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A sweet and funny story featuring one of Scotland's most famous animals; the Highland cow
The second, brilliantly funny, story about Hettie the loveable highland cow
"Hattie the Hen spots the danger--but no none seems to care!"--Pg 4 of cover.
Hattie Peck adores eggs of all kinds. However, she cannot make any of her own. No worries—Hattie has collected eggs from all over the world, hatched them, and raised her blended family of cockatoos, storks, owls, anything from an egg—even reptiles. But now it’s time. They all need to leave her big loving nest. So off the flock goes, on their biggest—and saddest—adventure. Even though, in her heart, Hattie knows it’s best. A poignant story about family and differences, making hard decisions, letting go and inclusion. It’s not all sad, though, due to a nice twist ending as in the first book. Bright colorful and lively illustrations and lots of information about egg-bearing animals round out the story.
Shakespeare wrote of lions, shrews, horned toads, curs, mastiffs, and hellhounds. But the word “animal” itself only appears very rarely in his work, which was in keeping with sixteenth-century usage. As Laurie Shannon reveals in The Accommodated Animal, the modern human / animal divide first came strongly into play in the seventeenth century, with Descartes’s famous formulation that reason sets humans above other species: “I think, therefore I am.” Before that moment, animals could claim a firmer place alongside humans in a larger vision of belonging, or what she terms cosmopolity. With Shakespeare as her touchstone, Shannon explores the creaturely dispensation that existed until Descartes. She finds that early modern writers used classical natural history and readings of Genesis to credit animals with various kinds of stakeholdership, prerogative, and entitlement, employing the language of politics in a constitutional vision of cosmic membership. Using this political idiom to frame cross-species relations, Shannon argues, carried with it the notion that animals possess their own investments in the world, a point distinct from the question of whether animals have reason. It also enabled a sharp critique of the tyranny of humankind. By answering “the question of the animal” historically, The Accommodated Animal makes a brilliant contribution to cross-disciplinary debates engaging animal studies, political theory, intellectual history, and literary studies.
Inspired by true events, this vivid and moving story of a young woman zookeeper and the elephant she's compelled to protect through the German blitz of Belfast during WWll speaks to not only the tragedy of the times, but also to the ongoing sectarian tensions that still exist in Northern Ireland today—perfect for readers of historical and literary fiction alike. Belfast, October 1940. Twenty-year-old zookeeper Hettie Quin arrives at the city docks in time to meet her new charge: an orphaned three-year-old Indian elephant named Violet. As Violet adjusts to her new solitary life in captivity and Hettie mourns the recent loss of her sister and the abandonment of her father, new storm clouds gather. A world war rages, threatening a city already reeling from escalating tensions between British Loyalists and those fighting for a free and unified Ireland. The relative peace is shattered by air-raid sirens on the evening of Easter Tuesday 1941. Over the course of the next five hours, hundreds of bombs rain down upon Belfast, claiming almost a thousand lives and decimating the city. Dodging the debris and carnage of the Luftwaffe attack, Hettie runs to the zoo to make sure that Violet is unharmed. The harrowing ordeal and ensuing aftermath set the pair on a surprising path that highlights the indelible, singular bond that often brings mankind and animals together during horrifying times. Inspired by a largely forgotten chapter of World War II, S. Kirk Walsh deftly renders the changing relationship between Hettie and Violet, and their growing dependence on each other for survival and solace. The Elephant of Belfast is a complicated and beguiling portrait of hope and resilience—and how love can sustain us during the darkest moments of our lives.
For ten long years, I stayed away to protect her.I thought I'd successfully subverted my wolf's instincts where Bethany was concerned.But when I saw her on that dance floor, my inner beast took over. I told myself it would be just one dance. One dance and I'd let her go. I didn't mean to bite her. Or f*ck her in the middle of a crowded dance club.Or kidnap her¿ again.
Hamish is a Highland cow and VERY hairy. He hates having baths and NEVER cuts his hair. Why should he when his shaggy coat is the perfect place to keep his favourite sweet - toffees! But one day his friends get fed up with the increasingly smelly Hamish, and they hatch a plan that involves a hairdresser and, yes, toffees! An exuberant story with bold, bright illustrations from a very talented artist.
This story takes place in a small town in the late 1950s through 1970. The main character, Henrietta W. Brooks, who is affectionately called "Hettie" by her friends, lives in rural American with her parents. She is immersed in a small community with common, down-to-earth people who adore her. Hettie loves people and she has a special gift for communication. She develops a strong, dynamic personality as she grows and matures. Many who know her describe Hettie as having an extraordinary power of persuasion. Hettie is very intelligent, but most importantly, she has good common sense. When Hettie reaches her thirties, some big changes occur in her life. This amazing story chronicles her ability to live a very happy life through it all.
Can Wallace and Gromit save the Giant Vegetable Competition of their town from fiendishly hungry rabbits?