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"Introduction by Mark Damazer"--Page 1 of cover.
The issues surrounding mental health in Australia have for the past year created a great deal of exposure in the media. Andrew Denton's programme Enough Rope recently devoted an entire programme to the problems of Hearing Voices. This book contains a wealth of information of great practical value to people who hear voices as well as to those who simply wish to learn more about this fascinating aspect of human psychology. It also addresses many complex questions regarding personal identity, the nature of consciousness, the relationship between mind and brain and the place of spirituality in human life - issues which will be of interest to all thoughtful readers. John Watkins is an internationally-known and respected counsellor and educator whose main professional interest is in exploring and promoting holistic approaches to the development and maintenance of mental Health. In this latest book, he provides: a detailed description of a wide variety of voice hearing experiences, an overview of the theories accounting for how and why this happens, a range of practical techniques for coping with or stopping voices, guidelines for applying spiritual discernment to hearing voices, and strategies for optimising the personal value of voice hearing experiences.
Since 1968, Bernie Krause has traveled the world recording the sounds of remote landscapes, endangered habitats, and rare animal species. Through his organization, Wild Sanctuary, he has collected the soundscapes of more than 2,000 different habitat types, marine and terrestrial. With powerful illustrations and compelling stories, Krause provides a manifesto for the appreciation and protection of natural soundscapes. In his previous book, The Great Animal Orchestra, Krause drew readers’ attention to what Jane Goodall described as “the harmonies of nature . . . [that are being] one by one by one, snuffed out by human actions.” He now explains that the secrets hidden in the natural world’s shrinking sonic environment must be preserved, not only for our scientific understanding, but for our cultural heritage and humanity’s physical and spiritual welfare. Krause’s narrative—supplemented by exclusive access to field recordings from the wild—draws on a compelling range of personal anecdotes, histories, and examples to document his early exploration of this field and to lay the groundwork for future generations.
When over 900 followers of the Peoples Temple religious group committed suicide in 1978, they left a legacy of suspicion and fear. Most accounts of this mass suicide describe the members as brainwashed dupes and overlook the Christian and socialist ideals that originally inspired Peoples Temple members. Hearing the Voices of Jonestown restores the individual voices that have been erased so that we can better understand what was created—and destroyed—at Jonestown, and why. Piecing together information from interviews with former group members, archival research, and diaries and letters of those who died there, Maaga describes the women leaders as educated political activists who were passionately committed to achieving social justice through communal life. The book analyzes the historical and sociological factors that, Maaga finds, contributed to the mass suicide, such as growing criticism from the larger community and the influx of an upper-class, educated leadership that eventually became more concerned with the symbolic effects of the organization than with the daily lives of its members. Hearing the Voices of Jonestown puts human faces on the events at Jonestown, confronting theoretical religious questions, such as how worthy utopian ideals come to meet such tragic and misguided ends.
Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.
Love and duty come in many guises ... When everything falls apart around Raphael, he starts over anew. As an immortal mage responsible for our world’s magic, this has happened more times than he cares to count. He no longer finds it exciting. In a modern London where magic hides around every corner, he awaits the end of the Great Game, a magical contest he is playing with the enchantress Circe. The Game’s prize is the world’s magic, and its price almost certainly Armageddon. Win or lose, Raphael is willing to sacrifice his power, his soul, and his life to prevent the end of the world. His heart doesn’t even enter his calculations. Three days before the crux of the Game his long-lost brother comes to find him—and along with unwelcoming memories brings a gift far more dangerous than any enemy: hope. Till Human Voices Wake Us is a retelling of the Greek myth of Orpheus and Eurydice, a story where love, like duty, like Raphael himself, has many unexpected faces. Keywords: contemporary fantasy, mythological retellings, literary fantasy, mythopoeic fantasy, Orpheus and Eurydice, Greek myths
Like The Man Who Mistook His Wife for a Hat, this is a fascinating voyage into a strange and wonderful land, a provocative meditation on communication, biology, adaptation, and culture. In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect — a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well. Seeing Voices is, as Studs Terkel has written, "an exquisite, as well as revelatory, work."
In the sequel to Idolon, three desperate people, separated by time--a brain-damaged soul in near-future California, a Depression-era San Francisco architect with an inoperable brain tumor, and a post-human space traveler trapped by a cosmic accident--hold the key to preserving the future. Original.
A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due. There’s no shortage of books about public speaking or language or song. But until now, there has been no book about the miracle that underlies them all—the human voice itself. And there are few writers who could take on this surprisingly vast topic with more artistry and expertise than John Colapinto. Beginning with the novel—and compelling—argument that our ability to speak is what made us the planet’s dominant species, he guides us from the voice’s beginnings in lungfish millions of years ago to its culmination in the talent of Pavoratti, Martin Luther King Jr., and Beyoncé—and each of us, every day. Along the way, he shows us why the voice is the most efficient, effective means of communication ever devised: it works in all directions, in all weathers, even in the dark, and it can be calibrated to reach one other person or thousands. He reveals why speech is the single most complex and intricate activity humans can perform. He travels up the Amazon to meet the Piraha, a reclusive tribe whose singular language, more musical than any other, can help us hear how melodic principles underpin every word we utter. He heads up to Harvard to see how professional voices are helped and healed, and he ventures out on the campaign trail to see how demagogues wield their voices as weapons. As far-reaching as this book is, much of the delight of reading it lies in how intimate it feels. Everything Colapinto tells us can be tested by our own lungs and mouths and ears and brains. He shows us that, for those who pay attention, the voice is an eloquent means of communicating not only what the speaker means, but also their mood, sexual preference, age, income, even psychological and physical illness. It overstates the case only slightly to say that anyone who talks, or sings, or listens will find a rich trove of thrills in This Is the Voice.
A fascinating look at the human voice explains what it reveals about each individual, from gender and age, to education, mood, social status, emotion, and more.