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Poetry - ISBN: 978-0-9889447-5-6 Melissa Studdard's high-flying, bold poetic language expresses an erotic appetite for the world: "this desire to butter and eat the stars," as she says, in words characteristically large yet domestic, ambitious yet chuck- ling at their own nerve. This poet's ardent, winning ebullience echoes that of God, a recurring character here, who finds us Her children, splotchy, bawling and imperfect though we are, "flawless in her omni- scient eyes." -Robert Pinsky In so many ways the poems in this book read like paintings, touching and absorbing the light of the known world while fingering the soul until it lifts, trembling. Gates splayed, bodies read as books, and hearts born of mouths, Studdard's study, which is a creation unto itself, would have no doubt pleased Neruda's taste for the alchemic impurity of poetry, which is, as we know, poetry that is not only most pure of heart, but beautifully generous in vision and feeling. -Cate Marvin
Melissa Studdard's high-flying, bold poetic language expresses an erotic appetite for the world: "this desire to butter and eat the stars," as she says, in words characteristically large yet domestic, ambitious yet chuckling at their own nerve. This poet's ardent, winning ebullience echoes that of God, a recurring character here, who finds us Her children, splotchy, bawling and imperfect though we are, "flawless in her omniscient eyes." -Robert Pinsky In so many ways the poems in this book read like paintings, touching and absorbing the light of the known world while fingering the soul until it lifts, trembling. Gates splayed, bodies read as books, and hearts born of mouths, Studdard's study, which is a creation unto itself, would have no doubt pleased Neruda's taste for the alchemic impurity of poetry, which is, as we know, poetry that is not only most pure of heart, but beautifully generous in vision and feeling. -Cate Marvin
Poems by Melissa Studdard, written to accompany Christopher Theofanidis' The Conference of the Birds for String Quartet which traces the metaphoric journey of Attãr's - The Conference of the Birds.
Studdard's work makes you recall the great beauty amidst the chaos of life.
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.
Move over, C.S. Lewis; Melissa Studdard is here! Annalise of the Verdant Hills is one of the most delightful protagonists to skip through the pages of literature since Dorothy landed in Oz. Join Annalise and her two walking, talking wondersheep as they travel to ever more outlandish places and meet outrageous and enlightening folk on their journey to discover interconnectedness in a seemingly disconnected world. Discover with them how just one person can be the start of the change we all strive for. A book for all ages, for all time: wonderful, wacky, and bursting with truth!
Praised by US Poet Laureate Juan Felipe Herrera as "a monumental achievement," The Selfless Bliss of The Body is award-winning novelist Gayle Brandeis' first full-length poetry collection. Poems from the book have been honored by the Thomas Merton Poetry of the Sacred Competition and the US Department of the Interior, which installed one of the poems at the Visitor Center in Joshua Tree National Park. These poems reach deeply into the body to reach beyond the body; Fresno Poet Laureate Lee Herrick writes "These tender and fierce poems are breathtaking gifts from a writer whose love for the world knows no bounds."
Praise for "Coat Thief" Like walking meditations, the poetic feet of Jeffrey Davis's "Coat Thief" invoke mindfulness through grounded, regular movement. Profoundly attuned to the beauty of daily existence, these poems upend and expand conventional perceptions of magnitude as they give prominence to sneaker prints, earthworms, egg cartons, and other often unnoticed objects. These are poems filled with wonder, poems that demonstrate over and over that we need not rely on esoteric experience for transcendence-because it is, we learn from "Coat Thief," the ordinary that is most extraordinary. Yes! It is possible for poetic feet to connect our soles and souls more intimately to the earth, and with Davis, the closer we are to the earth, the closer we are to the divine. Melissa Studdard, "I Ate the Cosmos for Breakfast" The quiet moments of a life can be the most revealing and yet the ones we pay attention to least. Jeffrey Davis slows down the mind- camera in "Coat Thief" to linger in those moments with a focus always rich with compassion, empathy, and physical touch. I love his intention. I love his sound. Kazim Ali, "Sky Ward" We are accustomed to poems that seek political change by deploying fierce urgency and by speeding up time to get us moving toward progress. But if the poems in Jeffrey Davis's "Coat Thief" are good evidence, then the most effective, and affective, poems of change may be those poems that slow time down and bless us with moments in which we are able to perceive emotional complexes in instants of time, moments that leave us stupendously awake in the dark: an earthworm churning through the detritus of civilizations; wasting your morning speaking to a blue stone that is just beginning to hear you; a mother and the child kicking inside her with a god's foot. Brian Clements, author of "Disappointed Psalms and A Book of Common Rituals"
Poetry is neither how we speak nor how we write but it is a medium that is much closer to how human beings think. Song Of The Republic is a book about the natural world where human compulsion and submission are dramatized through the play of flora and fauna in a New England setting.