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Only one man could write "I Killed Optimus Prime" because he did, in fact, kill off the last-born of the original Thirteen Transformers who remains the superhero leader of the Autobots, those sentient self-configuring modular extraterrestrial robotic lifeforms which have become global cultural icons.In this book, Ron Friedman--widely known as the most prolific television writer in the history of the medium--shares the intimate details of a life and career that started with him cracking jokes to avoid death-by-schoolyard-bullies on the dusty streets of Weirton, West Virginia, took him through the world of professional architecture and finally through the gilded gates of every major Hollywood studio as the creative force behind nearly every hit TV series of his generation. His scripts for shows like FANTASY ISLAND, CHICO & THE MAN, STARSKY & HUTCH, ALL IN THE FAMILY, HAPPY DAYS are among more than 700 hours of his produced credits. With more than 40 feature film screenplays to his credit, Ron is a recognized screenwriting expert who has actually "been there and done that."A frequent collaborator and close friend of the late Marvel Comics genius Stan Lee, Ron is a multiple Emmy nominee most well known for his animation work, having created the characters and developed the material for major projects like G.I. JOE, THE MARVEL ACTION HOUR, THE TRANSFORMERS: THE MOVIE, IRON MAN, and THE FANTASTIC FOUR. This book is far more than a mere "memoir" and is a must-read for anyone working toward a Hollywood writing career. As a veteran Professor of Screenwriting at Chapman University's Dodge College of Film and Media Arts and as Senior Judge at The Los Angeles International Screenplay Awards, Friedman's insights into the craft and profession of screenwriting are pure gold. Read what he has to say here and you won't need to bother with all the self-promoting so-called "experts" (most of whom have never written or sold a single script!) have to say.Woven throughout this fast-paced tale are plenty of "inside the studio" stories and revelations about the personal lives of celebrities, all recounted with dazzling wit and the ribald candor (can you handle the truth?) that will have you either gasping in shock or on your knees with laughter."I Killed Optimus Prime" is far more than a breezy "Hollywood" read. It's the stuff of true genius from a Hollywood veteran who pulls out all the stops, lets it all hang out...and isn't worried about tucking any of it back in. WARNING: before you open this book, buckle your seatbelt. This is one very WILD RIDE!
In the spring of 1984 Dan Gilvezan walked into an audition for a half-hour animated TV series and walked out an hour later with a role in a show that would change the landscape of television in the late '80s: A show called The Transformers. As the voice of Bumblebee, the little yellow Volkswagen, Gilvezan was there from the very start, witness to the birth of an entertainment industry phenomenon that continues to surprise and delight audiences to this very day.Bumblebee & Me takes you behind the scenes of the original Transformers television series for a first-hand look at the making of a classic. Experience the controlled chaos of the recording sessions, learn the secrets behind creating a character voice, get to know the members of the cast up close and personal. Chock full of stories, reminiscences, anecdotes and never-before-published photographs, Bumblebee & Me is sure to satisfy even the most knowledgeable and discerning Transformers fan.Includes cast list and complete G1 episode guide.
Reveals the origins of the conflict between Megatron and Optimus Prime, the reason for two allies fighting a corrupt regime to suddenly turn on each other, and the roles played by Starscream, Sentinel Prime, and Omega Supreme.
The epic battles between Optimus Prime and Megatron have long thrilled Transformers fans. But these two giants weren’t always great leaders and bitter foes. This new novel continues the electrifying saga that started with Transformers: Exodus, unveiling the origins of the conflict—the explosive events that unfolded before Optimus and Megatron arrived Earthside, forever altering the destiny of their kind. Once allies, Optimus and Megatron are now enemies in a civil war. To prevent Cybertron from falling into Megatron’s hands, Optimus jettisons the planet’s heart, the AllSpark, into space, then sets out to find it with Megatron hot on his heels. Optimus is determined to defeat Megatron, bring the AllSpark home, and restore Cybertron to its former glory. But a saboteur lurks aboard Optimus’s spaceship, and ahead lie lost colonies, some of them hostile. Optimus needs help of the highest caliber, but from whom? Heroes such as Solus, Nexus, and Vector Prime are just names from make-believe stories of long ago. Or are they? Maybe it’s time for Optimus Prime to find out. Maybe it’s the only chance he has to vanquish mighty Megatron.
An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.
For decades, Transformers fans across the globe have marveled at the mighty clashes of Megatron and Optimus Prime, and speculated about their arrival on planet Earth. Now, in Transformers: Retribution, the prequel to the Transformers animated series, the epic odyssey of these two great warriors is finally revealed as Autobots and Decepticons battle one another . . . and the most diabolic foe they’ve ever encountered. Aboard the Ark, Optimus Prime leads his Autobots through deep space, searching for the AllSpark so vital to their home planet, Cybertron. Megatron’s not far behind, and his Decepticons are itching for war. But a mysterious planet conceals an enemy far more cunning and powerful: the Quintessons. Masters of tyranny, technology, and twisted double crosses, the Quintessons are out to enslave both Autobots and Decepticons. Their deadly bag of tricks includes fiendish trials and a secret link all the way back to Cybertron, where Shockwave is wreaking havoc with supercomputer Vector Sigma. In the coming conflagration, Star Seekers, Wreckers, Alpha Trion, and Sharkticons all have their parts to play. For none can dodge the Quintesson juggernaut of evil, and none will escape the cataclysmic life-and-death battles that will catapult Autobots and Decepticons to Earth.
We is a dystopian novel written by Russian writer Yevgeny Zamyatin. Originally drafted in Russian, the book could be published only abroad. It was translated into English in 1924. Even as the book won a wide readership overseas, the author's satiric depiction led to his banishment under Joseph Stalin's regime in the then USSR. The book's depiction of life under a totalitarian state influenced the other novels of the 20th century. Like Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-four, We describes a future socialist society that has turned out to be not perfect but inhuman. Orwell claimed that Brave New World must be partly derived from We, but Huxley denied this. The novel is set in the future. D-503, a spacecraft engineer, lives in the One State which assists mass surveillance. Here life is scientifically managed. There is no way of referring to people except by their given numbers. The society is run strictly by reason as the primary justification for the construct of the society. By way of formulae and equations outlined by the One State, the individual's behaviour is based on logic.
The first human-alien contact. The last word in galactic warfare. The story you must read–before Transformers rockets to the big screen! A mammoth robotic being, clearly of alien origin, has been found beneath the Arctic ice. Its advanced engineering dwarfs known human technology, and unlocking its secrets will catapult American science eons into the future. In search of the mysterious artifact’s origin, a covert government agency sends the manned craft Ghost 1 on a perilous journey of discovery. When a mishap maroons Ghost 1 in the far reaches of unknown space, the ship’s distress beacon reaches the very alien race Ghost 1’s crew has been seeking: the Autobots. The gigantic mechanized beings are also on a quest: to find the Allspark, a device crucial to the salvation of their home world, Cybertron. But they’re not alone. The Decepticons, the Autobots’ brutal enemies, have their own sinister purposes in seeking the Allspark. As these adversaries are drawn together once more, the stage is set for a death-dealing new battle in which each is driven by a single-minded aim: total annihilation of the enemy.
The fabric of space and time itself is in turmoil, disrupted and torn by time anomalies resulting from Galvatron's dabbling with past and future. Transformers from two eras collide in an attempt to save the entire universe, pitted against two halves of the same whole - Megatron and Galvatron.
"Palast is astonishing, he gets the real evidence no one else has the guts to dig up." Vincent Bugliosi, author of None Dare Call it Treason and Helter Skelter Award-winning investigative journalist Greg Palast digs deep to unearth the ugly facts that few reporters working anywhere in the world today have the courage or ability to cover. From East Timor to Waco, he has exposed some of the most egregious cases of political corruption, corporate fraud, and financial manipulation in the US and abroad. His uncanny investigative skills as well as his no-holds-barred style have made him an anathema among magnates on four continents and a living legend among his colleagues and his devoted readership. This exciting collection, now revised and updated, brings together some of Palast's most powerful writing of the past decade. Included here are his celebrated Washington Post exposé on Jeb Bush and Katherine Harris's stealing of the presidential election in Florida, and recent stories on George W. Bush's payoffs to corporate cronies, the payola behind Hillary Clinton, and the faux energy crisis. Also included in this volume are new and previously unpublished material, television transcripts, photographs, and letters.