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Why is that whenever we hear this phrase it follows up with something racist? Different forms of discrimination exist and we are examining and underlining the various forms as there seems to be a lack of awareness across the UK. This book was written to engage and to give greater insight to examples of racism experienced by Black people in the UK. The book is packed with understandings from social analysis as well as qualitative research. We conducted research with Black participants whom have grown up in various places across the UK. This data was used to inform important questions such as what is casual racism? Written with passion not rage and insight rather than anger. The book offers solutions on improving the situation for oneself and our immediate network. If you want to educate yourselves on the discriminations faced daily by your colleagues, friends and even some extended family members, then make yourself uncomfortable and let’s begin.
'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD
Through White Noise is structured around poetry and personal stories about living in liminal space that requires and encourages cultural sensitivity, awareness, and commitment for a just society. A prominent theme in this book is the challenge of reconciling the ideal of Canadian multiculturalism with experiences of marginalization and stereotyping. Before her arrival, Khalida imagined her new homeland as a multicultural rainbow arched over a diversity of races, beliefs and practices. Entering Winnipeg in the middle of winter, she was greeted with a white world: white people, white, snow-covered ground, white trees and a pale blue sky. Jon is a Caucasian professor from England who has a privileged position as an academic citizen. He felt responsible for enhancing his students? awareness of their perceptions, and the role they have in their teaching practices. Reena is a South Asian professor living in Quebec whose voice is combined with other educators as they address different racisms. The book inspires readers to embrace teaching and learning relationships that respect the dynamic spaces we live in locally and globally. Photo collage by Ray Dirks - Director Mennonite Heritage Centre Gallery, Winnipeg.
Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites. In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.
“Perhaps,” wrote Ralph Ellison more than seventy years ago, “the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power.” As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop—the dance that Life magazine once billed as “America’s True National Folk Dance”—would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications? In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin’, Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.
Migration and Race in Europe covers various facets of the interplay between migration and race in Europe. Over the past two decades there has been a growing public policy and political debate about questions linked to migration and refugee movements across the borders of Europe. This has been evident in countries such as the UK, France, the Netherlands and Germany that have had long-established experience with questions about immigration and race. But what has also become clear is that these debates have also become an established part of political and civil society discourses across both Southern and Eastern European societies and beyond. The contributions to this volume draw on the latest research in order to provide an insight into the changing dynamics of migration and race in a number of European societies. This book was originally published as a special issue of Ethnic and Racial Studies.
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
The Great Gatsby meets The Godfather in this #1 New York Times bestselling story of friendship and seduction, love and betrayal. "[Demille is] a true master." - Dan Brown, #1 bestselling author of The Da Vinci Code Welcome to the fabled Gold Coast, that stretch on the North Shore of Long Island that once held the greatest concentration of wealth and power in America. Here two men are destined for an explosive collision: John Sutter, Wall Street lawyer, holding fast to a fading aristocratic legacy; and Frank Bellarosa, the Mafia don who seizes his piece of the staid and unprepared Gold Coast like a latter-day barbarian chief and draws Sutter and his regally beautiful wife, Susan, into his violent world. Told from Sutter's sardonic and often hilarious point of view, The Gold Coast is Nelson DeMille's captivating story laced with sexual passion and suspense.
Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with Pink Floyd and toured America with the Jimi Hendrix Experience. He brought a jazz mindset to the 1960’s rock scene, having honed his drumming skills in a shed at the end of Robert Graves’ garden in Mallorica, Spain. Wyatt's life took an abrupt turn in 1973, when he fell from a fourth-floor window at a party and was paralyzed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom, which he followed with an idiosyncratic string of records that uniquely combine the personal and political. Along the way, Robert has worked with the likes of Brian Eno, Bjork, Jerry Dammers, Charlie Haden, David Gilmour, Paul Weller and Hot Chip. Marcus O’Dair has talked to all of them—indeed anyone who has shaped, or been shaped by Wyatt over five decades. Different Every Time is the first biography of Robert Wyatt, and it was written with his full participation. It includes illustrations by Alfreda Benge and photographs from Robert’s personal archive.
Representing the work of some of the best-known theorists and researchers in masculinities and feminism in South Africa, this highly original work is comprised of a collection of papers presented at the "From Boys to Men" conference held in January 2005. Based on rich ethnographic studies in South Africa and elsewhere in in the continent, this collection addresses the argument that because South African feminine studies are fraught with problems, boys and men should be included in all research and intervention work studying gender equality and transformation. Chapters examine several issues of the African male psyche, such as varying identifiers of manhood, teenage masculinity, paternal responsibility, and the impact of HIV/AIDS in the region.