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When it was first published in 1990, this book was an important study (the first for over sixty years) of north Italian and Parisian bindings by a distinguished authority who has elegantly considered the twin claims of ornament and patronage. The decorative possibilities of book binding were transformed during the third quarter of the fifteenth century through the work of antiquaries and scribes centred in Padua. Gilt-tooled elements taken from Islamic bookbindings and metal work, antique monuments and inscriptions and classical gems were adapted to create a new style. Italian men of letters and collectors enthusiastic for the New Learning carried the Paduan fashion to Central and Northern Europe, and Francis I's respect for learning and the patronage of two successive kings kindled a final blaze of creative brilliance in sixteenth-century France.
When it was first published in 1990, this book was an important study (the first for over sixty years) of north Italian and Parisian bindings by a distinguished authority who has elegantly considered the twin claims of ornament and patronage. The decorative possibilities of book binding were transformed during the third quarter of the fifteenth century through the work of antiquaries and scribes centred in Padua. Gilt-tooled elements taken from Islamic bookbindings and metal work, antique monuments and inscriptions and classical gems were adapted to create a new style. Italian men of letters and collectors enthusiastic for the New Learning carried the Paduan fashion to Central and Northern Europe, and Francis I's respect for learning and the patronage of two successive kings kindled a final blaze of creative brilliance in sixteenth-century France.
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
The five hundred years from the 1450s to the 1950s represent an extraordinarily rich quarry for evidence of incunabula sales, collecting, and use. What book lists reveal about publishing and reading habits in late-fifteenth-century Venice, how a Scottish librarian went about acquiring incunabula during World War II, and the international workshop connections glimpsed through early Hungarian bindings are among the topics explored in this volume. Library professionals aim spotlights on French plague tracts, Deventer as a printing place, the use of incunabula in learned societies in the nineteenth century, and incunabula collecting by monks and universities in England and Scotland.
In the past, studies of the history of bookbinding were mainly concerned with the exterior decoration. This book focuses attention primarily on the physical aspects of the binding and its construction principles. It is an expanded version of a series of lectures delivered by the author while Visiting Professor at the University of Amsterdam in 1987, supplemented with the results of ten years of intensive research in major libraries on the Continent, the United Kingdom and the USA. It surveys the evolution of binding structures from the introduction of the codex two thousand years ago to the close of the Middle Ages. Part I reviews the scanty physical evidence from the Mediterranean heritage, the early Coptic, Islamic and Ethiopian binding structures and their interrelation with those of the Byzantine realm. Part II is devoted to a detailed analysis of Western binding techniques, distinguishing the carolingian, romanesque and gothic wooden-board bindings as the main typological entities; their structure and function is compared with those of contemporary limp bindings. The book is illustrated with over 200 drawings and photographs and contains a comprehensive bibliography.
"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).