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A hunter and writer explores the meaning of his "belief in the rights of wild places". "These tales and essays about one man's explorations of the natural world . . . are as fresh as spring, and equally intoxicating".--Michael Pollan, author of Second Nature.
"A collection of essays, organized by the changing of the seasons, about the author's strong connection to his family, friends, and the northern outdoors"--Provided by publisher.
Surviving a few weeks at the world's most lethal boarding school was one thing. But now comes the real test: Can November Adley find her missing father before her enemies find her? Subterfuge is the name of the game in this thrilling sequel to Killing November, from the #1 New York Times bestselling author of How to Hang a Witch. After surviving a crash course in espionage at the mysterious Academy Absconditi, November has only one purpose: finding her missing father. Along with fellow student (and heartthrob) Ash, November follows the clues that her father left, embarking on the deadliest treasure hunt of her life. The first clue is in her hometown, where old friends beckon and unexpected enemies lurk around every corner. The second clue is in Europe, where revelations about her family's history will plunge her into an international web of deception, lies, and intrigue. The third clue is deep in enemy territory, surrounded by the most skilled assassins and master strategists, and where everyone wants her and her father dead. Can one girl with limited training infiltrate a centuries-old organization that is powerful enough to topple empires? November only knows that she'll do whatever it takes to save her father . . . or die trying.
As wry as Bill Bryson’s I’m a Stranger Here Myself, as insightful as Tracy Kidder’s House, here is smart, engaging tale of one man’s stuggle to restore his family’s new home—a decrepit old mansion—and discover himself With his pregnant wife and their 18-month-old son in tow, David Giffels scoured the environs of Akron, OH, in search of the perfect house. But nothing seemed right . . . until he spotted the beautiful, decaying Guilded Era mansion. A former rubber robber baron’s domain, the once grand house does need some repair . . . okay it’s a dump. So what if, there’s “nothing holding this place up but memory,”—the assessment of his father, a structural engineer? It wouldn’t be perfect if it were easy, and Giffels relishes the challenge. He’s a committed do it yourselfer who fears a life without struggle—and Home Depot. All the Way Home follows Giffels’s funny and sometimes frustrating journey as he and his young family turns a decrepit money pit into the the home of their dreams. From outwitting squatters (both four- and two-legged) to rebuilding termite ridden walls, battling wisteria vines and finding $14,000 in Depression-era cash hidden in a bathroom wall, Giffels takes readers along on the ultimate fixer-up trip. Throughout he shows them the heart of a young man on the brink of adulthood, happily struggling with his new roles as a husband and a father—a man trying to find his way without losing himself.
The Wheel of Time turns and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow. For centuries, gleemen have told of The Great Hunt of the Horn. Now the Horn itself is found: the Horn of Valere long thought only legend, the Horn which will raise the dead heroes of the ages. And it is stolen. THE WHEEL OF TIME Book One: The Eye of the World Book Two: The Great Hunt Book Three: The Dragon Reborn Book Four: The Shadow Rising Book Five: The Fires of Heaven Book Six: Lord of Chaos Book Seven: A Crown of Swords Book Eight: The Path of Daggers Book Nine: Winter's Heart Book Ten: Crossroads of Twilight
Going home isn't easy and almost always emotionally disruptive as famous playwright Hugh Windmar realizes when he returns to his hometown of Saskatoon. There he re-acquaints with family, people almost strangers to him now; more importantly, his own past rears its ugly head as Hugh meets with the woman he abandoned during his rise to fame. Max Braithwaite's All The Way Home so clearly portrays the discomfort of revisiting the past it sends readers into an unexpected period of their own self-reflection.
“Craig Raleigh puts hunting into modern perspective, combining higher sensibilities and his firsthand insight into the hunting world to gently illuminate a part of human nature that was, and still is, among the purest of human endeavors.” —Jim Shockey, award-winning writer and host of Jim Shockey’s Hunting Adventures and Uncharted A thoughtful appreciation of hunting and a celebration of the outdoors that illuminates the hunter’s psyche, role, and influence on our culture. "As we began to set foot in the outdoors we didn’t expect to learn something beyond where the deer were running or where the ducks were flying. Once we realized what these creatures really wanted, it was the opening of truth for us as hunters." A long-time hunter and fisherman and senior writer at Wide Open Spaces, Craig Raleigh has spent most of the last forty-five years of his life trying to find that elusive Holy Grail of hunting, that unimagined outdoor reality where one’s training, instinct, and experience converge into extraordinary bliss and accomplishment. He is the first to admit, that this does not entail the capture of a deer or an ever-evasive pheasant. It is the freedom to give back to the outdoors as much as one takes from it. For hunters, a life lived in the outdoors is massively rewarding and offers non-stop pleasures. It comes with the love of camaraderie, choice, and reward, and provides a deep appreciation for the nature world. The Hunter’s Way is his meditative and philosophical journey into the soul of a hunter. Divided into four parts that mirror the hunting experience—the background, the preparation, the hunt, and the harvest—it addresses the paradox of hunting as conservationism, ruminates on the failures and successes of hunting as sport and as a way of life, and reveals how hunting influences our society. As Raleigh explains, the hunt is so much more than the kill. Most often, the hunter leaves the woods and fields empty-handed. Rather, the beauty of hunting is in the experience itself. As a hunter, you are constantly looking for clues. Yet in nature, signs are changeable, confusing, and never the same the second time. A captivating synthesis of On Trails, Norwegian Wood, and Shop Class as Soulcraft, The Hunter’s Way is a literary reflection and love letter to the value of hunting as both sport and way of life.
In an epic season of sport, Jim Fergus and his trusty Lab, Sweetzer, trek the mountains, plains, prairies, forests, marshes, deltas, and deserts of America.
Emerson described the hunter as "commanded in nature by the living power which he feels to be there present." The autobiographical essays in this elegiac collection convey that sense of living power, for Sydney Lea goes far beyond colorful accounts of tramping through Vermont woods following a gun dog's bell or a buck's trail. Hunting the Whole Way Home is a search for a personal philosophy or, as Robert Frost put it, a union of avocation and vocation. Lea explores the connections between his love for nature and his passion for writing. As Lea describes a world of grouse and Canada geese and trout and deer, he defends the hunt as primal and rejuvenative. He decries equally animal rights sentimentalists, the cruelties of slob hunters, and the "morally idiotic yap" of the NRA. His rationale for hunting is simple: "When I say I love the wild animals in a given ecosystem, I begin by acknowledging the plain fact that each must stand in relation to the others as predator or prey." That understanding, Lea says, emphasizes the otherness of wild animals and inspires true respect. Lea perceives a bond with those who share that respect: the generations of people who have hunted and loved nature as he does. The natural world gives him a clear view of the relation of child to parent and parent to child, of past to present, and the fragility of life. Pain awareness of that fragility colors his newest book and guides his ongoing struggle to make sense of a life for himself, and perhaps for others.
You're crazy ... She'll take over and shove us out. I can just see this place in winter: no carpets, acres of wet newspaper underfoot, family huddled under blankets while the pig hogs the fire.' Richard and Bookey Peek hadn't planned on a warthog, any more than one would plan a tidal wave, a tornado or triplets, but on Stone Hills game sanctuary, natural disasters have a way of happening when you least expect them. Through Zimbabwe's darkest hours, Stone Hills has become a world in itself, a place where you might share your shower with an owl or your bed with a baby squirrel. Take a fresh look at the hospitality game with a couple whose crocodiles are named after unpopular guests. And follow the barefoot young David and his playmate, the warthog Poombi, as she relinquishes her place on the sofa to return to the wild - much to her indignation. Engaging and delightfully readable, this is a testament to one family's passion for Africa's wildlife and their conviction that nothing can change the essential nature of the land and its people. All the Way Home is the exhilarating and intensely moving story of a fiercely protected piece of Africa in the heart of the majestic Matobo Hills.