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GRAB THIS PERFECT PERSONALIZED NOTEBOOK FOR YOUR FRIEND, WIFE, HUSBAND, FAMILY MEMBER OR CO-WORKER!Looking for a unique notebook someone who loves to play saxophone, whether it's alto, soprano, tenor or baritone? This quality lined journal for writing is sure to please anyone and everyone! White journal with dark lettering and lightly lined interior. Perfect for a birthday, anniversary or Christmas stocking stuffer for men. Perfect to use at college, home, school or work. Use this journal: To write out your goals Write your daily schedule Plan shopping lists Unclutter your mind TO-DO list This personalized journal comes as is: 6X9 inch, 108 pages, matte softcover, quality paper and binding. Click on my other personalized notebooks by clicking my author name 'Holly Maye.'
Over 2,200 Jokes from America’s favorite live radio show A treasury of hilarity from Garrison Keillor and the cast of public radio’s A Prairie Home Companion. A guy walks into a bar. Eight Canada Geese walk into a bar. A termite jumps up on the bar and asks, “Where is the bar tender?” Drum roll. The Sixth Edition of the perennially popular Pretty Good Joke Book is everything the first five were and more. More puns, one-liners, light bulb jokes, knock-knock jokes, and third-grader jokes (have you heard the one about Elvis Parsley?). More religion jokes, political jokes, lawyer jokes, blonde jokes, and jokes in questionable taste (Why did the urologist lose his license? He got in trouble with his peers). More jokes about chickens, relationships, and senior moments (the nice thing about Alzheimer’s is you can enjoy the same jokes again and again). It all started back in 1996, when A Prairie Home Companion fans laughed themselves silly during the first Joke Show. The broadcast was such a hit that it became an almost-annual gagfest. Then fans wanted to read the jokes, share them, and pass them around, and the first Pretty Good Joke Book was born. With over 200 new and updated jokes, the latest edition promises countless giggles, chortles, and guffaws anyone—fans of the radio show or not—will enjoy.
Everybody knows John Altman's music, but not so many people know his name. Yet he is one of the most prolific composers, conductors and arrangers in history and his saxophone playing has been heard live and on record with many great names. In this vivid account of over fifty years in the world of popular music, Altman explains why he is the 'Hidden Man', whose scores include such well-known film sequences as 'Always Look on the Bright Side of Life' from Life of Brian, which he arranged, conducted and whistled; the tank chase through St. Petersburg in the James Bond movie Goldeneye and the ship sinking in Titanic, with the orchestra playing on deck. In all, he has composed the music for over 50 movies, and won most major film awards in his long and distinguished career. His orchestrations can be heard in film scores by legends like Elmer Bernstein and Jule Styne, and he was musical director for several television series, notably Miss Marple, starring Joan Hickson, as well as Peak Practice. As an arranger/conductor he has worked on hit records for numerous stars, among them Rod Stewart, George Michael, Tina Turner, Barry White, Diana Ross, Bjork, and Alison Moyet. As a saxophonist, flautist and clarinet player he has performed with an equally stellar list of musicians. John Altman has also found time to write, produce and arrange over 4,000 commercials worldwide, including his theme for the 'Sheila's Wheels' advertisement. Such anonymity coupled with universally-known themes is why Monty Python's Terry Gilliam named Altman the 'Hidden Man'. In this entertaining, fast-paced memoir you will discover how Ingrid Bergman smiled at his back; how a Beatle always greeted him by singing one of his musical phrases; how he tried in vain to persuade Nick Drake to continue performing in public; how he reduced Freddy Mercury to helpless laughter; how he got Pierce Brosnan his big movie break; how he sat with Charlie Chaplin watching a movie that hadn't been seen for a quarter of a century (with a running commentary from the great man himself); how he sang over a mobile phone to James Cameron and the cast of Titanic; how he inspired a five-year-old George Michael to become a musician; how he was the Wailers' tour guide around London, and how Tina Turner made him a cup of tea. One of the most poignant parts of the story is how he mentored the young Amy Winehouse.
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
The development and history of the various musical instruments and electronic equipment used by rock musicians and in recording are described with explanations of amplification and recording techniques
Jazz clarinetist, saxophonist, and bassoonist Garvin Bushell (1902–1991) performed with many of the twentieth century's greatest jazz musicians—from Fletcher Henderson, Fats Waller, and Cab Calloway to Eric Dolphy, Gil Evans, and John Coltrane—during his remarkable career that spanned from 1916 to the 1980s. Although best known as a jazz soloist and sideman, Bushell also played oboe and bassoon with symphony orchestras and was a highly regarded instructor of woodwinds. In Jazz from the Beginning, Bushell vividly recounts his musical experiences, featuring candid assessments of the legends with whom he performed as well as eye-opening accounts of the early days of jazz and the racism that he encountered on the road. Based on a series of interviews conducted by jazz scholar Mark Tucker, these memoirs provide a colorful account of Bushell's extraordinary life and career as well as an important record of seventy years of America's musical history.
Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.
"A great romp that is almost more of a history of modern rock than it is a look at the life of Bobby Keys. That also makes it an enjoyable and fascinating read for anyone who loves classic rock, as well as for folks who grew up on the genre." —Fortune Born in Slaton, Texas, Bobby Keys has lived the kind of life that qualifies as a rock 'n' roll folktale. In his early teens, Keys bribed his way into Buddy Holly's garage band rehearsals. He took up the saxophone because it was the only instrument left unclaimed in the school band, and he convinced his grandfather to sign his guardianship over to Crickets drummer J.I. Allison so that he could go on tour as a teenager. Keys spent years on the road during the early days of rock ‘n' roll with hitmakers like Bobby Vee and the various acts on Dick Clark's Caravan of Stars Tour, followed by decades as top touring and session sax man for the likes of Mad Dogs and Englishmen, George Harrison, John Lennon, and onto his gig with The Rolling Stone from 1970 onward. Every Night's a Saturday Night finds Keys setting down the many tales of an over–the–top rock ‘n' roll life in his own inimitable voice. Augmented by exclusive contributions with famous friends like Keith Richards, Joe Crocker, and Jim Keltner, Every Night's a Saturday Night paints a unique picture of the coming–of–age of rock 'n' roll.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.