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The treasures of the Huntington—literary, historic, artistic, and botanical—are captured in this beautiful volume. Lavishly illustrated with nearly 130 full-color photographs and containing a wealth of information about the collections, the book is both a pictorial treat and a fascinating resource for anyone wanting to learn more about the Huntington.
Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.
From the Lake of Reflected Fragrance to the Pavilion for Washing Away Thoughts to the Isle of Alighting Geese, this gorgeously illustrated volume explores the Huntington's Chinese Garden—Liu Fang Yuan, or the Garden of Flowing Fragrance—one of the largest such gardens outside China. With the first phase of construction completed, the garden opened to visitors in early 2008. It resembles those created in seventeenth-century Suzhou, offering awe-inspiring views and architecture and evoking an era when scholars sought quiet, intimate gardens in which to retreat, write poetry, and practice calligraphy, among many other pursuits. The contributors to Another World Lies Beyond discuss the challenges of constructing the garden in Southern California as well as the cultural traditions and aesthetics of Chinese garden design, especially the ways in which the plants and structures engage the imagination of visitors. Inscribed poetic couplets, literary allusions, botanical motifs, and evocative names for structures reveal layers of symbolism for exploration and interpretation. The volume's final essay describes how plants that originated in China—such as the chrysanthemum, the plum, and the camellia—have shaped that country's ancient botanical heritage and have enriched the gardens of both East and West.
For more than one hundred years, the Japanese Garden at the Huntington has served as a bellwether for the West's engagement with Asian culture. With its distinctive moon bridge, wisteria arbors, koi-filled ponds, bonsai courts, bamboo forest, and historical Japanese House, this nine-acre garden has captivated visitors so much that it has become one of the most photographed spots in Southern California. This lavishly illustrated volume explores the garden's history, from its development for the Huntington estate as a display of fashionable, cultivated taste, to its quiet deterioration and neglect during World War II, to its resurgence in the 1950s as a showcase for Japanese culture and garden arts. Just before its centennial, the garden and its Japanese House underwent a comprehensive renovation. The highlight of its new features is a ceremonial teahouse, Seifu-an (Arbor of Pure Breeze), set within a traditionally landscaped tea garden. Contributors: Kendall H. Brown, James Folsom, Naomi Hirahara, Robert Hori, Kelly Sutherlin McLeod, FAIA
2017 PubWest Book Design Bronze Award Winner for Art Book This book offers a celebration of one of America’s most important collections of European art, housed in The Huntington, among the world’s great cultural, research, and educational centers. Gainsborough’s Blue Boy is just one of the masterpieces contained in the Huntington Galleries—the first public collection of Old Master painting, sculpture, and decorative arts in Southern California, and among the most important collections of British Grand Manner portraits anywhere. Over one hundred of the most impressive works housed at The Huntington, including paintings, sculptures, decorative arts, and works on paper, are published together for the first time in this handsome catalog. Breathtaking in their range, these works are presented in a dynamic format that juxtaposes medium, style, and cultural origin. The result is a visually stunning selection of European masterpieces that will serve as both a guide to The Huntington's collection and an enlightening compendium for anyone interested in European art.
Suzanne Muchnic draws on decades of experience as a Los Angeles Times arts writer to relate the complicated story of how the Los Angeles County Museum of Art emerged as the largest art museum in the western United States. Her in-depth reporting, fleshed out with private interviews and archival research, offers a lively tale about the convergence of art, money, people, and buildings that has produced a museum perpetually in the making.