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Description When Swadesh Deepak-celebrated Hindi playwright and short-story writer- arrives at PGI, Chandigarh, after having tried to set himself on fire, the doctors don't know if he belongs in the burns unit or in the psychiatric ward. He's living a 'curse'. A dangerous seductress-his Mayavini-is taking revenge for his insulting rebuff at her wish to visit with him the famous lovers' palace in Mandu. She comes to him at night, sometimes with three white leopards, and she leaves the smell of her body in his nostrils. When he tries to kill himself, she tells him he will not die. He is firmly in her clutches, but he will tolerate anything for her, from humiliation at the hands of acquaintances to carnivorous worms under his skin. This fractured, shattering narrative-among the most unusual books ever published in India-records Deepak's descent into madness and his brief, uncertain recovery. Shortly after it was published, he left home for a walk one morning and never returned. As the translator, Jerry Pinto, writes in his introduction: '[Deepak's] words carry all the scars of who he was and what his illness had made of him... His voice echoes from the bottom of a well.'
In 2012, Jerry Pinto published his debut novel, 'Em and the Big Hoom', which drew upon his experience of living with a mother who was bipolar. It touched thousands of readers, among them many who had similar experiences-of living with someone with a mental illness or infirmity. Some of these readers shared their stories with him, and agreed to share them with the world. 'A Book of Light' collects these harrowing yet moving, even empowering, stories-about the terror and majesty of love; the bleakness and unexpected grace of life; the fragility and immense strength of the human mind.
This book was the end product of life experiences, thoughts and intellectual wanderings of the author, who through his career and for the last twenty years was always serving all the three aspects of a Psychiatrist: He is a clinician, a researcher and an academic teacher. The book includes a comprehensive history of Psychiatry since antiquity and until today, with an emphasis not only on main events but also specifically and with much detail and explanations, on the chain of events that led to a particular development. At the center of this work is the question ‘What is mental illness?’ and ‘Does free will exist?’. These are questions which tantalize Psychiatrists, neuroscientists, psychologists, philosophers, patients and their families and the sensitive and educated lay persons alike. Thus, the book includes a comprehensive review and systematic elaboration on the definition and the concept of mental illness, a detailed discussion on the issue of free will as well as the state of the art of contemporary Psychiatry and the socio-political currents it has provoked. Finally the book includes a description of the academic, social and professional status of Psychiatry and Psychiatrists and a view of future needs and possible developments. A last moment addition was the chapter on conspiracy theories, as a consequence of the experience with the social media and the public response to the COVID-19 outbreak which coincided with the final stage of the preparation of the book. Their study is an excellent opportunity to dig deep into the relation among human psychology, mental health, the society and politics and to swim in intellectually dangerous waters.
Offers a perceptive critique of the universalized model of psychiatry and its apparent exportation from the West to the developing world. Rooted in detailed analysis of the problems this causes, the book proposes new suggestions for advancing the field of mental health and wellbeing in a way that is ethical, sustainable and culturally sensitive.
Autobiography of a social activist from Maharashtra.
'Since she was valorous, she said she was a man, and since Mahishan was speaking of love, he was feminine... If she was a combination of feminine and masculine qualities, why could he too not be a combination of the masculine and feminine?' Setting the stage with the Asura Mahishan's doomed love for the beautiful Devi, Ambai deftly combines myth and tradition with contemporary situations. In the title story, the woman who is mother, daughter, solver of all problems for her family, finds that it is only a black spider on a wall in a deserted guesthouse with whom she can share her own pain and suffering; in Burdensome Days, Bhramara enters a world of politics that turns her music into a commodity; while in A Moon to Devour, it is through her lover's mother that Sagu learns that marriage is not a necessity for motherhood. Like the strains of the veena that play again and again in this masterful concert of stories, journeys too weave in and out. By train or bus or autorickshaws, each journey takes one into a different facet of human nature: the power of caste over the most basic of bodily needs like thirst; the simple generosity of a mentally afflicted child who loves the colour blue; the loneliness of dying amongst strangers, and the final journey of a veena whose owner herself had gone before it into another world. As in most of her writing, women are central to Ambai's stories, but so too is her deep understanding of, as she puts it, 'the pulls and tensions' between the many different things that make up life and ultimately, create a story.
Over eleven wide-ranging stories, this collection deftly captures the world of men; the desires that drive them, and the impulses which bring them down. A grandfather sits on a park bench, ruminating upon the beauty of his daughter-in-law and the perfidy of his son who has cast him out of their lives. Business tycoon Dev has been fixated upon Priti, his college mate, all his life, but it is only after his death, after a visit to Dev's lawyers, that Priti understands why he left her a room full of presents. Manish comes home to his wife of many decades, hoping to surprise her with a game from their youth, but what he sees happening on their marital bed shakes his very foundations. And a man joins five friends in a teashop with a story about the delicate, delectable flesh of the Grand Canyon pygmy ape, and turns their world upside down. Written in lyrical prose, Immoderate Men is a wise, witty, immensely readable book of stories by a writer with considerable insight into the workings of the human mind.
Decolonizing Global Mental Health is a book that maps a strange irony. The World Health Organization (WHO) and the Movement for Global Mental Health are calling to ‘scale up’ access to psychological and psychiatric treatments globally, particularly within the global South. Simultaneously, in the global North, psychiatry and its often chemical treatments are coming under increased criticism (from both those who take the medication and those in the position to prescribe it). The book argues that it is imperative to explore what counts as evidence within Global Mental Health, and seeks to de-familiarize current ‘Western’ conceptions of psychology and psychiatry using postcolonial theory. It leads us to wonder whether we should call for equality in global access to psychiatry, whether everyone should have the right to a psychotropic citizenship and whether mental health can, or should, be global. As such, it is ideal reading for undergraduate and postgraduate students, as well as researchers in the fields of critical psychology and psychiatry, social and health psychology, cultural studies, public health and social work.
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent at the height of the empire’s power, territorial reach, and global influence. As a high-caste Hindu who worked for a series of Muslim monarchs and other officials, forming powerful friendships along the way, Chandar Bhan’s experience bears vivid testimony to the pluralistic atmosphere of the Mughal court, particularly during the reign of Shah Jahan, the celebrated builder of the Taj Mahal. But his widely circulated and emulated works also touch on a range of topics central to our understanding of the court’s literary, mystical, administrative, and ethical cultures, while his letters and autobiographical writings provide tantalizing examples of early modern Indo-Persian modes of self-fashioning. Chandar Bhan’s oeuvre is a valuable window onto a crucial, though surprisingly neglected, period of Mughal cultural and political history.