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The history of Earth and humankind is not what we were taught in school. This becomes apparent when an alien ship lands in New York City in broad daylight, and its only occupant makes contact with the only human on Earth with whom he can speak telepathically—a young teenage girl who has just discovered her boyfriend is a pimp. He has come to warn us that aliens are on their way to destroy our planet, and unless we follow his instructions, humanity will be wiped out. As world leaders argue over who will lead Earth as it prepares for the alien invasion, the young woman meets a young man who is much more powerful than she is, but he has been able to keep his abilities a secret. Together with the help of friends long thought of as myth, they concoct a plan to fend off the invaders as all of humanity struggles with the question of whether to work together to survive or die as a species.
17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal
A petty thief and a convicted murderer find themselves entangled in a deadly reality TV game and a heart-pounding attraction for each other. Original.
Pendleton, that virtually none of these temporal incoherences seem to have been noted before. Moreover, this study departs from the critical consensus that the earlier drafts of the novel are evidence of Fitzgerald's consummate artistry. Among the discoveries presented here are that Fitzgerald made no use of the 1922 calendar; that he did not work out the novel's time scheme until after completing about half of the manuscript version (possibly because he intended Gatsby to be much longer); and that, quite probably, he attempted to disguise at least some of the book's temporal misplacements and contradictions. Further, this study shows that even the most praised of Fitzgerald's revisions - his relocation of materials dealing with Gatsby's past so as to gradually reveal his secret - was apparently without exception accompanied by faulty temporal connections to the plot line.
Filled with spiritual insights and stunning landscape photography, this devotional is for those who connect deeply with God through the beauty and splendor of the outdoors. Listen carefully. Can you hear it? Evidence of God’s design is everywhere, from a pristine sanctuary of snowy pines to the lilting refrain of a lazy river. From a majestic star scape in a summer’s evening sky to the ancient echo of a painted desert canyon. Throughout nature, revelation is naturally and exquisitely unfolding. Whatever and wherever your mountain might be, these short devotions will help attune you to that still small voice beckoning you from beyond the wooded path, the windswept clearing, or the creek-side meadow. As you celebrate each season with thoughtful prose, Scripture verses, and captivating imagery, you’ll gain a deeper understanding and appreciation of the One who has made this world His masterpiece.
NATIONAL BESTSELLER • From Martin Dugard, the #1 New York Times bestselling coauthor of the Killing series with Bill O’Reilly, comes the spellbinding story of the Allied liberation of Paris from the grip of the Nazis during World War II “Taking Paris does for Paris during World War II what The Splendid and the Vile did for London.”—James Patterson • “Heroes and villains abound. You’ll enjoy this fast-paced book immensely.”—Bill O’Reilly • “Succeeds triumphantly.”—The Washington Post May 1940: The world is stunned as Hitler's forces invade France with a devastating blitzkrieg aimed at Paris. Within weeks, the French government has collapsed, and the City of Lights, revered for its carefree lifestyle, intellectual freedom, and love of liberty, has fallen under Nazi control—perhaps forever. As the Germans ruthlessly crush all opposition, a patriotic band of Parisians known as the Resistance secretly rise up to fight back. But these young men and women cannot do it alone. Over 120,000 Parisians die under German occupation. Countless more are tortured in the city's Gestapo prisons and sent to death camps. The longer the Nazis hold the city, the greater the danger its citizens face. As the armies of America and Great Britain prepare to launch the greatest invasion in history, the spies of the Resistance risk all to ensure the Germans are defeated and Paris is once again free. The players holding the fate of Paris in their hands are some of the biggest historical figures of the era: Winston Churchill, Franklin Roosevelt, General George S. Patton, and the exiled French general Charles de Gaulle, headquartered in London's Connaught Hotel. From the fall of Paris in 1940 to the race for Paris in 1944, this riveting, page-turning drama unfolds through their decisions—for better and worse. Taking Paris is history told at a breathtaking pace, a sprawling yet intimate saga of heroism, desire, and personal sacrifice for all that is right.
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Can he find his son a mommy for Christmas? Ever since Italian CEO Luca Berettini tragically lost his wife, he’s been dedicated to keeping his sick son happy and healthy. But when Dino asks a charity to grant him a wish, Luca’s Christmas is turned on its head! Gabi Parisi is moved by Dino’s letter and desperate to help the boy, whose experience reminds her of her childhood. She’s swept away by Dino and his handsome, loving single dad but has no idea how to grant Dino’s wish—until Luca makes her a very special Christmas proposal…
Louisiana businessman Jerry Earl Leland served only a fraction of his five-year sentence for white-collar crime, thanks to some political connections and a few greased palms. But he won’t have long to enjoy his freedom… After Jerry Earl’s early release, his wife, Margo—a much-married Garden District doyenne—throws an extravagant Get Out of Jail Free Party, complete with a Zydeco band, champagne ice luge, and waiters in ties and tails. The guest list includes many prominent New Orleans socialites, as well as scrapbook shop owner Carmela Bertrand and her best friend, Ava Gruiex. But sometime during the swirl of partying and drinking, Jerry Earl is brutally murdered—then stuffed inside a clothes dryer. Carmela has earned a reputation around town for solving murders, and when the grieving widow turns to her for help, she can’t say no. But Jerry Earl took a lot of people to the cleaners with his underhanded business tactics, so Carmela’s going to be hard-pressed to identify which of his enemies was steamed enough to kill him. As she sorts through Jerry Earl’s dirty laundry, she needs to collar the killer before another victim is set to tumble dry… Scrapbooking Tips and Recipes Included!
The spirited child—often called "difficult" or "strong-willed"—can easily overwhelm parents, leaving them feeling frustrated and inadequate.Spirited kids are, in fact, simply "more"—by temperament, they are more intense, sensitive, perceptive, persistent, and uncomfortable with change than the average child.Through vivid examples and a refreshingly positive viewpoint, Mary Sheedy Kurcinka offers parents emotional support and proven strategies for handling their spirited child. Raising Your Spirited Child will help you: Understand your child's—and your own—temperamental traits Plan for success with a simple four-step program Discover the power of positive—rather than negative—labels Cope with tantrums and blowups when they do occur Develop strategies for handling mealtimes, bedtimes, holidays, school and many other situations Filled with personal insight and authorative advice, Raising Your Spirited Child can help make parenting the joy it should be, rather than the trial it can be.