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Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.
An amazing trajectory: From child star to prize-winning writer to feminist icon Robin Morgan is famous as a bestselling author of nonfiction, a prize-winning poet, and a founder and leader of contemporary feminism. Before all of that, though, she was a working child actor. From the age of two, “Saturday’s child had to work for a living.” She had her own radio show on New York’s WOR, Little Robin Morgan, by the time she was four; starred during the Golden Age of television in TV’s Mama from ages seven to fourteen; and was named the Ideal American Girl when she was twelve. In Saturday’s Child, she writes for the first time about her working youth, her battles to break away from show business and from her mother, her search for her absent, abandoning father, her entrance into the literary world, and the development of her politics, relationships, and writing. Morgan describes her tumultuous but successful life with startling honesty: her flight from child stardom into literature, her twenty-year marriage to a bisexual man, her joyful motherhood, her lovers, both male and female, her actions as a “temporary terrorist” on the left during the 1970s, and her travels and experiences in the global women’s movement. She writes about compiling and editing the famous anthologies Sisterhood Is Powerful and Sisterhood Is Global and later cofounding with Simone de Beauvoir the Sisterhood Is Global Institute. Saturday’s Child follows this “Ideal American Girl” on her path to becoming the feminist icon she is today. Epic in scope, witty, and bravely insightful, this is the tale of half of humanity rising up and demanding its rights, told through the intensely personal story of one remarkable woman.
This book has the power to change how people think about India. Many Indians wonder: 'We have so many good things young workers, smart scientists, skilled managers, natural resources and a 5,000-year-old culture. So why aren't we as successful as countries like Japan, Singapore or those in Europe?' 'Have we reached our full potential? If not, why not? Where did we make mistakes?' This book tries to answer these big questions. It looks at the problems India faces - both big and small. If we all work and stand together, the nation can leap frog into a super power very quickly. It offers simple, practical ideas to help India move forward. It doesn't use complicated language or ideas. Instead, it presents common-sense solutions that anyone can understand. Reading it might give you a gentle push or 'nudge' to think differently about India's challenges and potential. It could inspire you to take action, no matter how small, to help make India better. It's not just about complaining about problems, but about finding ways to solve them and make India stronger.
An examination of the novels, short story collections, and poetry of the Latin American author In Understanding Roberto Bolaño, Ricardo Gutiérrez-Mouat offers a comprehensive analysis of this critically acclaimed Chilean poet and novelist whose work brought global attention to Latin American literature in the 1960s unseen since the rise of García Márquez and magic realism. Best known for The Savage Detectives, winner of the Rómulo Gallegos Prize; the novella By Night in Chile; and the posthumously published novel 2666, winner of the National Book Critics Circle Award, Bolaño died in 2003 just as his reputation was becoming established. After a brief biographical sketch, Gutiérrez-Mouat chronologically contextualizes literary interpretations of Bolaño's work in terms of his life, cultural background, and political ideals. Gutiérrez-Mouat explains Bolaño's work to an English-speaking audience—including his relatively neglected poetry—and conveys a sense of where Bolaño fits in the Latin American tradition. Since his death, eleven of novels, four short story collections, and three poetry collections have been translated into English. The afterword addresses Bolaño's status as a Latin American writer, as the former literary editor of El País claimed, "neither magical realist, nor baroque nor localist, but [creator of] an imaginary, extraterritorial mirror of Latin America, more as a kind of state of mind than a specific place."
For most of human history hunting and gathering was a universal way of life. Richard Borshay Lee spent over three years conducting fieldwork among the !Kung San, an isolated population of 1,000 in northern Botswana. When Lee began his work in 19863, the !Kung San were one of the last of the world's people to live this life. By 1973, when Lee last lived with the group, it appeared that they !Kung were a society on the threshold of a transformation that signalled the end of foraging as an independent way of life, at least in Africa. The !Kung San: Men, Women and Work in a Foraging Society, an ecological and historical study, is Professor Lee's major statement on his research. By maintaining simultaneous historical and synchronic perspectives, Lee is able to extend his analysis of core features from the contemporary !Kung to prehistoric societies. These basic principles become the means to understanding the form of human life that has been obscured by the developments and complications of societies during the last few thousand years.
Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.
Once recalled only for The Whig Interpretation of History (1931) and Christianity and History (1949), Sir Herbert Butterfield's contribution to western culture has undergone an astonishing revaluation over the past twenty years. What has been left out of this reappraisal is the man himself. Yet the force of Butterfield's writings is weakened without some knowledge of the man behind them: his temperament, contexts and personal torments. Previous authors have been unable to supply a rounded portrait for lack of available material, particularly a dearth of sources for the crucial period before the outbreak of war in 1939. Michael Bentley's original, startling 2011 biography draws on sources never seen before. They enable him to present a new Butterfield, one deeply troubled by self-doubt, driven by an urgent sexuality and plagued by an unending tension between history, science and God in a mind as hard and cynical as it was loving and charitable.