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With a few strokes of your pencil, connect the dots to bring girls, guys and good times to life. Based on drawings by some of the best manga artists around, these scenes rock with fashion, frolics and friends. With easy-to-follow instructions and a solutions key to help if you get stuck, the images transform into a boredom-busting coloring book when complete, providing hours of creative activities. Connect the dots to reveal 37 awesome girls and guys in fun-filled scenes. FREE bonus activities online. The possibilities are endless!
Enter the wonderful world of kawaii with this super-cute coloring book, filled with Japanese-inspired designs to color and enjoy. Featuring adorable animals, charming little monsters and super-cute food and stationery, this book is guaranteed to give you kawaii fever. Pocket-sized and portable, it's great for coloring on the go. Part of the I Heart series with a pretty foiled cover, this coloring book is the perfect gift for kawaii-lovers everywhere.
Outside Japan, the term ’manga’ usually refers to comics originally published in Japan. Yet nowadays many publications labelled ’manga’ are not translations of Japanese works but rather have been wholly conceived and created elsewhere. These comics, although often derided and dismissed as ’fake manga’, represent an important but understudied global cultural phenomenon which, controversially, may even point to a future of ’Japanese’ comics without Japan. This book takes seriously the political economy and cultural production of this so-called ’global manga’ produced throughout the Americas, Europe, and Asia and explores the conditions under which it arises and flourishes; what counts as ’manga’ and who gets to decide; the implications of global manga for contemporary economies of cultural and creative labour; the ways in which it is shaped by or mixes with local cultural forms and contexts; and, ultimately, what it means for manga to be ’authentically’ Japanese in the first place. Presenting new empirical research on the production of global manga culture from scholars across the humanities and social sciences, as well as first person pieces and historical overviews written by global manga artists and industry insiders, Global Manga will appeal to scholars of cultural and media studies, Japanese studies, and popular and visual culture.
Mastering Manga Studio 5 will follow an explanatory, work through manual approach. The main features of Manga will be presented in each section along with exciting tips, vital techniques and impressive workflows.This book is for those who already have some Manga Studio and graphics program experience. It is not a beginner's guide, but if you are a novice Manga Studio 5 user it will help you to master the time-saving features of the software.
Explains how to draw characters in Japanese comics, or manga including tricky subjects like foreshortening, lightning, and perspective.
Originally published: Amazon Publishing, 2016.
A sweet and adorable story about the blessings of adoption. You Were Always in My Heart is an endearing tale told from the point of view of a little ladybug, Dot, who happens upon a mysterious bundle one sunny day. Dot goes with the little bundle as she is carried to the place “where babies come to be found” and promises to stay with the little one throughout her journeys toward finding a forever family. Written by Christian music artist Steven Curtis Chapman and his wife, Mary Beth, this heartwarming tale is inspired by the true story of their adoption of three little girls from China and is a story of hope and faith for all families who have been blessed by a “little bundle of love.” Previously published as Shaoey & Dot: Bug Meets Bundle. Meets national education standards.
Love Manga? The newest features of Manga Studio help you bring your ideas to life! The tools available in the latest version of this powerful program make it easy to turn your computer into your drawing board, and Manga Studio For Dummies makes it easy to get started. Discover how to use Manga Studio to begin creating comics in manga or Western styles, add color to your creations, and share them with your adoring public. It’s a breeze once you know your way around the program. Manga may have begun in Japan, but Manga Studio For Dummies is written in plain English, and shows you how to: Build and use page templates Rough in your comic with penciling techniques Work 100% digital, or use a combination of digital and traditional tools if you prefer Work with layers, rulers, and panels Add speech bubbles and sound effects text Ink your work and add tones Prepare your creations for print or distribution on the Web Written by a working digital artist, Manga Studio For Dummies covers both Manga Studio Debut and EX versions. As an added bonus, it even gives you a peek into the world of manga and comics in general. With the help of Manga Studio For Dummies, you just might find yourself among the comic artists whose work populates the Web and gathers thousands of fans! Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
The popularity of manga continues to row, inspiring interest in learning how to draw in this exciting style of comics. Estudio Joso creates the ultimate guide to illustration—384 pages of manga instruction. The Monster Book of Manga is divided into sections focusing on the most figures and themes—Girls, Boys, Samurais, Monsters, and more. Each illustration is broken down into six stages accompanied by step-by-step instructions, taking the artist from initial back-and-white sketches to the final color piece. They are all accompanied by practical suggestions, hints, and tips.
Today’s convergent media environment offers unprecedented opportunities for sourcing and disseminating previously obscure popular culture material from Japan. However, this presents concerns regarding copyright, ratings and exposure to potentially illegal content which are serious problems for those teaching and researching about Japan. Despite young people’s enthusiasm for Japanese popular culture, these concerns spark debate about whether it can be judged harmful for youth audiences and could therefore herald the end of ‘cool Japan’. This collection brings together Japan specialists in order to identify key challenges in using Japanese popular culture materials in research and teaching. It addresses issues such as the availability of unofficially translated and distributed Japanese material; the emphasis on adult-themes, violence, sexual scenes and under-age characters; and the discrepancies in legislation and ratings systems across the world. Considering how these issues affect researchers, teachers, students and fans in the US, Canada, Australia, China, Japan and elsewhere in Asia, the contributors discuss the different ways in which academic and fan practices are challenged by local regulations. Illustrating from personal experience the sometimes fraught nature of teaching about ‘cool Japan’, they suggest ways in which Japanese Studies as a discipline needs to develop clearer guidelines for teaching and research, especially for new scholars entering the field. As the first collection to identify some of the real problems faced by teachers and researchers of Japanese popular culture as well as the students over whom they have a duty of care, this book will be of great interest to students and scholars of Japanese Studies and Cultural Studies.