the Great Scorch. Not one of the tight-knit community's girls or women survived, and the men, ruled by Grabagorn Prime, have lived in mourning and anger ever since. But when one of Penn's dragon traps catches a real live girl named Kristy, he starts to question everything he thought was true. Together, Penn and Kristy set off on an adventure that will take them to a tugboat in a tree and through a treacherous lake of pudding, toward a candy forest guarded by dragons that might hold the answers they seek. The more time they spend with each other, however, the faster Penn transforms into the monster he fears, and the more Kristy seems to fade away into nothing. Can they reach their destination before it's too late? In recognition of this book's release, NBCUniversal is making a donation in support of Prevent Child Abuse America.
While the study of children's poetry has always had a place in the realm of children's literature, scholars have not typically considered it in relation to the larger scope of contemporary poetry. In this volume, Joseph T. Thomas, Jr., explores the "playground" of children's poetry within the world of contemporary adult poetic discourse, bringing the complex social relations of play and games, cliques and fashions, and drama and humor in children's poetry to light for the first time. Poetry's Playground considers children's poetry published in the United States from the mid-twentieth century onward, a time when many established adult poets began writing for young audiences. Through the work of major figures like Robert Frost, Gwendolyn Brooks, Carl Sandburg, Randall Jarrell, Theodore Roethke, Shel Silverstein, and Jack Prelutsky, Thomas explores children's poems within the critical and historical conversations surrounding adult texts, arguing at the same time that children's poetry is an oft-neglected but crucial part of the American poetic tradition. Canonical issues are central to Poetry's Playground. The volume begins by tracing Robert Frost's emergence as the United States' official school poet, exploring the political and aesthetic dimensions of his canonization and considering which other poets were pushed aside as a result. The study also includes a look at eight major anthologies of children's poems in the United States, offering a descriptive canon that will be invaluable to future scholarship. Additionally, Poetry's Playground addresses poetry actually written and performed by children, exploring the connections between folk poetry produced both on playgrounds and in the classroom. Poetry's Playground is a groundbreaking study that makes bold connections between children's and adult poetry. This book will be of interest to poets, scholars of poetry and children's literature, as well as students and teachers of literary history, cultural anthropology, and contemporary poetry.
A bunch of friendly vegetables wear colorful underwear of all varieties—big, small, clean, dirty, serious, and funny—demonstrating for young ones the silliness and necessity of this item of clothing. The unexpectedness of vegetables in their unmentionables is enough to draw giggles, but the pride with which the “big kid” attire is flaunted in front of the baby carrots in diapers will tickle readers of all ages. With rhyming text that begs to be chanted aloud and art that looks good enough to eat, this vibrant story will encourage preschoolers to celebrate having left those diapers behind!
Praised by New York Times bestselling author Lauren Myracle as “hilarious, moving and flat-out fun,” and Kirkus as a “pitch-perfect rendering…of the teen experience,” Ten Things We Did (and Probably Shouldn't Have) has captured the hearts of critics and readers alike. Fans of Sarah Dessen, E. Lockhart, and Maureen Johnson will love this hilarious and heartwarming tale of a girl on her own for the first time. If given the opportunity, what sixteen-year-old wouldn’t jump at the chance to move in with a friend and live parent-free? Although maybe “opportunity” isn’t the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: “Lied to Our Parents”). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up “Skipping School” (#3), “Buying a Hot Tub” (#4), and, um, “Harboring a Fugitive” (#7) is a mystery to them. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn’t-have-done at a time.
In 1995, Adam Gopnik and his wife, and their infant son left the familiar comforts and hassles of New York for the urbane glamour of Paris. Charmed by the beauties of the city, Gopnik set out to experience for himself the spirit and romance that has so captivated American writers throughout the Twentieth century. In the grand tradition of Stein and Hemingway, Gopnik planned to walk the paths of the Tuilleries, to enjoy philosophical discussion in cafes in short, to lead the fabled life of an American in Paris. Of course, as readers of Gopnik's beloved 'Paris Journals' in the New Yorker know, there was also the matter of raising a child and carrying on with everyday, not so fabled life. Evenings with French intellectuals precede middle-of-the night baby feedings; afternoons are filled with trips to the Musee d'Orsay and pinball games; weekday leftovers are eaten while three star chefs debate a 'culinary crisis'. With singular wit and insight, Gopnik manages to weave the magical with the mundane in a wholly delightful book.