Download Free I Have Devoted My Life To The Clitoris Book in PDF and EPUB Free Download. You can read online I Have Devoted My Life To The Clitoris and write the review.

Literary Nonfiction. California Interest. LGBT Studies. Women's Studies. Elizabeth Hall began writing I HAVE DEVOTED MY LIFE TO THE CLITORIS in the summer of 2010 after reading Thomas Laqueur's Making Sex. She was particularly struck by Laqueur's bold assertion: "More words have been shed, I suspect, about the clitoris, than about any other organ, or at least, any organ its size." How was it possible that Hall had been reading compulsively for years and never once stumbled upon this trove of prose devoted to the clit? If Lacquer's claim was correct, where were all these "words"? And more: what did size have to do with it? Hall set out to find all that had been written about the clit past and present. As she soon discovered, the history of the clitoris is no ordinary tale; rather, its history is marked by the act of forgetting. "Marvelously researched and sculpted... Bulleted points rat-tat-tatting the patriarchy, strobing with pleasure." Dodie Bellamy "Freud, terra cotta cunts, hyenas, anatomists, and Acker, mixed with a certain slant of light on a windowsill and a leg thrown open invite us... Bawdy and beautiful." Wendy C. Ortiz "Gorgeous little book about a gorgeous little organ... Mines discourses as varied as sexology, plastic surgery, literature and feminism to produce an eye-opening compendium... The 'tender button' finally gets its due." Janet Sarbanes "God this book is glorious... You will learn and laugh and wonder why it took you so long to find this book." Suzanne Scanlon "The luxury of lingering in pleasure is what Hall's book gives its readers, not only because the subject is at once sexy and scientifically compelling, but because it is rendered with graceful care, delivering in small bites an investigation of the clit that is simultaneously a meditation on the myriad ways in which smallness hides power." The Rumpus"
In the face of a slow but impending apocalypse, what binds three seemingly divergent lives (a writer, a photographer, an old man), isn’t the commonality of a perceived future death, but the layered and complex fabric of how loss, abuse, trauma, and death have shaped their pasts, and how these pasts continue to haunt their present moments, a moment in which time seems to be running out. The writer, traumatized by the violent death of her mother when she was a child, lives alone with her dog and struggles to finish her book. The photographer, stunted by the death of his grandmother and caretaker, struggles to take a single picture and enters into a complicated relationship with the writer. The old man, facing his past in small doses, spends his time watching television and reorganizing the objects in his apartment to stay distracted from the deterioration around him. A depiction of the cycles of abuse and trauma in a prolonged end-time, Imagine a Death examines the ways in which our pasts envelop us, the ways in which we justify horrible things in the name of survival, all of the horrible and beautiful things we are capable of when we are hurt and broken, and the animal (and plant) companions that ground us. ​ Innovative Prose
"If heaven is somewhere, it isn't with us, but somewhere we want to get -- a state, a place, a turning to home. Rebecca Brown's thirteenth book is narrative cycle that revamps old fairy tales, movies, and myths, as it leads the reader from darkness to light, from harshness to love, from where we are to where we might go"--Publisher.
Set in a decaying town in southern West Virginia, Potted Meat follows a young Aftican-American boy into adolescence as he struggles with abusive parents, poverty, alcohol addiction, and racial tensions.
Fiction. Dana Green's debut collection of stories, SOMETIMES THE AIR IN THE ROOM GOES MISSING, explores how storytelling changes with each iteration, each explosion, each mutation. Told through multiple versions, these are stories of weapons testing, sheep that can herd themselves into watercolors, and a pregnant woman whose water breaks every day for nine months stories told with an unexpected syntax and a sense of deja vu: narrative as echo. "I love Dana Green's wild mind and the beautiful flux of these stories. Here the wicked simmers with the sweet, and reading is akin to watching birds. How lucky, and how glad I am, to have this book in my hands." Noy Halloand "Language becomes a beautiful problem amid the atomic explosions and nuclear families and strange symmetries and southwestern deserts and frail human bodies blasted by cancer that comprise Dana Green's bracing debut, which reminds us every ordinary moment, every ordinary sentence, is an impending emergency." Lance Olsen"
A sorrowful daughter works through her grief after her father dies.
Taking the form of two long poems, "Interro-Porn" and "Chenille," _Womonster_ explores the often monstrous and buffoonish impossibility of a coherent self, even as its speakers take great pleasure in the performance of selves. Everywhere absorbing and leaking other media, _Womonster_ is a "sloppy" text, at once nauseating and thrilling, psychedelic and domestic. "Olivia Cronk's Womonster is a performative feat, a book that makes being out of pretending.... I was thrilled and moved by this wild book, which moves from an explosive rejection of narrative to the creation of a theater of home, that shabby, beautiful structure built with girly hope, our fortification against loss." (Suzanne Scanlon) "With _Womonster_, Olivia Cronk shows that we are other people as much as we are our various selves. We are the people who share our lives; we are our loved ones and our aggressors. If this makes us monsters, then everyone's a monster." (Jay Besemer) "Cronk's writing is forensically spooky.... We are brought closer to Cronk's territory of occult sadomasochistic desire. _Womonster_ is both a hyper-abject soap opera of beige underwear, dusty crystal, sinks full of bloodied dishes, and a redemptive horror story about the power of becoming the monster." (Laura Ellen Joyce) "Olivia Cronk is one of my favorite US poets over the past 15 years. _Womonster_ is something like Lars Noren's Revolver rewritten with Ouija board." (Johannes Göransson)
BAX 2015 is the second volume of an annual literary anthology compiling the best experimental writing in poetry, fiction, and creative nonfiction. This year's volume, guest edited by Douglas Kearney, features seventy-five works by some of the most exciting American poets and writers today, including established authors—like Dodie Bellamy, Anselm Berrigan, Thomas Sayers Ellis, Cathy Park Hong, Bhanu Kapil, Aaron Kunin, Joyelle McSweeney, and Fred Moten—as well as emerging voices. Best American Experimental Writing is also an important literary anthology for classroom settings, as individual selections are intended to provoke lively conversation and debate. The series coeditors are Seth Abramson and Jesse Damiani. Hardcover is un-jacketed.
An "elegant and inspiring memoir" by the human rights activist who changed the minds of her elders, reformed traditions from the inside, and is creating a better future for girls and women throughout Africa (Sonia Faleiro, New York Times). Nice Leng`ete was raised in a Maasai village in Kenya. In 1998, when Nice was six, her parents fell sick and died, and Nice and her sister Soila were taken in by their father’s brother, who had little interest in the girls beyond what their dowries might fetch. Fearing “the cut” (female genital mutilation, a painful and sometimes deadly ritualistic surgery), which was the fate of all Maasai women, Nice and Soila climbed a tree to hide. Nice hoped to find a way to avoid the cut forever, but Soila understood it would be impossible. But maybe if one of the sisters submitted, the other would be spared. After Soila chose to undergo the surgery, sacrificing herself to save Nice, their lives diverged. Soila married, dropped out of school, and had children–all in her teenage years–while Nice postponed receiving the cut, continued her education, and became the first in her family to attend college. Supported by Amref, Nice used visits home to set an example for what an uncut Maasai woman can achieve. Other women listened, and the elders finally saw the value of intact, educated girls as the way of the future. The village has since ended FGM entirely, and Nice continues the fight to end FGM throughout Africa, and the world. Nice’s journey from “heartbroken child and community outcast, to leader of the Maasai” is an inspiration and a reminder that one person can change the world–and every girl is worth saving.
'Delightful, timely and critical' Cat Bohannon, author of Eve 'With unrivaled expertise and a wealth of classical and contemporary detail, the author weaves historical knowledge of medicine, anatomy, literature, art and religion into a narrative that surprises, informs, excites and frequently amuses' Adrian Thatcher, author of Vile Bodies Throughout history, religious scholars, medical men and - occasionally - women themselves, have moulded thought on what 'makes' a woman. She has been called the weaker sex, the fairer sex, the purer sex, among many other monikers. Often, she has been defined simply as 'Not A Man'. Today, we are more aware than ever of the complex relationship between our bodies and our identities. But contrary to what some may believe, what makes a woman is a question that has always been open-ended. Immaculate Forms examines all the ways in which medicine and religion have played a gatekeeping role over women's organs. It explores how the womb was seen as both the most miraculous organ in the body and as a sewer; uncovers breasts' legacies as maternal or sexual organs - or both; probes the mystery of the disappearing hymen, and asks, did the clitoris need to be discovered at all?