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A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
This landmark collection of newly commissioned essays explores how diverse women of African descent have practiced religion as part of the work of their ordinary and sometimes extraordinary lives. By examining women from North America, the Caribbean, Brazil, and Africa, the contributors identify the patterns that emerge as women, religion, and diaspora intersect, mapping fresh approaches to this emergent field of inquiry. The volume focuses on issues of history, tradition, and the authenticity of African-derived spiritual practices in a variety of contexts, including those where memories of suffering remain fresh and powerful. The contributors discuss matters of power and leadership and of religious expressions outside of institutional settings. The essays study women of Christian denominations, African and Afro-Caribbean traditions, and Islam, addressing their roles as spiritual leaders, artists and musicians, preachers, and participants in bible-study groups. This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space.
A tapestry of innovation, ideas, and commerce, Africa and its entrepreneurial hubs are deeply connected to those of the past. Moses E. Ochonu and an international group of contributors explores the lived experiences of African innovators who have created value for themselves and their communities. Profiles of vendors, farmers, craftspeople, healers, spiritual consultants, warriors, musicians, technological innovators, political mobilizers, and laborers featured in this volume show African models of entrepreneurship in action. As a whole, the essays consider the history of entrepreneurship in Africa, illustrating its multiple origins and showing how it differs from the Western capitalist experience. As they establish historical patterns of business creativity, these explorations open new avenues for understanding indigenous enterprise and homegrown commerce and their relationship to social, economic, and political debates in Africa today.
Set against the backdrop of the Vietnam War, one young girl is determined to save her brother from the draft—and gets help from an unlikely source—in this middle-grade tale, perfect for fans of The Wednesday Wars When eleven-year-old Reenie Kelly’s mother passes away, she and her brothers are shipped off to live with their grandmother. Adjusting to life in her parents’ Midwestern hometown isn’t easy, but once Reenie takes up a paper route with her older brother Dare, she has something she can look forward to. As they introduce themselves to every home on their route, Reenie’s stumped by just one—the house belonging to Mr. Marsworth, the town recluse. When he doesn’t answer his doorbell, Reenie begins to leave him letters. Slowly, the two become pen pals, striking up the most unlikely of friendships. Through their letters, Reenie tells of her older brother Billy, who might enlist to fight in the Vietnam War. Reenie is desperate to stop him, and when Mr. Marsworth hears this, he knows he can’t stand idly by. As a staunch pacifist, Mr. Marsworth offers to help Reenie. Together, they concoct a plan to keep Billy home, though Reenie doesn’t know Mr. Marsworth’s dedication to her cause goes far beyond his antiwar beliefs. In this heartwarming piece of historical fiction, critically acclaimed author Sheila O’Connor delivers a tale of devotion, sacrifice, and family.
In our globalised world, literature is less and less confined to national spaces. Europe-centred frameworks for literary studies have become insufficient; academics are increasingly called upon to address matters of cultural difference. In this unique volume, leading scholars discuss the critical and methodical challenges that these developments pose to the writing of literary history. What is the object of literary history? What is the meaning of the term “world literature”? How do we compare different cultural systems of genres? How do we account theoretically for literary transculturation? What are the implications of postcolonial studies for the discipline of comparative literature? Ranging in focus from the Persian epic of Majnun Layla and Zulu praise poetry to South Korean novels and Brazilian antropofagismo, the essays offer a concise overview of these and related questions. Their aim is not to reach a consensus on these matters. They show instead what is at stake in the emergent field of global comparatism.
“The encyclopedia gives a complex, yet detailed, presentation of the Yorùbá, a dominant ethnic group in West Africa . . . an invaluable resource.” —Yoruba Studies Review The Yoruba people today number more than thirty million strong, with significant numbers in the United States, Nigeria, Europe, and Brazil. This landmark reference work emphasizes Yoruba history, geography and demography, language and linguistics, literature, philosophy, religion, and art. The 285 entries include biographies of prominent Yoruba figures, artists, and authors; the histories of political institutions; and the impact of technology and media, urban living, and contemporary culture on Yoruba people worldwide. Written by Yoruba experts on all continents, this encyclopedia provides comprehensive background to the global Yoruba and their distinctive and vibrant history and culture. “Readers unfamiliar with the Yoruba will find the introduction a concise and valuable overview of their language and its dialects, recent history, mythology and religion, and diaspora movements . . . Highly recommended.” —Choice
After a life that has spanned more than six decades, Dwight N. Wood, Sr., now provides an intensely painful but transparent account of his story starting from birth and leading to the present day. He always attempted to hide away the damaging scars of a major heart surgery and the sometimes cruel events prompted by poverty. It was his choice to cover up and contain his deepest emotions within his heart and mind. Survival of the Heart Tragedy of the Mind is a spiritual and surprising story of medical survival and human tragedy. Wood characterizes his most detailed memories of his childhood and the sacrifices of his family, which always supported his dreams of living a normal life. After he became an adult, he once again faced the demons of his past physical and mental battles. He recounts the hardships associated with despair, dying, and death. He expresses the mental struggles of living in the past while not looking toward the present and future. The emotional and monetary costs of failing to seek professional guidance nearly led to his demise. Wood admits to the consequences of being a man who has had to deal with denial and rejection. His book is about learning the lessons of life and making the confusing connections between commons sense and poor judgment. He rationalizes the reasons we should embrace love and forgive people. The crucial decisions he made as a child and an adult now allow him to complete his circle of life. Survival of the Heart Tragedy of the Mind is an intimate portrayal of a very emotional boy who develops into a mentally quick and capable man. His often hopeful approach to overcoming human miseries is highlighted by his failures as well as his victories. From his youthful days to his elderly years, he suffered from a congenital heart abnormality and eventually developed post-traumatic stress disorder. His lifelong search for the answers to human love, spiritual happiness, and the true meaning of human life eventually leads him to some remarkable solutions with noteworthy conclusions.