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Familiar and littl-known folk stories from Hungary.
First published in 1996. There has been no more important relationship between folk artist and folklorist than that between Zsuzsanna Palkó and Linda Dégh. Dégh’s painstaking collection of Mrs. Palkó’s tales attracted the admiration of the Hungarian-speaking world. In 1954 Mrs. Palkó was named Master of Folklore by the Hungarian government and summoned to Budapest to receive ceremonial recognition. The unlettered 74-year-old woman from Kakasd had become “Aunt Zsuzsi” to Linda Dégh—and was about to become one of the world’s best known storytellers, through Dégh’s work.
Part of "a vast and precious store of folk-lore...found amongst the Magyars" (preface), including stories of giants, fairies and witches, and superstitions concerning animals, plants, stones, and sundries.
A study of the Szeklers and their folktales.
From the beloved New York Times bestselling author-illustrator of Thank You, Mr. Falker and Pink and Say. Baba Yaga is a witch famous throughout Russia for eating children, but this Babushka Baba Yaga is a lonely old woman who just wants a grandchild--to love. "Kids will respond to the joyful story of the outsider who gets to join in, and Polacco's richly patterned paintings of Russian peasant life on the edge of the woods are full of light and color." -- Booklist "A warm, lively tale, neatly mixing new and old and illustrated with Polacco's usual energetic action, bright folk patterns, and affectionate characterizations." --Kirkus Reviews
ÊI remember well the feelings roused in my mind at mention or sight of the name Lucifer during the earlier years of my life. It stood for me as the name of a being stupendous, dreadful in moral deformity, lurid, hideous, and mighty. I remember also the surprise with which when I had grown somewhat older and begun to study Latin, I came upon the name in Virgil, where it means the Light-bringer, or Morning-star,Ñthe herald of the sun. Many years after I had found the name in Virgil, I spent a night at the house of a friend in Milwaukee, Wisconsin, right at the shore of Lake Michigan. The night was clear but without a moon,Ña night of stars, which is the most impressive of all nights, vast, brooding, majestic. At three oÕclock in the morning I woke, and being near an uncurtained window, rose and looked out. Rather low in the east was the Morning-star, shining like silver, with a bluish tinge of steel. I looked towards the west; the great infinity was filled with the hosts of heaven, ranged behind this Morning-star. I saw at once the origin of the myth which grew to have such tremendous moral meaning, because the Morning-star was not in this case the usher of the day but the chieftain of night, the Prince of Darkness, the mortal enemy of the Lord of Light. I returned to bed knowing that the battle in heaven would soon begin. I rose when the sun was high next morning. All the world was bright, shining and active, gladsome and fresh, from the rays of the sun; the kingdom of light was established; but the Prince of Darkness and all his confederates had vanished, cast down from the sky, and to the endless eternity of God their places will know them no more in that night again. They are lost beyond hope or redemption, beyond penance or prayer. I have in mind at this moment two Indian stories of the Morning-star,Ñone Modoc, the other Delaware. The Modoc story is very long, and contains much valuable matter; but the group of incidents that I wish to refer to here are the daily adventures and exploits of a personage who seems to be no other than the sky with the sun in it. This personage is destroyed every evening. He always gets into trouble, and is burned up; but in his back is a golden disk, which neither fire nor anything in the world can destroy. From this disk his body is reconstituted every morning; and all that is needed for the resurrection is the summons of the Morning-star, who calls out, ÒIt is time to rise, old man; you have slept long enough.Ó Then the old man springs new again from his ashes through virtue of the immortal disk and the compelling word of the star. Now, the Morning-star is the attendant spirit or ÒmedicineÓ of the personage with the disk, and cannot escape the performance of his office; he has to work at it forever. So the old man cannot fail to rise every morning. As the golden disk is no other than the sun, the Morning-star of the Modocs is the same character as the Lucifer of the Latins.
In this book Hasan M. El-Shamy has gathered the first authentic new collection of modern Egyptian folk narratives to appear in nearly a century. El-Shamy's English translations of these orally presented stories not only preserve their spirit, but give Middle Eastern lore the scholarly attention it has long deserved. "This collection of seventy recently collected Egyptian tales is a major contribution to African studies and to international distribution studies of folktales. In the face of the recent anthropological trend to use folkloric materials for extra-folkloric purposes, the preeminence of the text must be asserted once more, and these are obviously authentic, straightforwardly translated, fully documented as to date of collection and social category of informant, and for all that . . . readable."—Daniel J. Crowley, Research in African Literatures "Western knowledge of virtually all facets of contemporary Egyptian culture, much less the roots of that culture, is woefully inadequate. By providing an interesting, varied, and readable collection of Egyptian folktales and offering clear and sensible accounts of their background and meaning, this book renders a valuable service indeed."—Kenneth J. Perkins, International Journal of Oral History
The king belives almost all of the tales a farm boy tells about his wonderful pig.