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They came after the Diseray. Some were terrors ripped from our collective imaginations, remnants of every mythology across the world. And some were like nothing anyone had ever dreamed up, even in their worst nightmares. Monsters. Long ago, the barriers between our world and the Otherworld were ripped open, and it's taken centuries to bring back civilization in the wake of the catastrophe. Now, the luckiest Cits live in enclosed communities,behind walls that keep them safe from the hideous creatures fighting to break through. Others are not so lucky. To Joyeaux Charmand, who has been a Hunter in her tight-knit mountain community since she was a child, every Cit without magic deserves her protection from dangerous Othersiders. Then she is called to Apex City, where the best Hunters are kept to protect the most important people. Joy soon realizes that the city's powerful leaders care more about luring Cits into a false sense of security than protecting them. More and more monsters are getting through the barriers,and the close calls are becoming too frequent to ignore. Yet the Cits have no sense of how much danger they're in-to them, Joy and her corp of fellow Hunters are just action stars they watch on TV. When an act of sabotage against Joy takes an unbearable toll, Joy uncovers a terrifying conspiracy in the city. There is something much worse than the usual monsters infiltrating Apex. And it may be too late to stop them?
The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum. With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.
"Travel back 12,000 years and learn of Eyr, a youngster who saved his tribe from a woolly mammoth as they traveled from Siberia to Alaska . . . well told in metered verse that flows smoothly throughout...Realistic sketches in burnished colored pencil show details of clothing, family life, and geography." --Children's Literature In this tale, a young Ice-Age boy plays a key role in the survival of his band more than twelve thousand years ago. Eyr ­s band is hungry and in need of new skins. The old seer predicts a coming snow, and without a good supply ofmeat, the band may starve or die of cold. Eyr walks over meadows and hills with the other hunters looking for tracks, but they return with little game. That night Eyr dreams of killing the great woolly mammoth with his sharp spear. He imagines how his band would dance and feast, with food to last them through the dark winter. The next morning the band­s hunter-leader wakes him. Having reached the age that he can hunt alone, Eyr is sent to scout the large beaststhat roam the tundra, especially the woolly mammoths. Taking only his cape, his knife, his spear, and a smoldering ember, Eyr sets out to become a man and save his band.Told in rhyming couplets, just as many ancient storytellers told the epic tales of the past, Eyr the Hunter: A Story of Ice-Age America is based upon many facts. Margaret Zehmer Searcy is a cultural anthropologist who has taught classes about Native Americans and their customs for more than two decades in the Department of Anthropology at the University of Alabama. She has visited archaeological sites and is familiar with the kinds of animals that existed in the Ice-Age landscape. Joyce Haynes has won numerous local, state, and national awards for her illustrations. She has illustrated more than a dozen books and is the author of Drawing Wild Animals . She lives in Southwest Missouri.A story both involving and entertaining, Eyr the Hunter: A Story of Ice-Age America is made all the more moving by its wonderful rhythms and use of vivid detail. A children­s book that can be likened to the Clan of the Cave Bear series, this book can also be useful for explaining how the earliest Americans led their lives. It is a wonderful tie-in to any discussion about native cultures around the world as well.
The hunter arrives in an isolated community in the Tasmanian wilderness with a single purpose in mind: to find the last thylacine, the tiger of fable, fear and legend. The man is in the employ of the mysterious 'Company', but his sinister purpose is never revealed and as his relationship with a grieving mother and her two children becomes more ambiguous, the hunt becomes his own. Leigh's Tasmania is a place where the wilderness can still claim lives; where the connection between people and the land is at best uneasy and cannot be trusted. In prose of exceptional clarity and elegance, Julia Leigh creates an unforgettable picture of a man obsessed by an almost mythical animal in a damp dangerous landscape. The Hunter is the work of a compelling storyteller and a truly remarkable literary stylist.
Tasoula Hadjitofi was only a child when her homeland, Cyprus, was invaded. As bombs fell and soldiers marched through the streets, her mother stood guard, reminding her children to not be afraid—not of the bombs or anything else that may follow. They would always have their family and their faith. Soon thereafter, Tasoula found herself homeless and nation-less. A refugee. Decades later, she's a successful entrepreneur and the honorary Cypriot consul to The Netherlands. But family and faith remained her touchstones—and she never lost her longing for "home." She often thought of the gorgeous Cypriot churches and their icons. One day, an art dealer offers her a chance to buy Cyprian icons stolen during the war. Icons hold a special place in the hearts of many Greek Cypriots. They are not just masterpieces—they are artistic manifestations of faith and a gateway to the divine.Outraged, Tasoula sets out on a quest to repatriate these artifacts. An immensely difficult task as icons often lack provenance in the eyes of the law. But she is determined. Yet the road to “The Munich Case”—the largest art trafficking sting in European history—is filled with mind games, subterfuge, global politics, and a shady figure named Van Rinj, whose motives are never entirely clear...
She shot him just above the belt and left him for dead. Then they torched the house, with Parker in it, and took the money he had helped them steal. It all went down just the way they'd planned, except for one thing: Parker didn't die. In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.
Part revenge tale, part fairy tale—an electrifying story of marriage, infidelity and power by the author of the #1 Indie Next Pick, The End We Start From. A MILLIONS Most Anticipated Book of the Month A Best Book of Fall for ESQUIRE A VOGUE Novel Editors Recommend for Fall A LITERARY HUB 20 books that are laced with sinister magic Lucy and Jake live in a house by a field where the sun burns like a ball of fire. Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage—she will hurt him three times. As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return. Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal. “A beautiful, poetic account of [a] marriage, and also an insightful character study . . . And when it borders on a dark fairy tale, The Harpy soars.” —NPR
A tale of one man's obsession with rainforest jewels, this is the story of an impossible dream: a quest to see every one of the world's most elusive avian gems--a group of birds known as pittas--in a single year. Insightful, compelling, and laugh-out-loud funny, this is more than a book about birds. It's a true story detailing the lengths to which a man will go to escape his midlife crisis. A travelogue with a difference, it follows a journey from the suburban straitjacket of High Wycombe to the steamy, leech-infested rainforests of remotest Asia, Africa, and Australia. Dangerous situations, personal traumas, and logistical nightmares threaten The Jewel Hunter's progress. Will venomous snakes or razor-clawed bears intervene? Or will running out of fuel mid-Pacific ultimately sink the mission? The race is on. . . . If you've ever yearned to escape your day job, wondered what makes men tick, or simply puzzled over how to make a truly world-class cup of tea, this is a book for you.