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With a rapidly growing population, deteriorating economic and environmental conditions, and an unstable imperial centre, Soviet Central Asia would seem destined to become one of the world's trouble spots. Why then the apparent political quiet? This book argues that this perception is, in itself, a reflection of our ignorance of the region. Instead, argues the author, Islamic traditionalism has not only survived but has flourished and is resurgent in Central Asia. This book includes chapters on marital customs, the care of children, communal decision making, social prestige and values, and the "second" economy in Central Asia. Poliakov demonstrates the resilience of an "un-Soviet" way of life which is supported by underground institutions, fostered by "unofficial" clergy, and protected by the infiltration and subordination of government and party organs.
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This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
In line with the resurgence of interest in the history of archaeology manifested over the past decade, this volume aims to highlight state-of-the art research across several topics and areas, and to stimulate new approaches and studies in the field. With their shared historiographical commitment, the authors, leading scholars and emerging researchers, draw from a wide range of case studies to address major themes such as historical sources and methods; questions of archaeological practices and the practical aspects of knowledge production; ‘visualizing archaeology’ and the multiple roles of iconography and imagery; and ‘questions of identity’ at local, national and international levels.
The Russian Intelligentsia is the first single-volume history of a small but tremendously influential group of Russian intellectuals who achieved world renown in a variety of spheres. While previous accounts have addressed the history of individuals within this collective, Christopher Read offers the first explanation of the intelligentsia as a group. Read traces the vast debates that broke out between, and within, a multitude of intellectual factions, and contextualizes the ideas of the group within the framework of cultural, social, political, and economic development from the late 18th century to the present day. This comprehensive yet accessible account demonstrates how the Russian intelligentsia morphed from one incarnation to the next, and effectively situates this change and continuity within a pan-European context. It considers the role of the intelligentsia throughout its origins, its transformation during the Russian Revolution, and since the collapse of communism, and highlights the beliefs of key figures such as Fyodor Dostoyevsky, Ivan Pavlov, Vladimir Lenin, Leon Trotsky, and Mikhail Gorbachev. In doing so, Read provides an essential guide to a fascinating aspect of Russia's social and cultural history.
Editors Joan Grossman and Ruth Rischin pose to their contributors an intriguing question: What happens when the ideas of a thinker like William James, who--despite his originality--was deeply rooted in American traditions, are refracted through a culture that draws on a heritage profoundly different from his own? Including studies of reception and interpretation of James's major works and analyses of the impact of his own philosophy on certain Russian writers and thinkers, William James in Russian Culture reveals striking parallels among and divergences between the intellectual and the spiritual realms.
The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.
This book explores how social fragmentation led to pluralistic public policies in Chicago, Moscow, and Osaka.