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Why is one marriage out of two today doomed to end in divorce? My interviews with 71 divorced women searched for answers. Did they love their husbands when they married? Did they believe at the time that it was 'till death do us part'? Were there other lovers in the lives of the couple at the time of the divorce? Is there any connection between an unhappy childhood and a failed marriage? Do women tend to lose their identities in marriage? To my surprise, I saw the majority of interviews take on a similar shape, which revealed who the women were and how the divorces fit into the pattern of their lives. In my years of practice as a psychoanalyst, I saw how badly people need others with whom to identify. With this collection, divorcees can see their own fears, despair, grief, hopes, and aspirations reflected in the lives of women passing through similar experiences. I hope the fact that all the subjects came away from their divorces with greater strength, insight, and self-esteem will serve as an inspiration to all survivors of loss and pain. As Queen Isabella said in Henry V, "Happily, a woman's voice may do some good."
From the acclaimed author of the bestselling Italian Fever and award-winning Property, comes a fresh twist on the classic Jekyll and Hyde story, a novel told from the perspective of Dr. Jekyll's dutiful and intelligent housemaid. "Part psychological novel, part social history, part eerie horror tale ... dark and moving and powerful." —The Washington Post Faithfully weaving in details from Robert Louis Stevenson's classic, Martin introduces an original and captivating character: Mary is a survivor—scarred but still strong—familiar with evil, yet brimming with devotion and love. As a bond grows between Mary and her tortured employer, she is sent on errands to unsavory districts of London and entrusted with secrets she would rather not know. Unable to confront her hideous suspicions about Dr. Jekyll, Mary ultimately proves the lengths to which she'll go to protect him. Through her astute reflections, we hear the rest of the classic Jekyll and Hyde story, and this familiar tale is made more terrifying than we remember it, more complex than we imagined possible.
Forensic science, magic, mystery, and romance mix in this edgy steampunk fantasy—a retelling of the horror classic, in which Dr. Eliza Jekyll, daughter of the infamous Dr. Henry Jekyll—pursues a dangerous murderer in an alternate Victorian London. In an electrified Victorian London, Dr. Eliza Jekyll is a crime scene investigator, hunting killers with newfangled technological gadgets. She will need every advantage available to catch a terrifying new psychopath splattering London with blood. Hidden in the grimy shadows, the fiendish murderer preys on beautiful women, drugging them before slicing off their limbs. Finding the “Slicer” can make Eliza’s career . . . or unmask her darkest secret. Like her father, she has a hidden second self that emerges when she drinks his forbidden magical elixir. Just a few sips, and a seductive and impulsive Lizzie Hyde is unleashed. The members of the Royal Society do not trust Eliza, and they send their enforcer, the mercurial Captain Lafayette, to prove she’s a dangerous sorceress. The careful doctor knows that one wrong step can make her prey to the clever Lafayette, a man who harbors an evil curse of his own. No matter how much she craves the elixir, she must resist. But as the Slicer case draws her into London’s luminous magical underworld, Eliza will need the potion’s power to help her . . . even if it might attract the attentions of Lafayette. . Even if it means setting the wild Lizzie free. . . .
Every troubled couple has had it up to here with self-help books explaining how to make relationships work. This one addresses why they don't-and frankly, why some of them never will. In this unique and illuminating he said/she said guide to avoiding love-gone-wrong, 21 real-life couples spill it to widely-read advice columnist Sherry Amatenstein. What better way to make a relationship last than to learn from the ones that didn't?
In Robert Louis Stevenson's influential novel of mad science and criminal inquiry, attorney Gabriel John Utterson comes to the aid of Dr. Henry Jekyll, an old friend, only to find himself dragged from a world of genial hospitality into London's foreboding night, which is shrouded in shadows and fog—and stalked by the deranged Edward Hyde. Utterson's quest for truth is not only a detective story laden with twists, but an intense meditation on man's inherently dualistic nature, written in a style that often combines disturbing violence with restrained language typical of the Victorian era.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Winner of the 2015 RT Magazine Reviewers' Choice Award!After barely escaping the machinations of his terrifying mother, two all-knowing seers, and countless bloodthirsty siblings, the last thing Julius wants to see is another dragon. Unfortunately for him, the only thing more dangerous than being a useless Heartstriker is being a useful one.Now that he's got an in with the Three Sisters, Julius has become a key pawn in Bethesda the Heartstriker's gamble to put her clan on top. Refusal to play along with his mother's plans means death, but there's more going on than even Bethesda knows. Heartstriker futures are disappearing, and Algonquin's dragon hunter is closing in. With his most powerful relatives dropping like flies, it's up to Julius to save the family that never respected him and prove once and for all that the world's worst dragon is the best one to have on your side.(One Good Dragon is book #2 of an urban fantasy set 90 years in the future - featuring a kind protagonist, a kick-ass female mage, her ghostly magical cat, and even more dragons than book 1!)
There has been a tendency amongst feminists to see domestic work as the great leveller, a common burden imposed on all women equally by patriarchy. This unique study of migrant domestic workers in the North uncovers some uncomfortable facts about the race and class aspects of domestic oppression. Based on original research, it looks at the racialisation of paid domestic labour in the North - a phenomenon which challenges feminsim and political theory at a fundamental level. The book opens with an exploration of the public/private divide and an overview of the debates on women and power. The author goes on to provide a map of employment patterns of migrant women in domestic work in the North; she describes the work they perform, their living and working conditions and their employment relations. A chapter on the US explores the connections between slavery and contemporary domestic service while a section on commodification examines the extent to which migrant domestic workers are not selling their labour but their whole personhood. The book also looks at the role of the Other in managing dirt, death and pollution and the effects of the feminisation of the labour market - as middle class white women have greater presence in the public sphere, they are more likely to push responsibility for domestic work onto other women. In its depiction of the treatment of women from the South by women in the North, the book asks some difficult questions about the common bond of womanhood. Packed with information on the numbers of migrant women working as domestics, the racism, immigration or employment legislation that constrains their lives, and testimonies from the workers themselves, this is the most comprehensive study of migrant domestic workers available.
The book which put Stevenson's name in the mouth of the ' man in the street,' lifted him at a single bound to a place among men of the time and, by the still greater sensation which it created in America, led to the large income which soon afterwards he drew from the United States. The ear of a great public to whom his earlier writings were unknown was captured by this intense picture of the elements of good and evil in man's nature. It was hailed from pulpits and in the religious press as a great moral parable; though its moral quality, on close analysis, is seen to be more an illusion, due to the art of its writing, than the essence of the fable. Reduced to its simplest formula Jekyll and Hyde is a cry of terror at the potency for evil latent in the human soul. Such moral force as it has depends upon its assault on the nerves, not on its appeal to the heart. If not thus interpreted by the preachers of the time, it yet served the purpose of moving their hearers by the spectacle of the evil partner in the human ego, indulged in a moment ' when virtue slumbered,' coming in the end to destroy the good.