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Kentia, Kirrah, and Theori face challenges in their relationships while preying on men for money.
Best-selling author Rick Riordan Presents the penultimate book in the Pandava series by best-selling author Roshani Chokshi. Aru Shah and her sisters--including one who also claims to be the Sleeper's daughter--must find their mentors Hanuman and Urvashi in Lanka, the city of gold, before war breaks out between the devas and asuras. Aru has just made a wish on the tree of wishes, but she can't remember what it was. She's pretty sure she didn't wish for a new sister, one who looks strangely familiar and claims to be the Sleeper's daughter, like her. Aru also isn't sure she still wants to fight on behalf of the devas in the war against the Sleeper and his demon army. The gods have been too devious up to now. Case in point: Kubera, ruler of the city of gold, promises to give the Pandavas two powerful weapons, but only if they win his trials. If they lose, they won't stand a chance against the Sleeper's troops, which will soon march on Lanka to take over the Otherworld. Aru's biggest question, though, is why every adult she has loved and trusted so far has failed her. Will she come to peace with what they've done before she has to wage the battle of her life? Filled with wondrous magic, unforgettable creatures, manipulative gods, and laugh-out-loud dialogue, this fourth book in the Pandava series, a fantasy adventure loosely based on mythology, will leave readers wishing they could read the finale right now.
Alison Cole’s got it all: She’s gorgeous, dating a steamy surfer boy, and has just been crowned Beverly Hills High Freshman Class President. Then during a special “symmetry” surgery, a lightning bolt zaps her, and Alison instantly transforms into Hottie—that is, a totally sizzling superhero with the power to shoot fire from her fingers! Shunned as a Pyro-Freak, Alison must adopt dorky David Eels as her crime-fighting sidekick. Worse, she’s falling for the one guy who wants to “extinguish” her forever, Junior Class President of Cuteness— and wannabe firefighter—T. Hull. But she doesn’t realize that a supervillain’s lurking. . . . Has Hottie met her match?
While the general public may feel uncomfortable discussing sexual assault and violence with neighbors or coworkers, the popularity of Twitter, Snapchat, and a host of other social media platforms suggests that we are not shy about expressing our opinions online. Debates that just a few years ago would have taken place in real life have been relocated online; allowing eager commenters to share their thoughts on guilt or innocence with legions of virtual strangers. Crowdsourcing the Law explores how everyday participants interpret and apply law in the influential online court of public opinion. Engaging a multidisciplinary, case study approach, the book analyzes social media comments about public figures such as Bill Cosby, Brock Turner, and Harvey Weinstein to address ambitious questions like: How are rape myths being challenged, reinforced, and reinvented on social media? What is the promise and peril of the #MeToo movement for transforming the law? And can due process be afforded in the face of an increasingly powerful virtual jury?
In his quest for cash and beautiful women, Jamell White, a.k.a. Sugar Daddy, runs a game on some of the biggest hustlers on the Gulf Coast, including a psychotic drug dealer, a crooked cop, and a Puerto Rican cartel. Original.
In the struggle for pride and political agency, the imperative to 'be a man' has been central to the lives of black males. Yet, what it means to be a black man-in terms of both racial and gender identity-has been subject to continual debate in public and academic spheres alike. Progressive Black Masculinities brings together leading black cultural critics including Michael Eric Dyson, Mark Anthony Neal, and Patricia Hill Collins to examine an alternatively demonized and mythologized black masculinity. Collectively, they offer a roadmap for new, progressive models of black masculinity that may chart the course for the future of black men.
The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.
Nearly every night on every major network, “unscripted” (but carefully crafted) “reality” TV shows routinely glorify retrograde stereotypes that most people would assume got left behind 35 years ago. In Reality Bites Back, media critic Jennifer L. Pozner aims a critical, analytical lens at a trend most people dismiss as harmless fluff. She deconstructs reality TV’s twisted fairytales to demonstrate that far from being simple “guilty pleasures,” these programs are actually guilty of fomenting gender-war ideology and significantly affecting the intellectual and political development of this generation’s young viewers. She lays out the cultural biases promoted by reality TV about gender, race, class, sexuality, and consumerism, and explores how those biases shape and reflect our cultural perceptions of who we are, what we’re valued for, and what we should view as “our place” in society. Smart and informative, Reality Bites Back arms readers with the tools they need to understand and challenge the stereotypes reality TV reinforces and, ultimately, to demand accountability from the corporations responsible for this contemporary cultural attack on three decades of feminist progress.