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The Majestic Columbia River Gorge is a collection of stories, myths, and of a Vision Quest by several chiefs of the Watlalla Tribe belonging to the Chinook Nation. The stories within share of the gift of all things involving nature and of how the Native Americans may have associated themselves to those same gifts.
"Mount Rainier, a Record of Exploration" by Various is a challenging and fascinating collection of excerpts from the original accounts of the men who successfully found, explored, and first climbed this sky-shouldering Cascade Range mountain. During the summer of 1915, the mountain was for the first time encircled by a large company of travelers. Small parties, carrying their luggage and provisions on their backs, had made the trip a number of times. The Mountaineers Club, in 1915, conducted a party of one hundred, with a fully equipped pack train and commissary, around the mountain. They camped each evening at or near the snowline. At the daily campfires, extracts were read from the original sources of the mountain's history. The interest there manifested in such records gave an additional impulse to the preparation of this book.
Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition—exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the "Twentieth-Century Traditionalist," Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.
This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.
Language complexity has recently attracted considerable attention from linguists of many different persuasions. This volume – a thematic selection of papers from the conference Approaches to Complexity in Language, held in Helsinki, August 2005 – is the first collection of articles devoted to the topic. The sixteen chapters of the volume approach the notion of language complexity from a variety of perspectives. The papers are divided into three thematic sections that reflect the central themes of the book: Typology and theory, Contact and change, Creoles and pidgins. The book is mainly intended for typologists, historical linguists, contact linguists and creolists, as well as all linguists interested in language complexity in general. As the first collective volume on a very topical theme, the book is expected to be of lasting interest to the linguistic community.