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This heavily illustrated tour guide to the Adirondacks region was originally published in 1874. Stoddard, professional photographer and native of upstate New York, provides witty descriptions and practical information for visitors.
The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Freedom did not solve the problems of the Proctor family. Nor did money, recognition, or powerful supporters. As free blacks in eighteenth- and nineteenth-century America, three generations of Proctor men were permanently handicapped by the social structures of their time and their place. They subscribed to the Western, middle-class value system that taught that hard work, personal rectitude, and maintenance of family life would lead to happiness and prosperity. But for them it did not—no matter how hard they worked, how clever their plans, or how powerful their white patrons. The eldest, Antonio, born a Spanish slave, became a soldier for three nations and received government recognition for his daring and his skills as a translator. His son, George, an entrepreneur, achieved material success in the building trade but was so hampered by his status as a free black that he eventually lost not only his position in the community but his family. John, George's son, seized the opportunity proffered by Reconstruction and spent ten years in the Florida state legislature before segregation forced him to return to the life of a tradesman. Warner describes the Proctor men as "inarticulate." They left no personal papers and no indication of their attitudes toward their hardships. As a result, this work relies heavily on local government documents and oral history. Inference and intimation become vital tools in the search for the Proctors. In important ways the author has produced a case study of nontraditional methodology, and he suggests new ways of describing and analyzing inarticulate populations. The Proctors were not typical of the black population of their era and their location, yet the story of their lives broadens our knowledge of the black experience in America.
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.