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This exhaustive work on flatulence breaks new wind on every aspect of abdominal gas in popular culture. A definitive taxonomy of farts details the characteristics of each variety, including barking spiders, cheek squeakers and green apple dirties. Philosophical positions on colonic expression are examined, from Confucius, Hume, Voltaire and the existentialists. Chapters cover a wide range of fart-focused stand-up comedy, cinema, children's books, toys and merchandise. The author's postscript describes a lifetime preparing for his subject through fraternity membership and offbeat assignments as a newspaper journalist.
100 page blank lined notebook/ journal. 6x9 inches in size.Simple and stylish. With a high quality cover.Makes the perfect gag gift for coworkers and bosses
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
A ground-breaking study of the roles played by foreign languages in film and television and their relationship to translation. The book covers areas such as subtitling and the homogenising use of English, and asks what are the devices used to represent foreign languages on screen?
The stakes have risen even higher in this third book in the Hourglass series. The Hourglass is a secret organization focused on the study of manipulating time, and its members -- many of them teenagers -­have uncanny abilities to make time work for them in mysterious ways. Inherent in these powers is a responsibility to take great care, because altering one small moment can have devastating consequences for the past, present, and future. But some time trav­elers are not exactly honorable, and sometimes unsavory deals must be struck to maintain order. With the Infinityglass (central to understanding and harnessing the time gene) at large, the hunt is on to find it before someone else does. But the Hourglass has an advantage. Lily, who has the ability to locate anything lost, has determined that the Infinityglass isn't an object. It's a person. And the Hourglass must find him or her first. But where do you start searching for the very key to time when every second could be the last?
Three decades ago in a cordoned-off corner of the developing world an angry Catholic priest armed only with pencil, paper, and crayons, declared a revolution. From a shanty school shared with Buddhists and Muslims in Bangkok's squatter slums, Father Joe Maier began his advance on abject poverty. Today, his Human Development Foundation and Mercy Centre charity is responsible for thirty-two preschools that have taught more than twenty thousand children how to read and write. Despite the crippling neglect found in impoverishment, he is raising international scholars and injecting a sense of purpose into shantytowns and squatter camps that used to have neither.
Urban activism can manifest in many guises, from community gardening to mass naked bike rides. But how might we theorize the evidence of the collisions between social forces that take place in our streets and public commons? Cities are formed through these collective collisions in time. This book draws on the author’s own vast experience as an activist to make links between a theory of practice with rich discussion of the histories of conflicts over public space. Each chapter examines activist responses to a range of issues that have confronted New Yorkers, from the struggle for green space and non-polluting transportation, to housing and the fight for sexual civil liberties. The cases are shaped through interplay between multiple data sources, including the author’s own voice as an observing participant, as well as interviews with other participant activists, historic accounts and theoretical discussion. Taken together, these highlight a story of urban public space movements and the ways they shape cities and are shaped by history.
“[A] dark and funny satire . . . Infidelities, secret identities and double-crosses . . . Reflects the absurdity of any country obsessed with spying on its own people.” —The Wall Street Journal Take the format of a spy thriller, shape it around real-life incidents involving international terrorism, leaven it with dark, dry humor, toss in a love rectangle, give everybody a gun, and let everything play out in the outer reaches of upstate New York--there you have an idea of Brock Clarke’s new novel. Filled with wonder and anger in almost equal parts,The Happiest People in the World is a ripped-from-the-headlines tale of paranoia and the all-American obsession with security and the conspiracies that threaten it. “A literary first: a book that feels like the love child of Saul Bellow and Hogan’s Heroes, full of authorial cartwheels of comedy and profundity.” —GQ “The Happiest People in the World begins with a raucous bar scene featuring party streamers, smoke, prone bodies, spilled fluids and a stuffed moose with a surveillance camera in its left eye . . . [Clarke has] success in dreaming up oddball originals that have instant appeal.” —Janet Maslin, The New York Times “[Clarke] creates books that taste like delicious cuts of absurdity marbled with erudition.” —The Washington Post “A whiz-bang spy satire bundled in an edgy tale of redemption . . . His comedy of errors is impossible to put down.” —Publishers Weekly, starred review “A darkly hilarious novel . . . The writing is clever, the dialogue snappy and understated, and the effect is as pleasantly unsettling as anything Kurt Vonnegut Jr. ever wrote.” —The Portland Sun “A zany and fast-paced book that explores the myriad ways people of all nations make themselves and others unhappy.” —Chicago Tribune, Printer’s Row “Ranks among the funniest and most relevant social satires I’ve read . . . It might just make you the happiest reader in the world.” —The Dallas Morning News
An all-new follow up quotation book to 2004’s Uncle John’s Bathroom Reader Colossal Collection of Quotable Quotes, complete with indexes by name and by subject for easy reference. Here it is: the quintessential collection of notable quotes for all occasions. Grouped together in weird categories as only Uncle John could do, you’ll find quotes about farts, firsts, dogs, Canada, male chauvinist pigs, colors, TV, aliens, and more! And not just quotes, either--there are great facts, fun quizzes, and a few longer articles about how quotations shape our world. As if that weren’t enough, there are a ton of eye-opening new entries for Uncle John’s Quotationary. (Love: “Being stupid together.” --Paul Valery) And to make it easier than ever to find the exact quote you’re looking for, there is a by-subject index as well a by-name index. Here are but a few of the thousands of great quotations awaiting you: * “I don’t really care what I’m famous for.” --Jessica Simpson * “Life is a tragedy when seen in close-up, but a comedy in long-shot.” --Charlie Chaplin * “The way that I feel about music is there is no right and wrong. Only true and false.” --Fiona Apple * “One of the advantages of being disorderly is that one is constantly making exciting discoveries.” --A. A. Milne * “Bears are crazy. They’ll bite your head if you’re wearing a steak on it.” --Space Ghost * “I don’t mind not being president. I just mind that someone else is.” --Ted Kennedy * “If little else, the brain is an educational toy.” --Tom Robbins
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