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A new edition of the comprehensive resource linking hymns and anthems to lectionary readings. The final volume in a three-volume series of planning guides for church musicians and clergy, this resource identifies hymns and anthems that are connected to the scripture appointed for Sundays and feast days. In addition to identifying hymns and anthems appropriate for each Sunday of the church year, this volume also offers suggestions about where in the liturgy each selection can best be used. Featuring hymns from hymnals authorized for use in the Episcopal Church, the Evangelical Lutheran Church in America, and the Moravian Church in America, as well as anthems from a variety of sources, Liturgical Music for the Revised Common Lectionary helps liturgical planners add musical variety to services and links congregational and choral singing to the lectionary.
This historic and authoritative volume contains the complete three-year listing of the Revised Common Lectionary (Years A, B, and C) to guide preaching and Scripture reading on the Lord’s Day. Abingdon Press. Also included are an introduction explaining the nature and uses of lectionaries and a brief history of the Consultation on Common Texts.
Left Behind and Loving It is a cheeky critique of popular writings about the end times. Rather than presenting a steroid-buffed Jesus wrapped in an American flag and "coming again in clouds of gunfire," Left Behind and Loving It invites readers to approach some of the most controversial and scary portions of the Scriptures with the utter confidence that "God's steadfast love endures forever." Rather than asserting a hope premised on a few chosen ones escaping the world, Left Behind and Loving It argues that if it is Jesus who is to return (and not his evil twin), then the second coming has redemption written all over it. Many today cannot accept the escapist, violent, end-of-the-world scenario envisioned by "Left Behind" theology. Left Behind and Loving It invites readers not to fear but to trust in God's steadfast love and look at the finitude of the world with hope in an infinitely loving God.
This is a complete revision of a detailed resource which has been the essential guide for church musicians working in the Episcopal church for over 20 years. A Guide to the Practice of Church Music (1989) was originally written by Marion J. Hatchett, who taught for many years at the Episcopal seminary at Sewanee, was key in developing materials for The Hymnal 1982. This updated revision contains brief, but articulate discussions of the role of music in the church, the variety and nature of music ministries (people, cantor, choirs, organists, directors, instrumentalists, clergy, and music committees); principles for the selection of hymns, psalms, canticles, and other service music and their sources in materials from CPI and beyond; guidance for planning services for all rites of the church in the BCP and the Book of Occasional Services. Updated revision includes hymnals, electronic resources, and materials published since The Hymnal 1982.
Each One a Minister, a revised and enlarged edition of Carter's previous book by the same title, begins with a 6-session study of Ephesians. Carter engages the reader in discovering the meaning of church, ministry, and gifts from the early church up to the present. As a follow-up to the Bible study, readers and study groups look at ways in which God's gifts are practical as well as spiritual. Four ministry categories, closely connected to the congregational primary task (receive, relate, equip, send), are identified. Scripture readings, activities, and ways to implement specific ministries are suggested. Designed to encourage individuals to discover God's call to ministry in their own lives, Each One a Minister leads toward practical ways of using gifts in ministries in our congregations and in our communities. An ideal resource for clergy, lay leaders, study groups, and others seeking to identify and use their gifts in meaningful ways. Discover Your Spiritual Gifts Leader's Guide is also available.
A new edition of the comprehensive resource linking hymns and anthems to lectionary readings. Liturgical Music for the Revised Common Lectionary, Year B is the second of three volumes in a series of planning guides for church musicians and clergy, identifying hymns and anthems that are connected to the scripture appointed for Sundays and feast days. In addition to identifying hymns and anthems appropriate for each Sunday of the church year, this volume also offers suggestions about where in the liturgy each selection can best be used. Featuring hymns from hymnals authorized for use in the Episcopal Church, the Evangelical Lutheran Church in America, and the Moravian Church in America, as well as anthems from a variety of sources, Liturgical Music for the Revised Common Lectionary helps liturgical planners add musical variety to services and link congregational and choral singing to the lectionary.
A resource for use wherever weekday celebrations of the Eucharist take place. It includes scripture readings from the NRSV and psalms from the Common Worship Psalter, and provides all the readings for the two year cycle of the weekday lectionary in one place.
The New Handbook of the Christian Year: Second Edition, by Hoyt L. Hickman, Don E. Saliers, Laurence Hull Stookey, and James F. White. Lectionary, prayers, responses, and Communion services updated for consistency with books of worship from several denominations. Includes: glossary of Christian symbols, glossary of liturgical terms, annotated bibliography, index of Scripture readings, index of Psalms, and an ecumenical service for the sacrament of the Lord's Supper.
"Isaac Everett's Emergent Psalter is clearly a work of love. Springing from the life of a young, emergent congregation, it embodies the best of old and new, and it is a sign of maturity in our important movement." —Tony Jones, author of The New Christians: Dispatches from the Emergent Frontier Many alternative and emerging church communities have begun exploring ancient music and liturgical traditions despite a lack of high-quality, published liturgical music, which does not require (or even desire) an organ and a four- part choir. The Emergent Psalter serves to provide that resource. The psalter itself consists of musically notated antiphon melodies with chord symbols followed by the printed psalm text which is read aloud. Featuring music written for two emerging communities (Transmission in New York and Church of the Apostles in Seattle), this book is an excellent resource for anyone producing alternative worship service or thinking of starting one.