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One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.
Five British children discover in their new carpet an egg, which hatches into a phoenix that takes them on a series of fantastic adventures around the world.
The chronicle of Tennessee Williams and James Laughlin’s unlikely yet enduring literary and personal relationship. In December 1942, two guests at a Lincoln Kirstein mixer bonded over their shared love of Hart Crane’s poetry. One of them was James Laughlin, the founder of a small publishing company called New Directions, which he had begun only seven years earlier as a sophomore at Harvard. The other was a young playwright named Thomas Lanier Williams, or "Tennessee," as he had just started to call himself. A little more than a week after that first encounter, Tennessee sent a letter to Jay—as he always addressed Laughlin in writing— expressing a desire to get together for an informal discussion of some of Tennessee’s poetry. "I promise you it would be extremely simple," he wrote, "and we would inevitably part on good terms even if you advised me to devote myself exclusively to the theatre for the rest of my life." So began a deep friendship that would last for forty-one years, through critical acclaim and rejection, commercial success and failure, manic highs, bouts of depression, and serious and not-so-serious liaisons. Williams called Laughlin his "literary conscience," and New Directions serves to this day as Williams’s publisher, not only for The Glass Menagerie and his other celebrated plays but for his highly acclaimed novels, short stories, and volumes of poetry as well. Their story provides a window into the literary history of the mid-twentieth century and reveals the struggles of a great artist, supported in his endeavors by the publisher he considered a true friend.
How do you go on after you’ve lost everything? True stories of surviving the Colorado wildfires and finding hope for the future. Over several terrifying summers, deadly wildfires raged across Colorado. Lives were lost, and the flames destroyed thousands of homes. When the smoke cleared and only rubble remained, survivors were left trying to find a way forward against devastating loss. The aftermath of that destruction would span many years, and its effects are still felt today. In Phoenix Rising, twenty women share their stories of fire, the terror they felt as flames engulfed their communities, and the dark desperation that followed. And how—in the ensuing weeks and months—they worked to recreate a life from the ashes. Their tales of fear and bravery, of deep compassion and heart-rending grief, offer an uplifting chronicle of human courage and resilience. “[A] gem of a book . . . When it comes to withstanding and making meaning of the most painful twists of this mysterious life, or enjoying its surprising rewards, nothing compares to the company of other women and their stories.” —Megan Feldman Bettencourt, author of Triumph of the Heart: Forgiveness in an Unforgiving World
This Literary Life draws extensively from the playwright's correspondences, notebooks, and archival papers to offer an original angle to the discussion of Williams's life and work, and the times and circumstances that helped produce it.
This book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
This volume enables students and scholars to appreciate Mansfield's central place in various trans-European networks of modernism working in or through translation and translated idioms.
Now available as a paperbook, Volume VIII adds to the series' four full-length plays written and produced during the last decade of Williams' life.
Built on all new information recently unearthed, this stylishly written and illustrated "timeline archive" of art, sex, obscenity, gender, culture wars, homophobia, pop culture, and the gay mafia, will get 21st-century readers and researchers up to speed fast on the serious fun of who did what to whom when and why.