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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
This book joins the notion that Second Isaiah is a poetic text with the task of interpreting it as a unified whole. In so doing, it makes methodological suggestions for applying a lyric poetic approach to biblical texts. The practical application of this approach shows Second Isaiah to be characterized by tension, conflict, and juxtaposition. The lyric model shows these conflicts, such as the presence of searing indictments in the ‘book of comfort,’ to be integral elements of the mode by which Second Isaiah addresses its audience. This book highlights the tonalities of the divine voice as central to Second Isaiah’s particularly poetic mode of cohesion and essential to the conflicted comfort Second Isaiah offers its reader.
New York Times Bestseller New York Times Notable Book of 2016 • NPR Great Read of 2016 • Named a Best Book of 2016 by The Economist, Smithsonian, NPR's Science Friday, MPR, Minnesota Star Tribune, Kirkus Reviews, Publishers Weekly, The Guardian, Times (London) From Pulitzer Prize winner Ed Yong, a groundbreaking, wondrously informative, and vastly entertaining examination of the most significant revolution in biology since Darwin—a “microbe’s-eye view” of the world that reveals a marvelous, radically reconceived picture of life on earth. Every animal, whether human, squid, or wasp, is home to millions of bacteria and other microbes. Pulitzer Prize-winning author Ed Yong, whose humor is as evident as his erudition, prompts us to look at ourselves and our animal companions in a new light—less as individuals and more as the interconnected, interdependent multitudes we assuredly are. The microbes in our bodies are part of our immune systems and protect us from disease. In the deep oceans, mysterious creatures without mouths or guts depend on microbes for all their energy. Bacteria provide squid with invisibility cloaks, help beetles to bring down forests, and allow worms to cause diseases that afflict millions of people. Many people think of microbes as germs to be eradicated, but those that live with us—the microbiome—build our bodies, protect our health, shape our identities, and grant us incredible abilities. In this astonishing book, Ed Yong takes us on a grand tour through our microbial partners, and introduces us to the scientists on the front lines of discovery. It will change both our view of nature and our sense of where we belong in it.
Drawing on the insights of lyric poetic theory, this book offers a fresh reading of Second Isaiah. This approach advances an argument that the tensive and conflicted divine voice is primary unifying factor in the sequence of poems.
Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work.
Whitman's famous poem, accompanied by linoleum-cut illustrations, depicts people at work all over an earlier America.
“Parents with or without tattoos will be touched by [this] heartwarming tale about sharing your past with your children—it leaves a mark” (Real Simple). It’s after dinner and a little boy wants a story from his father. It’s story he’s heard many times before, one etched all over his father’s body. So, dad once again tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There’s a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by the New York Times–bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love.
Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American. This sourcebook and critical edition provides easy access to: * information on the contexts of Whitman's work, including biographical details and a chronology * an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes * key passages from the original 1855 edition, with commentary and annotation * the full 'final' 1881 edition of the poem. Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.
"When Danah Zohar first published the early ideas of her Quantum Management Theory in the late 1990's, she articulated a new paradigm, inspired by quantum physics, and began a major contribution to our search for a new management theory that can replace outdated Taylorism. Now, in ZERO DISTANCE, the most comprehensive account of her project, she outlines how the theory has been implemented through the revolutionary RenDanHeyi business model of China's Haier Group, and subsequently several other large companies. Zohar's suggestion that the Haier model also offers a new social and political model is thought provoking. This book is a significant addition to our continuing conversation about the best way to manage companies and other human social systems. I recommend it highly." - Gary Hamel, London Business School, Author of Humanocracy This open access book offers a new management meta-theory to replace Taylorism. It presents a new paradigm in management thinking and a new, practical organizational model for implementing it in our personal and working lives, in our companies, in our communities and nations, and in a sustainable global order. It will offer an understanding of why and how "thinking-as-usual" is failing both business and political leaders in these new times, and it will advocate new thinking and new management practices that are so radically new that they turn everything we have taken for granted inside out and upside down. This new management model is called "Quantum Management Theory", because it is rooted in the new paradigm bequeathed to us by quantum physics and its younger sibling, complexity science. Danah Zohar is a physicist, philosopher, and management thought leader. She is a Visiting Professor at Tsinghua University's School of Economics and Management and a Visiting Professor at the China Academy of Art.