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Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.
The Reverend Sabine Baring-Gould was a late Victorian novelist, antiquarian and eclectic scholar. He is remembered particularly as a writer of famous hymns, notably, ‘Onward, Christian Soldiers’. He was a prolific author of diverse subjects, producing over 200 books by the time of his death at the age of ninety. Among his most enduring works are his seminal ghost stories, revealing the author’s interest in occult studies. This comprehensive eBook presents Baring-Gould’s collected works, with numerous illustrations, many rare texts digitised for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Baring-Gould’s life and works * Concise introductions to the novels and major texts * 26 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Includes the original illustrations accompanying the works * Excellent formatting of the texts * Wide selection of Baring-Gould’s non-fiction and songs * Features a bonus biography – discover Baring-Gould’s intriguing life * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels Through Flood and Flame (1868) Mehalah (1880) John Herring (1883) Court Royal (1886) Red Spider (1887) Eve (1888) The Pennycomequicks (1889) Grettir the Outlaw (1889) Arminell (1890) Urith (1891) In the Roar of the Sea (1892) Through all the Changing Scenes of Life (1892) Cheap Jack Zita (1893) Kitty Alone (1894) The Icelander’s Sword (1894) Noémi (1895) The Broom Squire (1890) Perpetua (1897) Guavas the Tinner (1897) Bladys of the Stewponey (1897) Domitia (1898) Pabo the Priest (1899) Winefred (1900) The Frobishers (1901) Miss Quillet (1902) In Dewisland (1904) The Shorter Fiction Jacquetta and Other Stories (1890) In a Quiet Village (1900) A Book of Ghosts (1904) The Songs Songs of the West (1890) Selected Hymns The Non-Fiction The Book of Were Wolves (1865) Post-Mediaeval Preachers (1865) Curious Myths of the Middle Ages (1866) The Lives of the Saints (Volumes I-III) (1872) Yorkshire Oddities, Incidents and Strange Events (1874) The Vicar of Morwenstow (1876) Historic Oddities and Strange Events (1889) Old Country Life (1890) In Troubadour Land (1891) Strange Survivals (1892) An Old English Home and its Dependencies (1898) A Book of Dartmoor (1900) Brittany (1902) A Book of North Wales (1903) A Book of the Riviera (1905) A Book of the Cevennes (1907) A Book of the Pyrenees (1907) Devonshire Characters and Strange Events (1908) Cornish Characters and Strange Events (1909) A History of Sarawak under its Two White Rajahs (1909) Cliff Castles and Cave Dwellings of Europe (1911) A Book of Folk Lore (1913) The Biography The Rev. Sabine Baring-Gould’s Memoirs (1923) by Stewart M. Ellis Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
This updated second edition is an in-depth exploration of Elgar's compositions and of writings by and about the composer and his music. The past 16 years have seen a steady increase in scholarly publications and the emergence of The Elgar Society Journal, as well as further discoveries of the composer's MSS and letters, and the new edition incorporates this latest research. The compositions are examined in a work-by-work catalog, in chronological order, in which each entry gives a complete census and collation of manuscript, proof, text, biographical, printed edition and bibliographical sources for each item. The listing also includes unfinished sketches and details of much unpublished material. The bibliography section covers selected established literature as well as details of reviews and articles contained in the European periodicals at the climax of Elgar's career. Christopher Kent was nominated unanimously by the Scrutiny Panel of the International Association of Music Libraries, Archives and Research Centres for the 2014 C.B. Oldman Prize for the most outstanding reference resource published in 2014. He received the award at their Annual Conference held at the University of Aston, Birmingham in April.