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In the 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was introduced in Kinngait (Cape Dorset). His collection of early Inuit sculpture and prints represents a vibrant period in contemporary Inuit art. Drawing from ethnology, archaeology, art history, and cultural studies, Lutz tells the collection’s story.
A comprehensive look at American miniature bird carvings and the artists who made them
Newly rewritten chapter on the future of antlersCollecting, scoring, and carving antlersA complete and multi-faceted guide for Whitetail, mule deer, elk, and moose antlersThis new edition of Walrod's guide to antlers includes the latest information about trends in antler size and shape and new predictions about the future of antlers. Now in full color, the book discusses collecting shed antlers, the Bonne & Crockett antler scoring system, and crafts and artwork featuring antlers. Detailed instructions for mounting antlers and other ways of displaying them are given.
Sixty great contemporary decoy carvers from North America are highlighted in this illustrated book discussing artist techniques and inspiration. Full-color photographs throughout.
Presents an interdisciplinary study that combines art history, ethnology and sociology to examine the ways in which such "animal substitutes" as North American duck decoys and other utilitarian objects from a variety of cultures have influenced modern and contemporary art practices.
Joel Barber spent 20 years studying and collecting wild fowl decoys from Nova Scotia to North Carolina. Mr. Barber's authoratative volume is the only text written for the true collector and contains all there is to be known on the subject: how to recognize the locality from which a decoy comes, the world of famous decoy makers, the scarcity of certain types of decoys and more.
INSTANT #1 INTERNATIONAL BESTSELLER An elite secret society of killers has controlled the world’s treasures for hundreds of years…until one member tears himself free to salvage his soul and protect his daughter’s life in this “astoundingly original, relentlessly paced, and purely authentic” (Jack Carr) debut. The single greatest work of art in the world is not in the Louvre or The Met, or in any private collection. In fact, its whereabouts are unknown. Once in a long while, a child is born possessing the rarest of gifts, the innate ability to feel impossible beauty, to recognize priceless works of art. When such a child is discovered, a 250-year-old secret organization called Our World trains them to acquire the greatest works of art through theft, bribery, forgery, and even murder. Once found, the masterpiece will disappear again without anyone ever knowing it surfaced and sold for billions of dollars of profit at a secret auction attended by only the wealthiest of the art world’s patrons. One of Our World’s rare geniuses is Zhivago. He is also a psychopathic killer. On his trail is Hunter, a man who will stop at nothing to destroy the organization and save his daughter from suffering the same fate her mother did at its hands.
A wonderful collection of fine decoys and calls from the Great Lakes region, shown in over 1100 color photographs, along with original vintage black and white photos, extensive related literature, and a price guide. This valuable reference book includes pieces ranging from the finest museum-quality artifacts to collectibles that are more likely to turn up at a local auction, garage sale, flea market, or antique mall. An extensive bibliography and appendix provide valuable sources for information, organizations, periodicals, and auction companies.
Art, in its many forms, has long played an important role in people’s imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical ’Grand Tours’ during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of ’touristic’ places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.