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A Pura Belpré Honor Book An immigrant teen fights for her family, her future, and the place she calls home. In the spring of 2018, Guatemalan American high school senior Milagros "Millie" Vargas knows her life is about to change. She has lived in Corpus Christi, Texas, ever since her parents sought asylum there when she was a baby. Now a citizen, Millie devotes herself to school and caring for her younger siblings while her mom works as a housekeeper for the wealthy Wheeler family. With college on the horizon, Millie is torn between attending her dream school and staying close to home, where she knows she's needed. She is disturbed by what's happening to asylum-seekers at the U.S.-Mexico border, but she doesn't see herself as an activist or a change-maker. She's just trying to take care of her own family. Then Mr. Wheeler, a U.S. Senate candidate, mentions Millie's achievements in a campaign speech about "deserving" immigrants. It doesn't take long for people to identify Millie's family and place them at the center of a statewide immigration debate. Faced with journalists, trolls, anonymous threats, and the Wheelers' good intentions—especially those of Mr. Wheeler's son, Charlie—Millie must confront the complexity of her past, the uncertainty of her future, and her place in the country that she believed was home.
Popular cozy enthusiast and blogger, Liz Marie, and her husband Jose Galvan draw on the sweet story of bringing home a lamb to White Cottage Farm to craft We Belong to Each Other, their first children's book, which focuses on finding family. At first, Grace feels as if she doesn’t belong because she is the only sheep at White Cottage Farm. But as she experiences the love of the other animals and of the kind man and woman and their baby, she begins to feel safe in her new home and recognizes that God provided her with a loving family. With delightful rhyming text and cozy farm illustrations, children will learn: The affirming message that home is any place filled with love Families come in all shapes and sizes How to embrace acceptance with love and patience We Belong to Each Other is perfect for: Ages 4-8 Readers who enjoyed Liz's creativity and welcoming voice in Cozy White Cottage Baby showers and adoption celebrations, birthdays, Gotcha Days, and weddings of blended families You'll love holding your children close as you share the heart of this book with them over and over: we belong to each other.
A Loblolly Tree is removed from the only home he has ever known and sent on a journey where he faces fear, uncertainty and physical transformation, all the time wondering where he belongs and where his new home will be. After a difficult adventure, he arrives at his new home, learning he was never really alone, and discovering new friends, new purpose and new opportunities
“It’s so hard to believe that this is a debut novel! It’s an historic novel. Talk about hitting me on so many good points.” –John Busbee, The Culture Buzz, weekly on www.KFMG.org “Set against the harsh backdrop of Montana, You Belong Here Now is a novel as straightforward and powerful as the characters who populate it. I love this book, and I guarantee you won’t find a finer debut work anywhere.” — William Kent Krueger, New York Times bestselling author of This Tender Land “You Belong Here Now distills the essence of the American spirit in this uplifting story. Perfect for book clubs looking to discuss the true meaning of family.” — Kathleen Grissom, New York Times bestselling author of The Kitchen House In this brilliant debut reminiscent of William Kent Krueger's This Tender Land and Lisa Wingate's Before We Were Yours, three orphans journey westward from New York City to the Big Sky Country of Montana, hoping for a better life where beautiful wild horses roam free. Montana 1925: Three brave kids from New York board the orphan train headed west. An Irish boy who lost his whole family to Spanish flu, a tiny girl who won’t talk, and a volatile young man who desperately needs to escape Hell’s Kitchen. They are paraded on platforms across the Midwest to work-worn folks and journey countless miles, racing the sun westward. Before they reach the last rejection and stop, the kids come up with a daring plan, and they set off toward the Yellowstone River and grassy mountains where the wild horses roam. Fate guides them toward the ranch of a family stricken by loss. Broken and unable to outrun their pasts in New York, the family must do the unthinkable in order to save them. Nara, the daughter of a successful cattleman, has grown into a brusque spinster who refuses the kids on sight. She’s worked hard to gain her father’s respect and hopes to run their operation, but if the kids stay, she’ll be stuck in the kitchen. Nara works them without mercy, hoping they’ll run off, but they buck up and show spirit, and though Nara will never be motherly, she begins to take to them. So, when Charles is jailed for freeing wild horses that were rounded up for slaughter, and an abusive mother from New York shows up to take the youngest, Nara does the unthinkable, risking everything she holds dear to change their lives forever. “From the moment the reader steps on the train with these orphaned children, You Belong Here Now shows how beauty can emerge from even the darkest places.” —Erika Robuck, national bestselling author of Hemingway’s Girl “Rostad’s bighearted debut is full of surprises, and warm with wisdom about what it means to be family.” —Meg Waite Clayton, New York Times bestselling author of The Last Train to London
The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing
Winner of the 2021 Books Are My Bag Readers Award for Non-fiction Shortlisted for the 2021 Wainwright Prize "I knew in every bone of my body, in every fibre of my being, that I had to report what had happened, not only for myself but to help stop anyone else having to go through what I did. I knew I could not remain silent, or still, I could not stop walking through the world." A journey of reclamation through the natural landscapes of the North, brilliantly exploring identity, nature, place and belonging. Beautifully written and truly inspiring, I Belong Here heralds a powerful and refreshing new voice in nature writing. Anita Sethi was on a journey through Northern England when she became the victim of a race-hate crime. The crime was a vicious attack on her right to exist in a place on account of her race. After the event Anita experienced panic attacks and anxiety. A crushing sense of claustrophobia made her long for wide open spaces, to breathe deeply in the great outdoors. She was intent on not letting her experience stop her travelling freely and without fear. The Pennines - known as 'the backbone of Britain' runs through the north and also strongly connects north with south, east with west - it's a place of borderlands and limestone, of rivers and 'scars', of fells and forces. The Pennines called to Anita with a magnetic force; although a racist had told her to leave, she felt drawn to further explore the area she regards as her home, to immerse herself deeply in place. Anita's journey through the natural landscapes of the North is one of reclamation, a way of saying that this is her land too and she belongs in the UK as a brown woman, as much as a white man does. Her journey transforms what began as an ugly experience of hate into one offering hope and finding beauty after brutality. Anita transforms her personal experience into one of universal resonance, offering a call to action, to keep walking onwards. Every footstep taken is an act of persistence. Every word written against the rising tide of hate speech, such as this book, is an act of resistance.
An extraordinarily beautiful novel-in-verse, this important debut weaves a dramatic immigrant story together with Pilipino mythology to create something wholly new. Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance. Glorious and layered, this is a portrait of family and strength for the ages.
Her carefully constructed life thrown into turmoil by the appearance of an eighteen-year-old girl with ties to her past, New York television producer Marian Caldwell is swept up in a maelstrom of personal discovery that changes both of their perceptions about family.