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Winner of the 2020 WILLA Literary Award in Creative Nonfiction from Women Writing the West Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of fourteen people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one's most cherished place.
When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.
A book of verses previously appearing in various magazines.
A classic from the New York Times bestselling author of A Walk in the Woods and The Body. After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly 3 million Americans believed they had been abducted by aliens—as he later put it, "it was clear my people needed me"). They were greeted by a new and improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item. Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth. The result is a book filled with hysterical scenes of one man's attempt to reacquaint himself with his own country, but it is also an extended if at times bemused love letter to the homeland he has returned to after twenty years away.
A classic from the New York Times bestselling author of A Walk in the Woods and The Body. After living in Britain for two decades, Bill Bryson recently moved back to the United States with his English wife and four children (he had read somewhere that nearly 3 million Americans believed they had been abducted by aliens—as he later put it, "it was clear my people needed me"). They were greeted by a new and improved America that boasts microwave pancakes, twenty-four-hour dental-floss hotlines, and the staunch conviction that ice is not a luxury item. Delivering the brilliant comic musings that are a Bryson hallmark, I'm a Stranger Here Myself recounts his sometimes disconcerting reunion with the land of his birth. The result is a book filled with hysterical scenes of one man's attempt to reacquaint himself with his own country, but it is also an extended if at times bemused love letter to the homeland he has returned to after twenty years away.
Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of fourteen people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman’s role as a white woman drawn in to “settle” the West reflects the tough-as-nails women in Gwartney’s own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one’s most cherished place.