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Eight interviews with displaced persons.
Every weekday morning, as the sun rose above Sixth Avenue, a peerless crop of women-frames poised, behavior polished, networks connected, and bodies generally buffed to a high sheen-were herded by the cattle prod of their own ambition to one particular building. They're smart, stylish, and sophisticated, even the one found dead in her office. When stylish Hillary Whitney dies alone in a locked, windowless conference room at the offices of RAGE Fashion Book, her death is initially ruled an unfortunate side effect of the unrelenting pressure to be thin. But Hillary's best friend and fellow RAGE editor Catherine Ono knows her friend's dieting wasn't a capital P problem. If beauty could kill, it'd take more than that. When two months later, a cryptic note in Hillary's handwriting ends up in the office of the NYPD and the case is reopened, Det. Mark Hutton is led straight into the glamorous world of RAGE and into the life of hot-headed and fiercely fabulous Cat, who insists on joining the investigation. Surrounded by a supporting cast of party girls, Type A narcissists and half- dead socialites, Cat and her colleague Bess Bonner are determined to solve the case and achieve sartorial perfection. But their amateur detective work has disastrous results, and the two ingenues are caught in a web of drugs, sex, lies and moisturizer that changes their lives forever. Viciously funny, this sharp and satirical take on the politics of women's bodies and women's work is an addictive debut novel that dazzles with style and savoire faire.
Revered former Metal Maniacs editor Jeff Wagner analyses the heady side of metal in this exhaustive narrative history of a relentlessly ambitious musical subculture. Beginning with the hugely influential mid-1970s efforts of progressive rock acts Rush and King Crimson, Wagner unfurls a vast colourful tapestry of sounds and styles, from the 'Big 3' of Queensryche, Fates Warning and Dream Theater to the extreme prog pioneers Voivod, Watchtower, Celtic Frost and others.
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." —De'Shawn Charles Winslow, author of In West Mills Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time—or lynching—for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York. When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother's white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father's black genealogy. But in the process, Johnson suddenly realized that her mother's whole white family was—and always had been—missing. When she began to pry, her mother's 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.
Land the job you want! The interview is one of the most crucial moments of the job search experience and your chance to show your potential employer that you have what it takes to succeed in the position. In order to do that in today's highly competitive job search environment, though, you'll have to find a way to stand out from the crowd. Using his twenty-five years of experience, New York Times bestselling author Martin Yate has established a set of rules for job interviews that is sure to get you noticed. Instead of memorizing canned answers, Yate provides you with an explanation of the thought behind more than 300 questions and answers, so that you'll always know what the interviewer is really asking and how you should respond. Packed with information on handling stress questions and weird interview venues, this book also teaches you how to keep your cool--and confidence--from the moment you step inside the building. With Knock 'em Dead Job Interview, you will finally be able to differentiate yourself from the competition and score the job!
A prequel to the events of the smash video game hit Dead Space 3, we follow Earthgov Sergeant, John Carver who’s wife and son are attacked by fanatics trying to liberate the Marker site where she works. Racing to solve the clues his wife left behind, Carver teams up with Ellie Langford, survivor of an earlier necromorph outbreak on the Sprawl, and EarthGov Captain Robert Norton. Together they unlock deep secrets about the Markers in an epic adventure that will help determine the fate of mankind.
Dive into an epic fantasy full of crunching revolutionary action, twisted magic, and hard choices in dark times. The war is over. The enemy won. Jia's people learned the hard way that there are no second chances. The Egril, their ancient enemy, struck with magic so devastating that Jia's armies were wiped out. Now terror reigns in the streets, and friend turns on friend just to live another day. Somehow Tinnstra - a deserter, a failure, nothing but a coward - survived. She wants no more than to hide from the chaos. But dragged into a desperate plot to retake Jia, surrounded by people willing to do anything to win the fight, this time Tinnstra will need to do more than hide. If Jia is to get a second chance after all, this time she will need to be a hero. With all the grit of Joe Abercrombie, Mark Lawrence and Ed McDonald, this is a debut epic fantasy with the sharpest of edges. * * * * * * * * * * Readers can't put down We Are the Dead: 'The next Game of Thrones' Glen Cook, author of The Black Company 'Tarantino crossed with David Gemmell' Peter McLean, author of Priest of Bones 'A powerful debut' Gavin Smith, author of The Bastard Legion 'So much bloodshed and actions, Shackle's debut is fast-paced, grim, and unputdownable' Novel Notions 'This is a fantastic story that I think everyone would enjoy. Every aspect, from prose to characters to plot is just superbly crafted' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Utterly gripping, original fantasy that really must be counted amongst the best in the genre' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'If you are looking for a fantasy read with phenomenal magic, battle scenes that are so vividly described that you experience them through all of your senses, villains who are entirely despicable, and a compelling story filled with crushing heartbreak and glorious redemption, then you need to pick up WE ARE THE DEAD right now' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'A fantastic tale of rebellion against an occupying force . . . I really loved how this one all pulled together, and seeing the rebellion from different viewpoints was a real treat' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is a fast paced and intense story that never lets up in its brutality and dark environment' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'From start to finish this will keep you on the edge of your seat . . . This is an outstanding debut, you don't want to miss it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ THE LAST WAR Book One: We Are the Dead Book Two: A Fool's Hope Book Three: Until the Last
Over the last several decades, video testimony with aging Holocaust survivors has brought these witnesses into the limelight. Yet the success of these projects has made it seem that little survivor testimony took place in earlier years. In truth, thousands of survivors began to recount their experience at the earliest opportunity. This book provides the first full-length case study of early postwar Holocaust testimony, focusing on David Boder's 1946 displaced persons interview project. In July 1946, Boder, a psychologist, traveled to Europe to interview victims of the Holocaust who were in the Displaced Persons (DP) camps and what he called "shelter houses." During his nine weeks in Europe, Boder carried out approximately 130 interviews in nine languages and recorded them on a wire recorder. Likely the earliest audio recorded testimony of Holocaust survivors, the interviews are valuable today for the spoken word (that of the DP narrators and of Boder himself) and also for the song sessions and religious services that Boder recorded. Eighty sessions were eventually transcribed into English, most of which were included in a self-published manuscript. Alan Rosen sets Boder's project in the context of the postwar response to displaced persons, sketches the dramatic background of his previous life and work, chronicles in detail the evolving process of interviewing both Jewish and non-Jewish DPs, and examines from several angles the implications for the history of Holocaust testimony. Such early postwar testimony, Rosen avers, deserves to be taken on its own terms rather than to be enfolded into earlier or later schemas of testimony. Moreover, Boder's efforts and the support he was given for them demonstrate that American postwar response to the Holocaust was not universally indifferent but rather often engaged, concerned, and resourceful.
A rumination on survival, queer aging, and estrangement that was a finalist for the Republic of Consciousness Prize. My dead friends are back. I lie in bed at night and see them. Haunted by insomnia and the past as he approaches his fiftieth birthday, the narrator of My Dead Book flips through scenes of his youth and memories of dozens of friends who are no longer with him. Living alone and working odd jobs in Wisconsin, he ruminates on survival, queer aging, his years as a teenage throwaway, and estrangement, wondering whether he has outlived his place in the world. First published in 2021, Lippens’s debut novel was hailed as “a brutally acerbic novel of queer pessimism” (Donna Marcus, AnOther Magazine). As Lindsay Lerman observed in Southwest Review, “My Dead Book is not transgressive because it follows a gay man as he struggles to survive on the fringes of multiple worlds. … It is continually transgressing. It’s a living book (a living dead book), moving around in time, making tangential connections.” This new edition includes an introduction by LAMBDA Literary Award-winning American poet and writer, Eileen Myles.
The modes in which historical research is being shaped have become themselves topics of research. Holocaust historiography - the documentation, depiction and analysis of one of the most horrific events in human history - is today a wide ranging academic field in which Jewish and non-Jewish scholars throughout the world are active. But how did this historiography, especially its Jewish aspect, emerge and by what factors was it shaped? This volume examines the very beginnings of the effort to apply scholarly standards to the understanding of the Holocaust - when World War II was still raging and immediately after it had ended.