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Excerpt from Hymns and Miscellaneous Poems Hymn 21. As the good shepherd leads his sheep. Minuet in Hen. I I7 3. At the portals of thy house. 6. Blessed sabbath of our Lord. 32. Blest are the pious, gentle race. 48. Blest with the Gospel for our guide. 45. Chain'd by her Saviour's eloquence. 13. Come, let us bless the bounteous God. 41. Exulting, rejoicing, hail the happy morning. Portuguese Hymn. 25. Far from mortal cares retreating. Tadcaster. 33. Far hence, kind Heaven, the wish remove. 18. Father divine, before thy view. 30. Father of our feeble race. 11. Glory be to God on high. 29. God of mercy, God of love. 37. Great God! At whose creative call. 2. Happy hours! All hours excelling! 8. Here, Lord, within thy sacred dome. 27. How blest is the soul where content. 26. Life is a chequered road. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Inspirational Stories Behind Your Favorite Hymns This classic book, written a century ago by the country's leading hymnologist, offers a collection of uplifting stories that will revitalize your worship. Originally published in 1903, the book was the first of its kind - a popular book that gave readers a unique look at the history behind the most popular hymns of the era. Did you know: Charles Wesley wrote the doxology to the hymn "Jesus Christ Is Risen Today" The hymn "Oh Little Town of Bethlehem" was written by a Sunday school teacher during last-minute preparations for a Christmas Eve service. "Onward Christian Soldiers" became popular shortly after the end of the Civil War. Discover fascinating facts and inspiring stories behind hymns and the men and women who wrote them. This book is also a valuable source of illustrations for pastors and music ministers.
Excerpt from Hymns and Sacred Pieces: With Miscellaneous Poems Churches, but are scattered in various collections. A few of them are now first published. Two or three which have been for some time in use I have preferred not to insert here. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.
The prolific scholar-poet Callimachus of Cyrene spent his career at the royal court and great Library at Alexandria. Creatively reworking the language and generic properties of his predecessors, Callimachus developed a distinctive style, learned and elegant, that became an important model for subsequent poets both Greek and Roman.
This carefully crafted ebook: “As You Like It (The Unabridged Play) + The Classic Biography: The Life of William Shakespeare” is formatted for your eReader with a functional and detailed table of contents. As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 or early 1600 and first published in 1623. Daughter of a banished duke and forced to flee the court, Rosalind hides in the Forest of Arden disguised as a man. When her true love Orlando also shows up in the forest, she courts him without revealing her identity. Meanwhile, Phebe mistakenly falls in love with her disguise, Silvius pines for Phebe, Jacques philosophizes, and Touchstone makes fun of it all, and love and happiness triumph as Rosalind orchestrates a happy ending amid the confusion. Life of William Shakespeare is a biography of William Shakespeare by the eminent critic Sidney Lee. This book was one of the first major biographies of the Bard of Avon. It was published in 1898, based on the article contributed to the Dictionary of National Biography. William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. Sir Sidney Lee (1859 – 1926) was an English biographer and critic. He was a lifelong scholar and enthusiast of Shakespeare. His article on Shakespeare in the fifty-first volume of the Dictionary of National Biography formed the basis of his Life of William Shakespeare. This full-length life is often credited as the first modern biography of the poet.