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Diane Ackerman's poems reveal her intense response to the several worlds of nature, science, and society. Her lyricism fuses wit and sobriety, meditation and activism, and she confronts us with figures both real and fantastic. As always, her strong connection with the natural world, the realms of language and literature, myth and imagination, combines with her deep understanding of the sciences to offer her readers a singular American voice. This is not a voice crying in the wilderness, but one that gives forth songs of joy and wonder. Organized into seven sections, including "Timed Talk," "By Atoms Moved," and "Tender Mercies," I Praise My Destroyer is less an assorted collection than an organically coherent whole, one that reveals Ackerman's true calling as a twentieth-century metaphysical poet of the highest order.
In A Natural History of the Senses Diane Ackerman revealed herself as a naturalist who writes with the sensuous immediately of a great poet. Now Jaguar of Sweet Laughter presents the work of a poet with the precise and wondering eye of a gifted naturalist. Ackermans's Olympian vision records and transforms landscapes from Amazonia to Antarctica, while her imaginative empathy penetrates the otherness of hummingbirds, deer, and trilobites. But even as they draw readers into the wild heart of nature, Ackerman's poems are indelible reminders of what it is to be a human being—the "jaguar of sweet laughter" that, according to Mayan mythology, astonished the world because it was the first animal to speak.
A Study Guide for Diane Ackerman's "On Location in the Loire Valley," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
"When people lie to Baer Creighton their eyes glow red and he experiences a small burst of electricity. It hurts to suffer liars-- and Baer learned long ago that everyone lies. So he sleeps in the woods outside his house, converses with his sole companion, a pit bull named Fred, and distills special blends of fruited moonshine. When Fred is stolen, fought in an illegal fight circle and left for dead, Baer vows to set things right. He has all the skill he needs to find each man present at the fight circle that night and park a pile of hell on his front porch. But when he tips his hand he becomes the hunted, and the war he thought would be settled in a single attack becomes a battle of attrition with violence coming at him from all angles. When the battle escalates to the unthinkable, Baer concots a retribution so horrifying it gives him pause. To implement the ultimate vengeance Baer will have to confront his past, the liars he has loved, and the biggest lie of all. You can be damn sure he does. Evil doesn't come easy for Baer Creighton, but it comes."--Back cover.
No other writer can blend the science of the brain with the love of language like Diane Ackerman. In this extraordinary memoir, she opens a window into the experience of wordlessness--the language paralysis called aphasia. In narrating the recovery of her husband, Paul West, from a stroke that reduced his vast vocabulary to a single syllable, she evokes the joy and mystery of the brain's ability to find and connect words. Deeply rewarding to readers of all kinds, Ackerman has given us a literary love story, accessible insight into the science and medicine of brain injury, and invaluable spiritual sustenance in the face of life's myriad physical sufferings.
At the heart of Origami Bridges is the delicate relationship of trust between analyst and patient, a relationship that grows out of the emotional give-and-take of the psychoanalytic process. In this collection, Diane Ackerman, with astonishing candor, lays bare her desires, anger, jealousy, fears, and anxiety, as she probes not only her present emotional landscape but also her past. And what gradually rises to the surface is an understanding of how the poet uses verse to purge her demons, express her delight, or confess secret longing, and through this process come to a better understanding of the self.
The third book in the trilogy--following "Fleet of Worlds" and "Juggler of Worlds--Destroyer of Worlds" is set 200 years before the discovery of Ringworld.
The national bestselling author of A Natural History of the Senses tackles the realm of creativity, by exploring one of the most essential aspects of our characters: the ability to play. "Deep play" is that more intensified form of play that puts us in a rapturous mood and awakens the most creative, sentient, and joyful aspects of our inner selves. As Diane Ackerman ranges over a panoply of artistic, spiritual, and athletic activities, from spiritual rapture through extreme sports, we gain a greater sense of what it means to be "in the moment" and totally, transcendentally human. Keenly perceived and written with poetic exuberance, Deep Play enlightens us by revealing the manifold ways we can enhance our lives.
Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times