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From the author of Some Kind of Animal comes a wildly unique story about an invisible girl struggling to see herself in a world obsessed with appearances. Pie is the ghost in your house. She is not dead, she is invisible. The way she looks changes depending on what is behind her. A girl of glass. A girl who is a window. If she stands in front of floral wallpaper she is full of roses. For Pie’s entire life it’s been Pie and her mother. Just the two of them, traveling across America. They have slept in trains, in mattress stores, and on the bare ground. They have probably slept in your house. But Pie is lonely. And now, at seventeen, her mother’s given her a gift. The choice of the next city they will go to. And Pie knows exactly where she wants to go. Pittsburgh—where she fell in love with a girl who she plans to find once again. And this time she will reveal herself. Only how can anyone love an invisible girl? A magnificent story of love, and friendship, and learning to see yourself in a world based on appearances, I Am the Ghost in Your House is a brilliant reflection on the importance of how much more there is to our world than what meets the eye.
A captivating new picture book with interactive transparent pages, from world-renowned artist Oliver Jeffers. Hello, come in. Maybe you can help me? A young girl lives in a haunted house, but has never seen a ghost. Are they white with holes for eyes? Are they hard to see? She'd love to know! Step inside and turn the transparent pages to help her on an entertaining ghost hunt, from behind the sofa, right up to the attic. With lots of friendly ghost surprises and incredible mixed media illustrations, this unique and funny book will entertain young readers over and over again!
Tired of living in a haunted house, a young witch captures, washes, and turns her pesky ghosts into curtains, table linens, and bedding.
Suspected of attacking a boy from town and determined to protect her secrets and her twin sister, Jo flees into the woods, where she discovers the truth behind her mother's disappearance fifteen years ago.
Tyler and Zach don't believe in ghosts. So when a friend offers them big money to spend a night in the old Blackwood house, they jump at the chance. Easy money There's no such thing as ghosts... right? Really? No such thing...? One of the biggest sellers of the High Interest Teenage series.
Shirley Jackson Award Finalist: A “deeply compelling” literary thriller about two siblings and a man who could be the brother they never knew (George Saunders, #1 New York Times–bestselling author of Lincoln in the Bardo). Lydia and Lucas Moore are in their late twenties when a stranger enters their small world on Wolf Island. Lydia, the responsible sister, has cared for her pathologically shy brother ever since their mom’s death a decade before. They live, comfortable yet confined, in their family house by the sea, shadowed by events from their childhood. When Lydia sees the stranger step off the ferry, she feels an immediate connection. Lucas is convinced the man, Cole Anthony, is the reincarnation of their brother, who died as a baby. Cole knows their mannerisms, their home, the topography of the island—what else could that mean? Lydia is doubtful, but she can’t deny she is drawn to his magnetism, his energy, and his warmth. To discover the truth about Cole, Lydia must finally face her anxiety about leaving the island, and summon the strength to challenge Cole’s grip on her family’s past and her brother. “One of the best literary thrillers you’ll read this year.” —Cosmopolitan “Gault finesses the mechanics of her puzzle . . . an intriguing subtext about the infantilizing hazards of familial devotion.” —The New York Times Book Review “Taut, evocative . . . shows us what binds us to places and what sets us free.” —The Boston Globe “Quietly chilling . . . A suspenseful meditation on the many ways in which the past, consciously or not, shapes the present, the novel flirts with fantasy but ultimately stays grounded in the elemental realities of wind, tides, and the eroding foundations of memory.” —Booklist “Reminds me of Karen Russell, Donna Tartt, Gillian Flynn, and Marilynne Robinson all at once . . . a monster debut.” —Daniel Torday, author of The Last Flight of Poxl West Longlisted for the Center for Fiction First Novel Prize
Seventeen ghost stories from England are cozy or comic rather than spooky.
Compelling period fiction for 9+ readers from the Waterstones Children's Prize shortlisted Helen Peters. Evie couldn't be angrier with her mother. She's only gone and got married again and has flown off on honeymoon, sending Evie to stay with a godmother she's never even met in an old, creaky house in the middle of nowhere. It is all monumentally unfair. But on the first night, Evie sees a strange, ghostly figure at the window. Spooked, she flees from the room, feeling oddly disembodied as she does so. Out in the corridor, it's 1814 and Evie finds herself dressed as a housemaid. She's certain she's gone back in time for a reason. A terrible injustice needs to be fixed. But there's a housekeeper barking orders, a bad-tempered master to avoid, and the chamber pots won't empty themselves. It's going to take all Evie's cunning to fix things in the past so that nothing will break apart in the future... Absorbing, brilliant storytelling from the author of The Secret Hen House Theatre, The Farm Beneath the Water, Anna at War and The Jasmine Green Series for younger readers.
The New York Times bestselling author of A Simple Favor brings her “sly, satirical, subversive” (L.S. Hilton, author of Ultima) prose to a pitch-perfect psychological suspense novel about a young couple whose disintegrating marriage and remote new home in rural, upstate New York make for a terrifying descent into the darker side of human nature. When Emma’s husband, Ben, falls in love with a large Victorian mansion for sale in upstate New York, he swears to her the fixer-upper will be worth the risk. With a baby on the way, Emma would like to live in a charming, safe community, after all—and in a space larger than a one-bedroom New York City apartment. On impulse, she agrees to Ben’s plan and they put in an offer on the house. Sure, the mansion has a somewhat creepy backstory and is a bit dilapidated, but Emma and Ben are in this together, aren’t they? When strange things start happening, Emma begins to experience a little buyer’s remorse. What’s the real history of this house? Is its dark history repeating itself? Why does her husband suddenly seem so distant? Is she in danger? Is her baby? Combining the domestic anxiety of Liane Moriarty and the haunting twists and turns of Shirley Jackson, All I Want is an intensely absorbing novel that will change the way you look at your neighbors.
WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist. The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.