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This book was compiled to help put serious buyers in contact with non-collecting sellers all over the country. Not only does the guide list prices that collectors are willing to pay on thousands of items, it also lists hundreds of interested buyers along with the type of material each is seeking.
Pictures and describes paper advertising memorabilia ranging from posters and calendars to bumper stickers, and offers tips on collecting.
25,000 listings of old books with current values.
Toys are the happening collectible for the '90s. To meet the market explosion, this monumental value guide devoted entirely to toys has been created. Providing identification and values for more than 20,000 collectible toys of all kinds, this easy-to-use book puts buyers in touch with sellers, magazines, clubs, and newsletters that cover specific fields of collector interest.
This large-format book contains values for more than 24,000 toys in every category imaginable--action figures, cast-iron and paper lithographed toys, windups, Barbie dolls, model kits, diecast banks, games, playsets, character toys, and many more dating from the 19th century to the present day. Also included are coded dealer listings, plus information on clubs and newsletters and a bibliography of other books of interest.
Provides price information for buyers of nineteenth-century and later American country furniture, household goods, and other items.
From the early twentieth century until the Communist takeover in 1949, Shanghai commercial artists created thousands of colorful posters and black and white advertisements that formed an essential part of modern life in the city. This visually appealing and richly illustrated work describes the origin and evolution of modern commercial art in China, focusing on colorful advertisement calendar posters that featured distinctive feminine images. It makes clear how essential commercial art and its institutional backing were to the development of modern art and even modern society in China over the past century. Selling Happiness discusses not only advertising art but also the production and marketing of the calendar poster. These posters, like other advertisements, were rendered in a Western realistic technique and were wildly and widely popular. Ordinary people throughout China often acquired them to decorate their homes. Laing outlines how the Chinese commercial artist, who rarely attended formal Western art classes, gained skills in Western representational art. In the final chapter of the book, she explains how the styles developed by the commercial poster artists during the 1920s and 1930s became the basis for certain types of propaganda art under the Chinese Communists in the 1950s and 1960s.