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i-D began as a fanzine dedicated to the street style of punk-era London in 1980 and quickly earned its position at the vanguard of fashion and style, abiding by the premise of “originate—don’t imitate.” This anniversary volume is the ultimate tribute to the irreverent and forward-thinking magazine that revolutionized not only the world of fashion publishing but fashion itself. Over the 40 years since its launch, i-D has grown from a hand-stapled zine to one of the world’s leading international style titles with two million Instagram followers. Founded by Terry Jones in 1980, i-D began as a chronicle of style and attitude as much as a fashion bible, and over the years it has kept to that ethos, in the process becoming a nurturing ground for gener-ations of fashion talents, from David Sims to Juergen Teller, Edward Enninful to Wolfgang Tillmans, Tyler Mitchell to Harley Weir. This celebratory volume commemorates the 40th anniversary of i-D through the prism of different cultural eras, with each chapter focusing on a decade of the magazine’s history and featuring a mix of original rephotographed spreads from the magazine, reprinted text pieces, archival imagery, covers, and new essays exploring both the history of i-D and the wider cultural contexts of the era it was created in. It’s a magazine that has given Greta Thunberg, Madonna, Naomi Campbell, and Sonic the Hedgehog their first covers; that invented the emoticon; and that, across 40 years and 500 cover winks, has had one defining message: that fashion should be inclusive, fun, diverse, and—always—original.
Rétrospective du magazine i-D
From the people who put an armadillo on the cover of a system administration book, comes the first collection of the computer underground hieroglyphics we call "smileys". Originally inserted into email messages to denote "said with a cynical smile", smileys now run rampant throughout the electronic mail culture. This book advances the state-of-the-art of smileys, including such information as Smiley Comics and "Where's Smiley?"
A landmark publication offering a definitive overview of one of the most influential transatlantic magazines produced in the 1980s and 1990s Launched by NME editor and Smash Hits creator Nick Logan in 1980, The Face became an icon of “style culture,” the benchmark for the latest trends in art, design, fashion, photography, film, and music being defined by a thriving youth culture. The Story of The Face tracks the exciting highs and calamitous lows of the life of the magazine in two parts. Part one focuses on the rise of the magazine in the 1980s, highlighting its striking visual identity—embodied by Neville Brody’s era-defining graphic designs, Nick Knight’s dramatic fashion photography, and the “Buffalo” styling of Ray Petr— and its unflinching approach to journalism. Contributors included a host of writers who subsequently made their impact in the wider world, from Julie Burchill, Robert Elms, Tony Parsons, and James Truman to Jon Savage, Richard Benson, and Sheryl Garratt. Part two shows how in the 1990s, after surviving a disastrous Jason Donovan libel suit, the magazine heralded the post-acid house era of Britpop and Brit Art. However, after the magazine had become the engine of the booming British magazine industry, the end of this decade also saw the eventual demise of The Face. Including an introduction by Dylan Jones, The Story of The Face is an engaging behind-the-scenes look at the rise and fall of one of the 80s and 90s’ most influential music and style publications.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Celebrating 30 years of Dazed’s boundary-pushing storytelling at the forefront of youth culture, this book reveals the past, present, and future of Dazed through its bold cover designs and manifesto-like headlines. In 1991, the first issue of Dazed & Confused was released as a single A2 foldout newsprint by a then 20-year-old Jefferson Hack and the photographer Rankin. Now, 30 years later, what began as a print magazine has gone on to provoke a change in consciousness, becoming a vital cultural manifesto for today. Created for an audience that wants to be both informed and inspired to imagine, its radical approach to publishing means that Dazed is still at the forefront of youth culture today. Split into ten chapters—taken from the magazine’s most memorable cover lines—this book explores how these early manifestos reflect the magazine’s ethos today. Time-traveling from the ’90s to now, a new generation of image makers sit side by side with archival materials to showcase how Dazed has always interpreted celebrity through its own boundary-pushing lens: from Alexander McQueen and David Bowie’s first official, recorded conversation and the designer’s “Fashion-Able?” cover, to a rare appearance and guest-edit by Chelsea Manning, to rapper Young Thug shot by Harley Weir.
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.
Even a cupid can be love-struck . . . For years, Emelle has been a cupid - the ultimate matchmaker to help others fall in love. But this job means that she has no physical body and can't be seen by anyone. Or fall in love, herself. Not ideal for a romantic. Unfortunately, she becomes responsible for some rather bad matchmaking. So much so, she's punished and exiled from the human world. Finding herself among the fae, she hopes things will be better in this new realm. They're not. Fed up, she angrily fires Love Arrows at a fae prince, but he retaliates, and suddenly, she's pushed out of the Veil. Now, she has a real body. A real life. And she is ready for some matchmaking of her own. This time, she's going to find love for herself. But can this cupid find it? Signs of Cupidity is Book One in the fun, addictive and sexy Heart Hassle series Gild, Glint and Gleam, Sunday Times bestsellers, April 2023
Everyone has demons, and for Nick, she’s a blonde-haired, gray-eyed siren who won’t give him the time of day. Nick is the total package—loyal, hardworking, and he’s got a heart-stopping smile that could make any girl swoon. But true love continues to elude him. For years, Nick has fought his feelings for a certain bad girl, despite her reputation. His friends warn him against her—she’s caused enough turmoil in their lives to last a lifetime. Still, there’s something about Bethany that draws Nick in, and when life throws him a few curveballs, Bethany is only the beginning. Reputations are hard to shake in a small town, which Bethany knows first-hand. She likes to party and let loose, but that’s not all she is. Amid juggling college exams and navigating her shattered family, caring for her autistic brother is Bethany cares about most. But when she’s forced to partner with the one guy who has always gotten under her skin, it’s all she can do to keep her walls up, or risk letting all she’s worked tirelessly for crumble. Despite their past, Nick is determined to show Bethany that she’s wrong about him—about them. The Goonies, a hot-fudge sundae, and a late-night study session might be just enough to prove things don’t always have to be so damned complicated. Told You So is a story about love’s imperfections and triumphs, about following your heart, especially when it’s not easy, and a testament that everything is better with pickles. *Visit www.authorscarletstjames.com for possible triggers* Keywords: enemies to lovers, contemporary small town romance, bad girl second chance new adult, dyslexia, autism,
Short Story day africabrings together writers, readers, booksellers, publishers, teachers and school children from all over the globe to write, submit, read, workshop and discuss stories. The theme for Short Story Day Africa's (SSDA) latest anthology is 'Identity'. It's annual competition sought innovative short fiction exploring identity, especially (but not limited to) the themes of gender identity and sexuality. The shortlist of 1st, 2nd and 3rd place will be announced in early 2018. Limbo by Innocent Ilo - Nigeria All Our Lives by Okafor Tochukwu - Nigeria Borrowed by the Wind by David Medalie - South Africa God Skin by Michael Yee - South Africa Who We Were Then, Who We Are Now by Nadu Ologoudou - Benin Plums by Kharys Laue - South Africa Waiting by Harriet Anena - Uganda The Piano Player by Agazit Abate - Ethiopia A Brief Eruption Of Madness by Eric Essono Tsimi - Cameroon When the War Came Home by Heran Abate - Ethiopia Ibinabo by Michael Agugom - Nigeria Fever by Alithnayn Abdulkareem - Nigeria Unblooming by Alexis Teyie - Kenya Transubstantiation by Genna Gardini - South Africa Taba by Adelola Ojutiku - Nigeria Bloated by Hanna Ali - Somalia The Geography of Sunflowers by Michelle Angwenyi - Kenya The House on the Corner by Lester Walbrugh - South Africa Blue in Green by Chourouq Nasri -Morocco Sew Your Mouth by Cherrie Kandie - Kenya South of Samora by Farai Mudzingwa - Zimbabwe