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A small tribe of Neanderthals find themselves at odds with a tribe comprised of homo sapiens, whose superior intelligence and agility threatens their doom.
The genre of prehistoric fiction contains a surprisingly large and diverse group of fictional works by American, British, and French writers from the late nineteenth century to the present that describe prehistoric humans. Nicholas Ruddick explains why prehistoric fiction could not come into being until after the acceptance of Charles Darwin's theories, and argues that many early prehistoric fiction works are still worth reading even though the science upon which they are based is now outdated. Exploring the history and evolution of the genre, Ruddick shows how prehistoric fiction can offer fascinating insights into the possible origins of human nature, sexuality, racial distinctions, language, religion, and art. The book includes discussions of well-known prehistoric fiction by H.G. Wells, Jules Verne, J.-H. Rosny Aîné, Jack London, William Golding, Arthur C. Clarke, and Jean M. Auel and reminds us of some unjustly forgotten landmarks of prehistoric fiction. It also briefly covers such topics as the recent boom in prehistoric romance, notable prehistoric fiction for children and young adults, and the most entertaining movies featuring prehistoric humans. The book includes illustrations that trace the changing popular images of cave men and women over the past 150 years.
In Prehistory, the award-winning archaeologist and renowned scholar Colin Renfrew covers human existence before the advent of written records–which is to say, the overwhelming majority of our time here on earth. But Renfrew also opens up to discussion, and even debate, the term “prehistory” itself, giving an incisive, concise, and lively survey of the past, and how scholars and scientists labor to bring it to light. Renfrew begins by looking at prehistory as a discipline, particularly how developments of the past century and a half–advances in archaeology and geology; Darwin’s ideas of evolution; discoveries of artifacts and fossil evidence of our human ancestors; and even more enlightened museum and collection curatorship–have fueled continuous growth in our knowledge of prehistory. He details how breakthroughs such as radiocarbon dating and DNA analysis have helped us to define humankind’s past–how things have changed–much more clearly than was possible just a half century ago. Answers for why things have changed, however, continue to elude us, so Renfrew discusses some of the issues and challenges past and present that confront the study of prehistory and its investigators. In the book’s second part, Renfrew shifts the narrative focus, offering a summary of human prehistory from early hominids to the rise of literate civilization that is refreshingly free from conventional wisdom and grand “unified” theories. The author’s own case studies encompass a vast geographical and chronological range–the Orkney Islands, the Balkans, the Indus Valley, Peru, Ireland, and China–and help to explain the formation and development of agriculture and centralized societies. He concludes with a fascinating chapter on early writing systems, “From Prehistory to History.” In this invaluable, brief account of human development prior to the last four millennia, Colin Renfrew delivers a meticulously researched and passionately argued chronicle about our life on earth, and our ongoing quest to understand it.
Thirty-five thousand years ago, the world was a dangerous place to be human. It was an age ruled by ancient gods and wild beasts, where death lay only a spear-thrust away. But for the scattered tribes of Paleolithic Europe, hope lay in the shaman-warriors who stood between their people and the unknown. Tiger Lung follows the struggle of one of these shamans to keep his people--and himself--alive in an unknowably vast and hostile universe. Collecting the three-part Dark Horse Presents "Beneath the Ice" tale by Simon Roy (Prophet) and Jason Wordie, with two all-new adventures and bonus materials!
From the early days of the movies, "cavemen" have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.
Recent archaeological discoveries from China and central Asia have changed our understanding of how human civilization developed in the period of some 4 million years before the start of written history. In this new edition of his Very Short Introduction, Chris Gosden explores the current theories on the ebb and flow of human cultural variety.
When a paleoanthropologist mysteriously disappears in the remote upper regions of the Pamir Mountains in Tajikistan, two of his former students, once lovers and now competitors, set off in search of him. Along the way, they make an astounding discovery: a remnant band of Neanderthals, the ancient rivals to Homo sapiens, live on. The shocking find sparks a struggle that replays a conflict from thirty thousand years ago and delves into the heart of modern humanity.
From the author of The Bear, the enthralling story of two women separated by millennia, but linked by an epic journey that will transform them both. Forty thousand years in the past, the last family of Neanderthals roams the earth. After a crushingly hard winter, their numbers are low, but Girl, the oldest daughter, is just coming of age and her family is determined to travel to the annual meeting place and find her a mate. But the unforgiving landscape takes its toll, and Girl is left alone to care for Runt, a foundling of unknown origin. As Girl and Runt face the coming winter storms, Girl realizes she has one final chance to save her people, even if it means sacrificing part of herself. In the modern day, archaeologist Rosamund Gale works well into her pregnancy, racing to excavate newly found Neanderthal artifacts before her baby comes. Linked across the ages by the shared experience of early motherhood, both stories examine the often taboo corners of women's lives. Haunting, suspenseful, and profoundly moving, The Last Neanderthal asks us to reconsider all we think we know about what it means to be human.
What was the world like for people thousands of years ago? How can we know? Through fiction? This is a work of literary criticism, and more. It begins with a discussion of the problem of authenticity and then considers twelve pieces of fiction that depict human prehistory: H.G. Wells' The Island of Doctor Moreau, Pierre Boulle's The Planet of the Apes, Jules Verne's The Village in the Treetops, Edgar Rice Burroughs' The Land That Time Forgot, the struggle for legitimacy in Wells' "The Grisly Folk," the Tasmanian analogue in Lester Del Rey's "The Day Is Done," William Golding's The Inheritors, "the promise of humanity" in Arthur C. Clarke's 2001: A Space Odyssey, the theme of "a god among the heathen" in Wells' "The Lord of the Dynamos" and other works, Jean Auel's The Clan of the Cave Bear, J.H. Rosny-Aine's Quest for Fire, and Wells' The Time Machine: An Invention. A final chapter considers the paleoanthropologist as literary critic.
This enhanced eBook includes: • Eight never-before-seen video interviews with Jean M. Auel where she discusses The Clan of the Cave Bear and the Earth’s Children® series: “You Must Be Able to Change in Order to Survive,” “Jondalar and Ayla,” “On Language," “Cro-Magnons and Neanderthals: The Crossbreeding Question,” “On Research (and Glaciers),” “The Domestication of Horses and Wolves,” “The Painted Caves,” and “What Is It Like Finishing a Series?” • An excerpt from The Land of Painted Caves • An Earth’s Children® series sampler • A text Q&A with Jean M. Auel • The full text of the novel This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves The Clan of the Cave Bear. A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by a woman of the Clan, people very different from her own kind. To them, blond, blue-eyed Ayla looks peculiar and ugly—she is one of the Others, those who have moved into their ancient homeland; but Iza cannot leave the girl to die and takes her with them. Iza and Creb, the old Mog-ur, grow to love her, and as Ayla learns the ways of the Clan and Iza’s way of healing, most come to accept her. But the brutal and proud youth who is destined to become their next leader sees her differences as a threat to his authority. He develops a deep and abiding hatred for the strange girl of the Others who lives in their midst, and is determined to get his revenge.