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Could half-human, half-ape creatures really roam the Himalayan Mountains and the forests of North America? If tales of Bigfoot, Yeti, and Sasquatch are just stories, why do so many people report seeing these monsters in remote areas around the world? What would it be like to come upon a footprint of the Abominable Snowman or catch sight of Mothman, and how can you tell if the creature lurking down the path is part human and part beast? In Half-Human Monsters and Other Fiends, young readers will read historical stories and modern-day accounts of encounters with half-human monsters. Kids will get all the facts they need to help them spot Bigfoot, Mothman, ghouls, and other supernatural creatures. Children will also investigate the truth behind the stories, exploring the fears and superstitions of different cultures and looking at the scientific facts that might explain the seemingly unexplainable. If you love a nerve-racking story but also want to investigate the truth behind the myths, this is the book for you!
LOS ANGELES, 1854. Felipe Alvitre and a band of teenage outlaws set out on a brutal, seemingly random killing spree across the San Gabriel Valley, ignighting the ire of the Los Angeles citizens. Sheriff James Barton wrestles with a rapidly escalating crime rate and a populace that demands more from their corrupt, do-nothing legal system as the bodies continue to pile up. The crimes of the young Alvitre gang become symbolic of a greater frustration, and the sheriff faces mounting pressure to bring the outlaws to justice. His greatest battle, however, comes from within, and his responsibilities soon play second fiddle to his struggles with addiction and his toxic, unrequited love for a mysterious prostitute.LOS ANGELES, 2021. Self-obsessed, pretentious, womanizing novelist Chandler Morrison has been contracted to write a Western. He knows what kind of book his fans want, but he's torn between his commitment to the craft and the "brand" to which he believes he is expected to adhere. As he sinks deeper into deluded self-importance while juggling a number of surface-level relationships, the line separating fiction from reality becomes increasingly blurred.
From the controversial author of DEAD INSIDE comes a collection of eleven stories that delve into the darkest depths of human nature. Featuring a cast of dejected and often morally ambiguous characters, these complex works of short fiction explore such topics as addiction, mental illness, suicide, and religion. As you descend deeper into the bleak despots depicted within these pages, you'll find yourself immersed in narratives so sordid and unsettling that you'll have to look up...just to see hell.
Responsibility. Authority. Mortality. If you could liberate yourself of these burdens, would any cost be too great? On a hot August night, a troubled fifteen-year-old boy with a tragic past wakes to find his tyrannical foster parents murdered by a trio of nocturnal, blood-drinking heathens. The killers give him the opportunity for a new life, one where he can be relieved of traditional hardships, vanquish his enemies, and attain a sense of true belonging...at the cost of what little remains of his humanity. The life he is offered is one of eternal darkness, but the promise of undying acceptance, freedom, and power gives it an appeal that his current dreaded existence is lacking. Fraught with resentment over his catastrophic adolescence and confronted by ambiguous notions of good and evil, he is forced to explore a dark world on the fringe between bliss and oblivion. As he edges ever closer to a climactic encounter with the demons that plague his soul, he discovers just how dangerous it is to be young and alienated in modern society.
Love is not patient, and it is not kind. It is envious, boastful, and proud. It dishonors others, and is self-seeking. It is easily angered, and keeps record of all wrongs. It delights in evil and recoils from the truth. It never protects, never trusts, never hopes, and, most importantly, it never perseveres. Love always fails. These are lessons Derek Diver has yet to comprehend, but the time of his enlightenment is approaching. His lesson will be steeped in blood, and he will learn that love is the most violent force on Earth.
The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological, and cultural value. Monstrosity is bound up with questions of body image and deformity, nature and knowledge, hybridity and horror. To explore a culture's attitudes to the monstrous is to comprehend one of its most important symbolic tools. The Monstrous Middle Ages looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writings and mystical texts to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gender and sexual identity, religious symbolism, and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. The Monstrous Middle Ages will be essential reading for anyone interested in the concept of monstrosity and its significance for both medieval cultural production and contemporary critical practice.
“Christopher Moore is a very sick man, in the very best sense of the word.” —Carl Hiaasen The undead rise again in Bite Me, the third book in New York Times bestselling author Christopher Moore’s wonderfully twisted vampire saga. Joining his farcical gems Bloodsucking Fiends and You Suck, Moore’s latest in continuing story of young, urban, nosferatu style love, is no Twilight—but rather a tsunami of the irresistible outrageousness that has earned him the appellation, “Stephen King with a whoopee cushion and a double-espresso imagination” from the Atlanta Journal-Constitution and inspired Denver’s Rocky Mountain News to declare him, “the 21st century’s best satirist.”
Not quite human, not quite beast. Not quite female, not quite male. Sometimes hunter, sometimes prey. Always alone. Until them. Fiend hunter Sam “Sabertooth” Forest is used to being on the outskirts. Being a cur with a mix of shifter and human blood, Sam can’t fully shift to beast but can’t fully pass as human. Through sheer determination, and a desire to protect the broken shifter woman who raised them, Sam has managed to eek out a place of their own in a world devastated by the rift that allowed monsters to spill into the earth plane. Sam hunts monsters, sometimes curs and mongrels just like Sam. The work might be dangerous, and the humans might want to put the mixed breed hunter on their hitlist, but it’s a job. It’s freedom. Sam works alone and trusts no one. The next hunt should bring in a big bounty—big enough to pay the pack extortion fee and keep Sam’s adoptive mother safe through winter. But when a Leprechaun horns in on Sam's unicorn hunt and tricks Sam into forming a hunter’s guild, Sam is suddenly burdened by an overabundance of people. Setting off to hunt one-horned murder beasts with an annoying leprechaun and a nerdy half-ogre is bad enough. But when you add in a betrayal by the seductive siren Sam has loved since childhood, and the machinations of a rich human politician, well…Sam’s simple, lonely little life just got a whole lot more complicated. Author’s Note: I love reverse harem, but I got sick of reading the same old tropes. In my books you will find atypical characters and varied sexuality. In general, you probably won’t find many alpha males or fainting females. The Not Quite series is a harem/reverse harem urban fantasy series of novellas (between 35,000-45,000 words) and contains the following: *adult language, and lots of it *moderate levels of violence/gore/action *graphic sexual situations *polyamory/ multiple lovers *LBGTQ and straight themes (the main character is intersex and will have both male and female lovers, and this is a harem, so expect M/F, M/M, F/F, MMMFF etc.) *as usual, my characters all have their own emotional scars. This means the book MAY contain mentions of abuse, unpleasant situations, etc. Please do not read if you are triggered by things like this.
A young hospital security guard with a disturbingly unique taste in women. A maternity doctor with a horrifically unusual appetite. When the two of them meet, they embark on a journey of self-discovery while shattering societal norms and engaging in destructively aberrant behavior. As they unwittingly help each other understand a world in which neither seems to belong, they begin to realize what it truly means to be alive...And that it might not always a good thing.
Fan favorite Wong takes readers to a whole new level with this blistering sequel to the cult sensation "John Dies at the End," soon to be a movie starring Paul Giamatti.