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NEW YORK TIMES NOTABLE BOOK • An exhilarating, often deliciously funny and "beautifully written voyage of discovery" (Chicago Tribune) that is at once a travelogue, a social history, and a love letter to America. • From the bestselling, award-winning author of Bad Land In 1782 an immigrant with the high-toned name J. Hector St. John de Crèvecoeur—"Heartbreak" in English—wrote a pioneering account of one European's transformation into an American. Some two hundred years later Jonathan Raban, winner of the National Book Critics Circle Award, arrived in Crèvecoeur's wake to see how America has paid off for succeeding generations of newcomers. In the course of Hunting Mr. Heartbreak, Raban passes for homeless in New York and tries to pass for a good ol' boy in Alabama (which entails "renting" an elderly black lab). He sees the Protestant work ethic perfected by Korean immigrants in Seattle—one of whom celebrates her new home as "So big! So green! So wide-wide-wide!"—and repudiated by the lowlife of Key West. And on every page of this peerlessly observant work, Raban makes us experience America with wonder, humor, and an unblinking eye for its contradictions.
From the national bestselling, National Book Critics Circle Award-winning author of Bad Land comes “a lively, intensely personal recounting of a voyage into a gifted writer's country and self” (The New York Times Book Review). Put Jonathan Raban on a boat and the results will be fascinating, and never more so than when he’s sailing around the serpentine, 2,000-mile coast of his native England. In this acutely perceived and beautifully written book, the bestselling author of Bad Land turns that voyage–which coincided with the Falklands war of 1982-into an occasion for meditations on his country, his childhood, and the elusive notion of home. Whether he’s chatting with bored tax exiles on the Isle of Man, wrestling down a mainsail during a titanic gale, or crashing a Scottish house party where the kilted guests turn out to be Americans, Raban is alert to the slightest nuance of meaning. One can read Coasting for his precise naturalistic descriptions or his mordant comments on the new England, where the principal industry seems to be the marketing of Englishness. But one always reads it with pleasure.
‘A wonderful, rushing, crowded, enlightening voyage . . . A book which, in its ingenious understanding, its acceptance of a very imperfect world, and its energetic and constant fascination with human variety, should do a great deal to dispel the easiest and therefore the most prolific paranoid deception which the Western imagination has now fabricated in its desperate attempt to avoid facing reality’ Angus Wilson, Observer ‘A gem of a book, full of events and people and philosophy’ Sunday Telegraph ‘With an eye for the striking scene and entertaining incident he combines a perceptiveness of deeper realities that makes Arabia more than an amusing travellers’ journal’ Daily Telegraph ‘A very enjoyable book . . . It is racy and entertaining travel writing’ Cosmopolitan ‘The advent of a new travel writer of the first rank is an occasion to celebrate. Such a discovery is Jonathan Raban, whose Arabia is a tour de force’ Yorkshire Post
The bestselling, award-winning author of Bad Land takes us along the Inside Passage, 1,000 miles of often treacherous water, which he navigates solo in a 35-foot sailboat, offering captivating discourses on art, philosophy, and navigation and an unsparing narrative of personal loss. "A work of great beauty and inexhaustible fervor." —The Washington Post Book World With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers—between its embattled fishermen and loggers and its pampered new class.
With an introduction by Iain Sinclair In the city we can live deliberately: inventing and renewing ourselves, carving out journeys, creating private spaces. But in the city we are also afraid of being alone, clinging to the structures of daily life to ward off the chaos around us. How is it that the noisy, jostling, overwhelming metropolis leaves us at once so energized and so fragile? In Soft City, Jonathan Raban, one of our most acclaimed novelists and travel writers seeks to find out. First published in the 1970s, his account is a compelling exploration of urban life: a classic in the literature of the city, more relevant to today’s overcrowded planet than ever.
'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple 'The best book of travel ever written by an Englishman about the United States' Jan Morris, Independent Navigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into the heartland of America - with its hunger and hospitality, its inventive energy and its charming lethargy - and come to know something of its soul. The journey is as much the story of Raban as it is of the Mississippi. Navigating the dangerous, ever-changing waters in an unsuitably fragile aluminium skiff, he immerses himself with an irresistible emotional intensity as he tries to give shape to the river and the story - finding himself by turns vulnerable, curious, angry and, like all of us, sometimes foolishly in love.
This collection of writing undertaken for love and money is about books and travel, and makes for an engrossing and candid exploration of what it means to live from writing. Jonathan Raban weighs up the advantages of maintaining an independent spirit against problems of insolvency and self-worth, confesses to travel as an escape from the blank page, ponders the true art of the book review, admires the role of the literary editor and remembers with affection and hilarity events from his eccentric life at the heart of literary London. Reading it is like embarking on a humane, rigorous and witty conversation.
An anthology of writings illustrating humans' changing vision of the sea features passages from the work of Melville, Conrad, Darwin, Dickens, E.B. White, Dickinson, and Woolf.