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This monograph considers the painted frieze on the facade of Tomb II at Vergina (ca. 330-280 B.C.) as a visual document that offers vital evidence for the public self-stylings of Macedonian royalty in the era surrounding the reign of Alexander the Great. The hunting scene on the frieze reflects the construction of Macedonian royal identity through the appeal to specific and long-standing cultural traditions, which emerged, long before Alexanders reign, out of a complex negotiation of claims to heroic and local dynastic pasts, regional ideals of kingship, and models of royal behavior provided by the East.
This monograph considers the painted frieze on the facade of Tomb II at Vergina (ca. 330-280 B.C.) as a visual document that offers vital evidence for the public self-stylings of Macedonian royalty in the era surrounding the reign of Alexander the Great. The hunting scene on the frieze reflects the construction of Macedonian royal identity through the appeal to specific and long-standing cultural traditions, which emerged, long before Alexanders reign, out of a complex negotiation of claims to heroic and local dynastic pasts, regional ideals of kingship, and models of royal behavior provided by the East.
This study is based on literry works in various languages, from earliest times until approximately 1500. The 'biographer' of Arthur, tries to interlink the various sources.
This is a fascinating work, originally published in 1899 contains a collection of biographies and brilliantly entertaining anecdotes from the cream of the hunting elite in the United Kingdom during the Victorian period. Chapters include: The Fathers of Foxhunting, John Peel, Lord Forester, 'Nimrod' (Charles James Apperley), The Dukes of Rutland, George Lane Fox and The Masters of the Devon and Somerset, just to name a few. This fine work is still of great value and would be a wonderful addition to the historian of foxhunting. This work is being republished with a brand new introductory essay on Fox hunting.
Readers will be swept away by the harrowing journey taken by the King's Frog Hunter and his loyal companions, a Great-Horned Owl, a giant tortoise, and a Paint stallion, who must fight to bring truth, freedom and honor back to the Kingdom of Ameram. The story draws on art and integrity, devotion, loyalty, friendship and servanthood as beacons that illuminate truth and sharpen the sword against falsehood and evil. In the ancient land of Ameram, where giant, man eating frogs lurk in the marshes of the valleys, an aging and vain king has succumbed to the evil that is grasping control of his kingdom. His selfish behavior blinds his wisdom, opening the doors of Castle Ambermal to a wicked sorcerer who uses smoke, potions and manipulations to steal the throne and power from the rightful heir, the king's only child, Ekala. The truthful beauty and accuracy of a skilled sculptor begins the chiseling that reveals an ancient prophecy and its guardian, The King's Frog Hunter, who gathers a unique cast of characters to help the princess in her fight to save her father and the Kingdom. Together they embark on a dangerous quest that will challenge their courage, test their resolve and forge new friendships while battling to fulfill the Prophesy of Ameram.
What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.
Recent scholars have analysed ways in which authors of the Roman era appropriated the figure of Alexander the Great. The essays in this collection cast a wider net, to show how Classical Greek, Hellenistic and Roman authors reinterpret and sometimes misinterpret information on ancient Macedonians to serve their own literary and political aims. Although Roman ideas pervade the historiographical tradition, this volume shows that the manipulation of ancient Macedonian history largely occurred much earlier. It reflected the complicated dynastic politics of the Argead royal house, the efforts of Alexander himself to redefine Macedonian kingship, and the competing strategies of the Successors to claim his legacy. Facing the complexity of the source tradition about the ancient Macedonians yields a richer and more balanced reflection of both the history and the historiography of this important and controversial people.
In the modern world, objects and buildings speak eloquently about their creators. Status, gender identity, and cultural affiliations are just a few characteristics we can often infer about such material culture. But can we make similar deductions about the inhabitants of the first millennium BCE Greek world? Theoretical Approaches to the Archaeology of Ancient Greece offers a series of case studies exploring how a theoretical approach to the archaeology of this area provides insight into aspects of ancient society. An introductory section exploring the emergence and growth of theoretical approaches is followed by examinations of the potential insights these approaches provide. The authors probe some of the meanings attached to ancient objects, townscapes, and cemeteries, for those who created, and used, or inhabited them. The range of contexts stretches from the early Greek communities during the eighth and seventh centuries BCE, through Athens between the eighth and fifth centuries BCE, and on into present day Turkey and the Levant during the third and second centuries BCE. The authors examine a range of practices, from the creation of individual items such as ceramic vessels and figurines, through to the construction of civic buildings, monuments, and cemeteries. At the same time they interrogate a range of spheres, from craft production, through civic and religious practices, to funerary ritual.
Offers a new perspective on Byzantine imperial imagery, demonstrating the role foreign styles and iconography played in the visual articulation of imperial power.
A COMPANION TO THE ACHAEMENID PERSIAN EMPIRE A comprehensive review of the political, cultural, social, economic and religious history of the Achaemenid Empirem Often called the first world empire, the Achaemenid Empire is rooted in older Near Eastern traditions. A Companion to the Achaemenid Persian Empire offers a perspective in which the history of the empire is embedded in the preceding and subsequent epochs. In this way, the traditions that shaped the Achaemenid Empire become as visible as the powerful impact it had on further historical development. But the work does not only break new ground in this respect, but also in the fact that, in addition to written testimonies of all kinds, it also considers material tradition as an equal factor in historical reconstruction. This comprehensive two-volume set features contributions by internationally-recognized experts that offer balanced coverage of the whole of the empire from Anatolia and Egypt across western Asia to northern India and Central Asia. Comprehensive in scope, the Companion provides readers with a panoramic view of the diversity, richness, and complexity of the Achaemenid Empire, dealing with all the many aspects of history, event history, administration, economy, society, communication, art, science and religion, illustrating the multifaceted nature of the first true empire. A unique historical account presented in its multiregional dimensions, this important resource deals with many aspects of history, administration, economy, society, communication, art, science and religion it deals with topics that have only recently attracted interest such as court life, leisure activities, gender roles, and more examines a variety of available sources to consider those predecessors who influenced Achaemenid structure, ideology, and self-expression contains the study of Nachleben and the history of perception up to the present day offers a spectrum of opinions in disputed fields of research, such as the interpretation of the imagery of Achaemenid art, or questions of religion includes extensive bibliographies in each chapter for use as starting points for further research devotes special interest to the east of the empire, which is often neglected in comparison to the western territories Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to the Achaemenid Persian Empire is an indispensable work for students, instructors, and scholars of Persian and ancient world history, particularly the First Persian Empire.