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An inspirational book detailing the profound changes in the life of a black child being left at a hospital after birth. Thirteen months into his life being adopted by a white couple that migrated from Europe before World War 2, who would later adopt over twenty children with different nationalities. The author writes of his emotional struggles from being abandoned and not knowing how to accept love to searching for answers to the pain and confusion that comes with growing up in white churches and schools while being black in the 1980s. Through anger, drugs, alcohol, jail, death, racism, and having the feeling there's no one to connect with to finding out who he is. The author takes you for a riveting ride through his life as he never gives up to find the answers he is looking for that haunted him throughout his life. Through life, love, hate, hurt, tears, and confusion, the author finds what he is looking for. But did he? An unbelievable ending to a lost soul that endured emotional trauma as in the end, he learns to love what he pushed away, learns to accept his life and who he is.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
New York Times and USA Today Best-Selling Author 1960: Election Year—The Black Stiletto—a Kennedy girl It's 1960. The Black Stiletto, in her civilian persona as Judy Cooper, volunteers to work for John F. Kennedy's presidential campaign, only to become involved in a devious behind-the-scenes plot that could change the course of history. Is the mysterious Eastern European man she briefly dated associated with a Cuban/Soviet spy ring? Closer to home, the Stiletto must challenge dangerous tongs in Chinatown after befriending a teenage boy whose father was killed by the gangs. She soon discovers what a different—and very deadly—world exists in lower Manhattan. In the present, Martin, the Stiletto's son, must deal with his mother's worsening Alzheimer's symptoms, his own mental health issues, and the dilemma of whether or not to reveal his family's secrets to the new woman in his life. Meanwhile, his daughter, Gina, continues to bring trouble to herself, exhibiting behavior that suggests she is closer in spirit to her grandmother than Martin would like. Every major character, past and present, experiences a turning point in this third chapter of The Black Stiletto Series. Perfect for fans of vigilante justice While all of the novels in The Black Stiletto Series stand on their own and can be read in any order, the publication sequence is: The Black Stiletto The Black Stiletto: Black & White The Black Stiletto: Stars & Stripes The Black Stiletto: Secrets & Lies The Black Stiletto: Endings & Beginnings
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
This book investigates the historical and contemporary role of Historically Black Colleges and Universities (HBCUs). In doing so, it provides a background on the pre-colonial entry of Africans into the Americas, as well as African educational traditions, and the struggles for education during the period of enslavement in North America. It discusses the social, historical and contemporary context that pertains to the development of Black education and the formation of HBCUs as a framework for the case study on African American college-bound students’ perceptions about attending an HBCU. Last of the Black Titans weaves in students’ perspectives regarding HBCUs and concludes with insights and recommendations regarding the future of these institutions. : 'Courier New';">size: 13.3333330154419px;">Greg Wiggan is an Associate Professor of Urban Education, Adjunct Associate Professor of Sociology, and Affiliate Faculty Member of Africana Studies at the University of North Carolina at Charlotte. His research addresses urban education and urban sociology in the context of school processes that promote high achievement among African American students and other underserved minority student populations. In doing so, his research also examines the broader connections between the history of urbanization, globalization processes and the internationalization of education in urban schools. His books include: Global Issues in Education: Pedagogy, Policy, Practice, and the Minority Experience; Education in a Strange Land: Globalization, Urbanization, and Urban Schools –The Social and Educational Implications of the Geopolitical Economy; Curriculum Violence: America’s new Civil Rights Issue; Education for the New Frontier: Race, Education and Triumph in Jim Crow America 1867-1945; Following the Northern Star: Caribbean Identities and Education in North American Schools; Unshackled: Education for Freedom, Student Achievement and Personal Emancipation; and In Search of a Canon: European History and the Imperialist State. Lakia Scott is an Assistant Professor of Education in the Department of Curriculum and Instruction at Baylor University. Her research interests address urban education and student achievement.
'These essays ... live and grow in the mind' James Campbell, Independent Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris. 'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times 'A bright and alive book, full of grief, love and anger' Chicago Tribune
This author appreciates writing poetry, novels, childrens stories; the performing arts; and music of many genres. She was raised on gospel and country music played on an old Victrola phonograph with a black-and-white dog staring into a gramophone on the inside of the cover. Today, this author has become enamored with and is fangirling over country a cappella music, which is relatively new. Curious about the behind the scenes activities of a successful bands life, living on the edge of temptations in todays media-frenzied world, she created a believable group running through life on unbelievable favor, spearheaded by love between a wealthy, incredibly intelligent and beautiful African-American ballerina and a super talented tenor from the deep South and their unique way of overcoming racial issues with love. Murder, sex, and drugs fuel the life and romance of these two extraordinary, opposite, characters living and excelling way above the normal expectations of life, hinting into the cosmic pluralism like no one has ever experienced before. This author spent thirty-five years in the busy, topsy-turvy support area of corporate America, starting with the FBI and ending in the legal field, before being forced to retire on disability. This is her first adult romance novel. She writes and has published poetry on poetry.com with two poems published in anthologies; she was the author and publisher of Newsletters for Boy Scout Troop and Pack 731, The Indian Creek District, and for newsletters, service bulletins, and memorial programs for two churches. The author is a widow who lives in Waldorf, Maryland, with her son, daughter-law, grandson, and grandpup, Toli.
White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.
Sarah Booth Delaney's fiancé, Graf Milieu, has become depressed while recovering from a severe leg injury, but Sarah Booth knows just how to help him heal. She's arranged a romantic getaway for the two of them at a lovely beach cottage on Dauphin Island off the Gulf Coast. On the first day of their island adventure, they take a historical tour led by Angela Trotter, a young woman well-versed in local lore, including rumors of pirate treasure hidden somewhere on the island. In fact, Angela confides to Sarah Booth and Graf that her father, a sailor and treasure hunter, was murdered just when he thought he was closing in on the treasure. Angela's convinced that the wrong man was imprisoned for her father's murder, and she manages to persuade Sarah Booth to take the case. And Sarah Booth soon realizes that there's much more going on than meets the eye. With untold amounts of treasure offering plenty of motive for murder and a fiancé falling deeper into depression, Sarah Booth's peaceful island vacation is quickly spinning out of control. In Booty Bones, Carolyn Haines will once again delight readers with her trademark blend of clever plotting, witty prose, and Southern charm.
***TOP TEN SELECTION FOR BOOKLIST BEST OF HORROR 2016*** The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson. About the book: Lovecraft's bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth--this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from: Cthulhu (Adam Nevill) - Yog-Sothoth (Martha Wells) - Azathoth (Laird Barron) - Nyarlathotep (Bentley Little) - Shub-Niggurath (David Liss) - Tsathoggua (Brett Talley) - The Mi-Go (Christopher Golden & James A. Moore) - Night-gaunts (Jonathan Maberry) - Elder Things (Joe Lansdale) - Great Race (Rachel Caine) - Yig (Douglas Wynne) - The Deep Ones (Seanan McGuire)