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In Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation, Zrinka Stahuljak explores the connections and fissures between the history of sexuality, nineteenth-century views of the Middle Ages, and the conceptualization of modern France. This cultural history uncovers the determinant role that the sexuality of the Middle Ages played in nineteenth-century French identity. Stahuljak's provocative study of sex, blood, race, and love in nineteenth- and early twentieth-century medical and historical literature demonstrates how French medicine's obsession with the medieval past helped to define European sexuality, race, public health policy, marriage, family, and the conceptualization of the Middle Ages. Stahuljak reveals the connections between the medieval military order of the Templars and the 1830 colonization of Algeria, between a fifteenth-century French marshal and the development of Richard von Krafft-Ebing's theory of sadism, between courtly love and the 1884 law on divorce. Although the developing discipline of medieval studies eventually rejected the influence of these medical philologists, the convergence of medievalism and medicine shaped modern capitalist French society and established a vision of the Middle Ages that survives today.
Jann Matlock's study of prostitution, hysteria, and the novel in nineteenth-century France considers, for the first time, the three topics together with their links to constructions of female marginality and desire. Made increasingly accessible to a large public by inexpensive printing methods, new forms of circulation like the roman-feuilleton, and rising literacy rates among women and workers, the novel became the medium for exchanges over women's bodies and desires. Matlock reveals the coincident traffic of the novel in the subjects of women on the fringe of society - prostitutes, hysterics, and madwomen- and the invitations extended to its new readers to explore new worlds of sexuality and intrigue. In addition, Matlock examines debates on the tolerance of prostitution, sexual continence, the relationship between female sexuality and madness, and the "dangers" of literature by incorporating into her study material from a myriad of archives, including medical case studies, police reports, newspaper editorials, and memoirs. Against this rich background, she discusses the novels of Balzac, Dumas fils, Sand, Soulié, and Sue, many of which were directed at a female audience.
She then examines compulsory education in hygiene and gymnastics, the flourishing genre of women's medical and sexual self-help literature, and the commercialization of health, beauty, and fitness products - all contributing to new scientific and commercial representations of the female body.