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Television is one of the most important socializing forces in contemporary culture. This book is a cultural history of prime-time television in America during the 1990s. Examines changes that took place in programming, such as the rapid adoption of cable, the proliferation of content providers, the development of niche marketing, the introduction of high-definition television, the blurring of traditional genres, and the creation of new formats like reality-based programming Argues that television programmes of the 1990s afforded viewers a symbolic resource for negotiating the psychological challenges associated with the shift from the Industrial Age to the Information Age Explores the ways in which television provided viewers with tools for coming to terms with their fears about living in the fast-paced , increasingly diverse, information-laden society of the 90s
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Film and Television Analysis is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television. The methodologies covered include: ideological analysis auteur theory genre theory semiotics and structuralism psychoanalysis and apparatus theory feminism postmodernism cultural studies (including reception and audience studies) contemporary approaches to race, nation, gender, and sexuality. With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts and case studies. Other features include: Over 120 color images throughout Questions for discussion at the end of each chapter Suggestions for further reading A glossary of key terms. Written in a reader-friendly manner Film and Television Analysis is a vital textbook for students encountering these concepts for the first time.
Author Ioan Ursu creates this book in his wish to create a new philosophical, religious organization. Through this new organization, the author wants to unify all the religious. He wants all these teachings to be free of the influence of the alien entity (so-called angels) that divides us through religions and controls our social actions, creating numerous acts of conflict and war. Ursu wrote this book to express his personal opinions and answer to questions that appear in his life, and many are the same questions that bother you. He believes opinion is the philosophic answer that will intrigue you and make you love or hate them in the function of whatever philosophical religious beliefs you have. He wants you to join him as he unifies all religious teaching and frees them from the influence of alien entities (angels), who, with their teachings, divides us through religion and controls our social actions, creating numerous acts of war.
The Simpsons are not only the world's most famous TV family; they are also the protagonists of one of the longest-lasting animation programs in US television. Over the course of the past thirty years, the yellow five from Springfield have become an indispensable part of American popular culture which still turns academics into fans and inspires fans to research the objects of their fascination. This book focuses on the Halloween Special TREEHOUSE OF HORROR, a part of THE SIMPSONS which research has largely left unnoticed. If THE SIMPSONS revolutionized how we look through television at US-American culture and society, TREEHOUSE OF HORROR has changed the way we re-member popular-culture history by way of horror traditions. This study demonstrates how Matt Groening's cartoon shows have painted a yellow archive of the digital age.
First published in 1995, "Intuitive Eating" has become the go-to book on rebuilding a healthy body image and making peace with food. This revised edition includes two brand-new chapters that will help readers integrate intuitive eating even more fully into their daily lives.
Engaging Film Criticism examines recent American cinema in relationship to its «imaginative intertexts», films from earlier decades that engage similar political and cultural themes. This historical encounter provides an unexpected and exciting way of reading popular contemporary films. Eclectic pairings include the Schwarzenegger action film True Lies with the Hitchcock classic North by Northwest, as well as the lampooned Will Smith comedy Wild, Wild West with Buster Keaton's silent feature The General. Using a theoretically and historically informed brand of criticism, Engaging Film Criticism suggests that today's Hollywood cinema is every bit as worthy of study as the classics.
This volume consists of 18 contributions from prominent figures in psychoanalysis. In five sections, they examine the social, historical, and intellectual context within which Freud lived and worked, and the scientific, moral, and philosophical implications of his discoveries.
First Published in 1995. Much of recent theory has characterized life in media-sophisticated societies in terms of a semiotic overload which, allegedly, has had only devastating effects on communication and subjectivity. In Architectures of Excess, Jim Collins argues that, while the rate of technological change has indeed accelerated, so has the rate of absorption. The seemingly endless array of information has generated not chaos but different structures and strategies, which harness that excess by turning it into forms of art and entertainment. Digital sampling in rap music and cyber-punk science fiction are well-known examples of techno-pop textuality, but Collins concentrates on other contemporaneous phenomena that are also envisioning new cultural landscapes by accessing that array--hyper-self-reflexivity in mall movies, best sellers, and prime-time television; the deconstructive vs. new-classical debate in architecture; the emergence of the "New Black Aesthetic;" the development of retro-modernism in interior design and the fashion industries. The analyses of these disparate, discontinous attempts to develop a meaningful sense of location, in an historical as well as a spatial sense, address a cluster of interconnected questions: How is the array of information being "domesticated?" How has appropriationism evolved from the Pop-Art of the sixties to the sampling of the nineties? How has the relationship between tradition, innovation, and evaluation been altered? Architectures of Excess investigates how these phenomena reflect change in taste and subjectivity, considering how we must account for both, pedagogically.
Labyrinths of Love is an interdisciplinary examination of the self, psyche, and soul, providing a comparative analysis from religious, paranormal research and transpersonal theory perspectives. The book addresses ontological questions regarding the nature of the self in relationship to both psyche and soul, each differentiated to reveal attributes that are transphysical and commonly recognized in most religious traditions. The role of dreams, imagination, and paranormal perceptions, as well, contribute to a more fully realized sense of identity. A constructive use of pansentient ontology illuminates how human identity can incorporate transphysical aspects of self into a meaningful theory of self-development and evolutionary becoming.The work creates a unique synthesis that unfolds what it means to be human and demonstrates a visionary epistemology of the self.