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For a brief but brilliant season beginning in the late 1960s, American Indians seized national attention in a series of radical acts of resistance. Like a Hurricane is a gripping account of the dramatic, breathtaking events of this tumultuous period. Drawing on a wealth of archival materials, interviews, and the authors' own experiences of these events, Like a Hurricane offers a rare, unflinchingly honest assessment of the period's successes and failures.
In this stunning debut novel, two very different characters—a black boy who loses his home in Hurricane Katrina and a white boy in Vermont who loses his best friend in a tragic accident—come together to find healing. A hurricane, a tragic death, two boys, one marble. How they intertwine is at the heart of this beautiful, poignant book. When ten-year-old Zavion loses his home in Hurricane Katrina, he and his father are forced to flee to Baton Rouge. And when Henry, a ten-year-old boy in northern Vermont, tragically loses his best friend, Wayne, he flees to ravaged New Orleans to help with hurricane relief efforts—and to search for a marble that was in the pocket of a pair of jeans donated to the Red Cross. Rich with imagery and crackling with hope, this is the unforgettable story of how lives connect in unexpected, even magical, ways. “In Smith’s poetic hands, this poignant story barrels across the pages and into the reader’s heart, reminding us that magic can arise from the deepest tragedy.” —Kathi Appelt, Newbery Honor Award winner and two-time National Book Award Finalist
In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its “scarlet glare fixed on the trembling crescent,” to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar: The cowboy grins through the terrible din, *** And in the Ninth, a choking woman wails Look like this country done left us for dead. An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing. Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog. Visit her website at www.wordwoman.ws.
The first in a middle-grade action-adventure series from Roland Smith!Chase Masters and his father are "storm runners," racing across the country in pursuit of hurricanes, tornadoes, and floods. Anywhere bad weather strikes, they are not far behind. Chase is learning more on the road than he ever would just sitting in a classroom. But when the hurricane of the century hits, he will be tested in ways he never could have imagined.
A lethal mix of natural disaster, dangerously flawed construction, and reckless human actions devastated San Francisco in 1906 and New Orleans in 2005. Eighty percent of the built environments of both cities were destroyed in the catastrophes, and the poor, the elderly, and the medically infirm were disproportionately among the thousands who perished. These striking similarities in the impacts of cataclysms separated by a century impelled Steve Kroll-Smith to look for commonalities in how the cities recovered from disaster. In Recovering Inequality, he builds a convincing case that disaster recovery and the reestablishment of social and economic inequality are inseparable. Kroll-Smith demonstrates that disaster and recovery in New Orleans and San Francisco followed a similar pattern. In the immediate aftermath of the flooding and the firestorm, social boundaries were disordered and the communities came together in expressions of unity and support. But these were quickly replaced by other narratives and actions, including the depiction of the poor as looters, uneven access to disaster assistance, and successful efforts by the powerful to take valuable urban real estate from vulnerable people. Kroll-Smith concludes that inexorable market forces ensured that recovery efforts in both cities would reestablish the patterns of inequality that existed before the catastrophes. The major difference he finds between the cities is that, from a market standpoint, New Orleans was expendable, while San Francisco rose from the ashes because it was a hub of commerce.
Hunter Davies, the only ever authorised biographer of the group, has produced the essential Beatles guide. Divided into four sections – People, Songs, Places and Broadcast and Cinema – it covers all elements of the band’s history and vividly brings to live every influence that shaped them. Illustrated with material from Hunter's remarkable private collection of artefacts and memorabilia, this is the definitive Beatles treasure.
Barclay James Harvest are surely overdue for greater recognition. They have Long been feted in Germany and in other parts of Continental Europe, but remain largely unknown at home in the U.K. except to a fiercely loyal cognoscenti. Formed in the Saddleworth area of north-west England in 1967, the band released a series of outstanding albums showcasing their pastoral, classically-influenced brand of rock, before hitting the heights of their success, culminating in a massive open-air concert in Berlin in front of an estimated quarter of a million people. With only one line-up change, the departure of keyboard maestro and founder member Woolly Wolstenholme in 1979, they continued to record until 1998, when the band finally split into two separate groups, led by original members John Lees and Les Holroyd respectively. The core of this book covers Barclay James Harvest’s output from 1968 to 1997, with analysis and background information for every studio album and every song released from that period, but there is also room for an overview of their live albums and of the member’s activities after the break up of the original group. It is required reading for anyone with more than a passing interest in one of the rock world’s most underrated bands. Keith and Monika Domone have both been Barclay James Harvest aficionados from an early age, even meeting through their shared love of the band’s music. They graduated from running the band’s official fan club to writing and curating the Barclay James Harvest and John Lees’ Barclay James Harvest web sites, in between work and parenting. They were also responsible for penning two editions of The Barclay James Harvest Story, the only biography of the band to have appeared in print to date, and now out of print. They have two grown-up children, living in Hampshire, UK.