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The Hungarian defeat to the Ottoman army at the pivotal Battle of Mohács in 1526 led to the division of the Kingdom of Hungary into three parts, altering both the shape and the ethnic composition of Central Europe for centuries to come. Hungary thus became a battleground between the Ottoman and Habsburg empires. In this sweeping historical survey, Géza Pálffy takes readers through a crucial period of upheaval and revolution in Hungary, which had been the site of a flowering of economic, cultural, and intellectual progress—but battles with the Ottomans lead to over a century of war and devastation. Pálffy explores Hungary's role as both a borderland and a theater of war through the turn of the 18th century. In this way, Hungary became a crucially important field on which key debates over religion, government, law, and monarchy played out. Reflecting 25 years of archival research and presented here in English for the first time, Hungary between Two Empires 1526–1711 offers a fresh and thorough exploration of this key moment in Hungarian history and, in turn, the creation of a modern Europe.
For more than two centuries, Hungarians believed they shared an ethnic link with people of Japanese, Bulgarian, Estonian, Finnish, and Turkic descent. Known as "Turanism," this ideology impacts Hungarian politics, science, and cultural and ethnic identity even today. In Go East!: A History of Hungarian Turanism, Balázs Ablonczy examines the rise of Hungarian Turanism and its lasting effect on the country's history. Turanism arose from the collapse of the Kingdom of Hungary, when the nation's intellectuals began to question Hungary's place in the Western world. The influence of this ideology reached its peak during World War I, when Turanian societies funded research, economic missions, and geographical expeditions. Ablonczy traces Turanism from its foundations through its radicalization in the interwar period, its survival in emigrant circles, and its resurgence during the economic crisis of 2008. Turanian notions can be seen today in the rise of the extreme right-wing party Jobbik and in Hungarian prime minister Viktor Orbán's party Fidesz. Go East! provides fresh insight into Turanism's key political and artistic influences in Hungary and illuminates the mark it has left on history.
After World War II, a new community of elite emerged in Hungary, in spite of the communist principles espoused by the government. In Luxury and the Ruling Elite in Socialist Hungary, György Majtényi allows us a peek inside their affluence. Majtényi exposes the lavish standard of living that the higher echelon enjoyed, complete with pools, Persian rugs, extravagant furniture, servants, and groundskeepers. They shopped in private stores stocked with expensive meats and tropical fruits just for them. They benefited from access to everything from books, telephone lines, and international travel to hunting grounds, soccer games, and even the choicest cemetery plots. But Majtényi also reveals the underbelly of such society, particularly how these privileges were used as a way of maintaining power, initiating or denying entry to party members, and strengthening the very hierarchies that communism promised to abolish. Taking readers on a fascinating and often surprising look inside the manor homes and vacation villas of wealthy post–World War II Hungarians, Majtényi offers fresh insight into the realities of patriarchy, loyalty, gender, and class within the communist regime.
Essays on how chaos, totalitarianism, and trauma have shaped Ukraine’s culture: “A milestone of the scholarship about Eastern European politics of memory.” —Wulf Kansteiner, Aarhus University In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and “memory wars.” How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.
"In the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company-and left an incredible collection of albums filled with images, messages, decorated papers, and more. Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life-Muslim and Christian, noble and servant, scholar and stable boy-the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits. Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople, using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it"--
Although state transformation – continuous struggle and bargaining between rulers and their subjects, producing an unpredictable variety of political structures – is often overlooked, the process is crucial in assessing the organizational development of early modern composite monarchies and deserves further investigation. In Austria, the monarchy’s emergence as a great power required it to overcome several successive crises that culminated in the decades around 1700. The Habsburgs succeeded more by adjusting relations between Crown and lordships than through institution building. This unusual interaction of state and non-state actors resulted in an Austria that markedly deviated from the centralizing nation-state exemplified by Britain or France. The nascent Habsburg fiscal-financial-military regime transformed regional and local authority, leading to armed conflict and causing disintegration of the administrative and social fabric. From the mid-seventeenth century onward, power – whether local or central, or social or political – would undergo enormous changes. Grounded in extensive research into Czech archives and spanning an era from the Thirty Years’ War to the coronation of Charles VI, Lordship and State Transformation delves into the complex transitions that characterized the first instance of a balance of power in Europe, with a focus on its underresearched great power, the Habsburg monarchy.
The Treaties of Carlowitz (1699) presents studies on the Lega Sacra War of 1683-1699 against the Ottoman Empire, the Peace treaties of Carlowitz (1699), and the legacy of the conflict for Modern Europe, the Balkans and the Ottoman Empire.
For more than four and a half centuries, the Jesuits in Hungary were forced to repeatedly recommence their activities due to wars, uprisings, and political conflicts. The Society of Jesus first settled in Hungary in 1561 during the period of Ottoman conquest. Despite their difficulties in a war-torn country, a network of Jesuit colleges was established as part of the Austrian Province, and the eighteenth century was a period of cultural and scientific prosperity for the Jesuits in Hungary. The Suppression of 1773, however, abruptly suspended this tradition for eighty years. After they resettled in Hungary in 1853, the Jesuits searched for new ways of apostolic work. The independent Hungarian Jesuit Province was established in 1909. The totalitarian regimes of the twentieth century posed fresh challenges. During the Communist period, the Hungarian Jesuit Province was forced to split up into two sections. The Jesuits in exile and those who remained in Hungary were reunited in 1990.
This book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the “real folk” performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres.