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Napoleon has escaped from Elba – the Hundred Days have begun.
Describes the difficult and bloody four-month battle that tipped the stalemate on the Western Front in favor of the Allies in 1918 and drove back the Germans, bringing World War I to an end.
Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceau?escu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and loyalty is never absolute. And as the regime's authority falters, he finds himself uncomfortably, then dangerously, close to the eye of the storm. By turns thrilling and satirical, studded with poetry and understated revelation, The Last Hundred Days captures the commonplace terror of Cold War Eastern Europe. Patrick McGuinness's first novel is unforgettable.
So writes David Biro, a young doctor who had everything going for him -- a beautiful wife, a successful medical practice, and the Ph.D. in literature he had always dreamed of -- when he was diagnosed, at thirty-one, with a rare blood disease. Of the two possible treatments, he chose the riskier one, a bone marrow transplant. As he charts his journey from doctor to patient, from professor of dermatology to high-ranking medical "zebra, " Biro brings clarity to one of the most medically complex procedures of our time. And in writing about his own fears, Biro taps into the anxieties we all feel when confronted with a medical world that though more technologically advanced than ever strikes us, at times, as confusing -- with its contradictory diagnoses -- and compassionless.Combining the self-analysis of Oliver Sack's in A Leg to Stand On with the emotional impact of Jean-Dominique Bauby's The Diving Bell and the Butterfly, "One Hundred Days" is more than a physician's triumphant account of his own illness, it is a searing and, ultimately, hopeful meditation on illness and mortality, fate and the fellowship of family.
The story of how Germans came to embrace the Third Reich.Germany in early 1933 was a country ravaged by years of economic depression and increasingly polarized between the extremes of left and right. Over the spring of that year, Germany was transformed from a republic, albeit a seriously faltering one, into a one-party dictatorship. In Hitler's First Hundred Days, award-winning historian PeterFritzsche examines the pivotal moments during this fateful period in which the Nazis apparently won over the majority of Germans to join them in their project to construct the Third Reich. Fritzsche scrutinizes the events of theperiod - the elections and mass arrests, the bonfires and gunfire, the patriotic rallies and anti-Jewish boycotts - to understand both the terrifying power that the National Socialists came to exert over ordinary Germans and the powerful appeal of the new era that they promised.
A Kirkus Best Book of 2013 A revelatory, minute-by-minute account of JFK’s last hundred days that asks what might have been Fifty years after his death, President John F. Kennedy’s legend endures. Noted author and historian Thurston Clarke argues that the heart of that legend is what might have been. As we approach the anniversary of Kennedy’s assassination, JFK’s Last Hundred Days reexamines the last months of the president’s life to show a man in the midst of great change, finally on the cusp of making good on his extraordinary promise. Kennedy’s last hundred days began just after the death of two-day-old Patrick Kennedy, and during this time, the president made strides in the Cold War, civil rights, Vietnam, and his personal life. While Jackie was recuperating, the premature infant and his father were flown to Boston for Patrick’s treatment. Kennedy was holding his son’s hand when Patrick died on August 9, 1963. The loss of his son convinced Kennedy to work harder as a husband and father, and there is ample evidence that he suspended his notorious philandering during these last months of his life. Also in these months Kennedy finally came to view civil rights as a moral as well as a political issue, and after the March on Washington, he appreciated the power of Reverend Martin Luther King, Jr., for the first time. Though he is often depicted as a devout cold warrior, Kennedy pushed through his proudest legislative achievement in this period, the Limited Test Ban Treaty. This success, combined with his warming relations with Nikita Khrushchev in the wake of the Cuban missile crisis, led to a détente that British foreign secretary Sir Alec Douglas- Home hailed as the “beginning of the end of the Cold War.” Throughout his presidency, Kennedy challenged demands from his advisers and the Pentagon to escalate America’s involvement in Vietnam. Kennedy began a reappraisal in the last hundred days that would have led to the withdrawal of all sixteen thousand U.S. military advisers by 1965. JFK’s Last Hundred Days is a gripping account that weaves together Kennedy’s public and private lives, explains why the grief following his assassination has endured so long, and solves the most tantalizing Kennedy mystery of all—not who killed him but who he was when he was killed, and where he would have led us.
The bestselling, highly-acclaimed and most famous account of the Falklands War, written by the commander of the British Task Force.
"The time has come now," Abraham Lincoln told his cabinet as he presented the preliminary draft of a "Proclamation of Emancipation." Lincoln's effort to end slavery has been controversial from its inception-when it was denounced by some as an unconstitutional usurpation and by others as an inadequate half-measure-up to the present, as historians have discounted its import and impact. At the sesquicentennial of the Emancipation Proclamation, Louis Masur seeks to restore the document's reputation by exploring its evolution. Lincoln's Hundred Days is the first book to tell the full story of the critical period between September 22, 1862, when Lincoln issued his preliminary Proclamation, and January 1, 1863, when he signed the final, significantly altered, decree. In those tumultuous hundred days, as battlefield deaths mounted, debate raged. Masur commands vast primary sources to portray the daily struggles and enormous consequences of the president's efforts as Lincoln led a nation through war and toward emancipation. With his deadline looming, Lincoln hesitated and calculated, frustrating friends and foes alike, as he reckoned with the anxieties and expectations of millions. We hear these concerns, from poets, cabinet members and foreign officials, from enlisted men on the front and free blacks as well as slaves. Masur presents a fresh portrait of Lincoln as a complex figure who worried about, listened to, debated, prayed for, and even joked with his country, and then followed his conviction in directing America toward a terrifying and thrilling unknown.
From one of Australia’s most celebrated authors comes a powerful mother-daughter drama that explores the fault lines between love and control, pairing the claustrophobic intensity of Room and My Year of Rest and Relaxation with the youthful angst of Freshwater. Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. To fill the seemingly endless hours of her imprisonment, she writes to her unborn child, determined that her baby will know the truth, no matter what happens. Karuna’s pregnancy is the result of a heady act of independence, lust, and defiance that happened in a moment of freedom from her overprotective mother. In reaction to her daughter’s recklessness, Karuna’s mother locks her inside their apartment to her to make sure she can’t get into any more trouble. While postpartum confinement is a tradition in many cultures, is Karuna’s an act of love—or emotional abuse? As the birth approaches, Karuna and her mother repeatedly trip the fault lines between love and control. And somehow, despite their battles, Karuna recognizes her mother’s love in even the strangest of behaviors. At times tense and unnerving, One Hundred Days illuminates the pain, confusion, and thrill of growing up and the overwhelming desire of adults to protect the children they